Edited by Paul S. MachlinThe 17 transcriptions in this volume reveal the compositional artistry and comic play of Thomas Wright Fats Waller (1904-43) - virtuoso jazz pianist, organist, singer, bandleader, parodist, comedian, and composer in the Harlem stride tradition. Using pairs of transcriptions of the same tune, this volume explores the creative process within Waller's improvisations by demonstrating the wide variety of gesture and idea captured at the moment of recording. Alternate takes of I Can't Give You Anything But Love, for example, show how deep the stylist gulf between two versions of a song could become, even within the same recording session. Alternate takes of Waiting at the End of the Road performed on piano and on pipe organ demonstrate Waller's ability to exploit the different expressive possibilities inherent in the two instruments. Drawn from recordings made throughout Waller's career, other pairs include a broad sampling of solo piano and pipe organ performances, popular songs, and small ensemble work: Ain't Misbehavin', Gladyse, Honeysuckle Rose, I Ain't Got Nobody, I'm Crazy 'bout My Baby, and Rusty Pail. A single transcription of Waller's little-known homemade acetate of That Does It from his 1943 show Early to Bed completes the volume. The accompanying essay explores the nature of Waller's compositional and lyrical ingenuity, illustrated by several recently discovered manuscript sketches that offer clues to Waller's musical imagination. Serving both performers and scholars, this volume should provide new insights into Waller's musical achievements.TRANSCRIPTIONS INCLUDED: [4 versions for solo pipe organ, remainder for solo piano or piano with ensemble or voice.]1. Gladyse, 2 versions for solo piano2. Rusty Pail Blues, 2 versions for solo pipe organ3. Waiting at the End of the Road (Berlin), solo piano, solo pipe organ4. I Can't Give You Anything But Love (McHugh/Fields), piano/vocal duet/ensemble, piano/vocal solo/ensemble5. I'm Crazy 'Bout My Baby (Waller/Hill), 2 versions for piano/vocal6. Honeysuckle Rose (Waller/Razaf), 2 versions for solo piano7. Ain't Misbehavin' (Waller/Brooks/Razaf), solo piano, piano/vocal8. I Ain't Got Nobody (Williams/Graham), solo pipe organ, solo piano9. That Does It, solo pianoCONTENTS:ForewordPreface Acknowledgments Waltzing the Rumba : Waller's Transformative ArtWaller's CareerWaller's Compositional Process You Got Me Walkin', Talkin', and Squawkin' : What Waller Signifies Amending Texts Verbal Dueling ParodyConclusionPlates[Transcriptions]ApparatusSourcesTranscription MethodNotation General Editorial Articulation Instrumental TextCritical CommentaryAppendix: Estey Opus 2370 Pipe OrganGeneral DescriptionSpecificationsSecond-Touch Feature
SKU: AP.45066
UPC: 038081519739. English. Thomas Fats Waller; Harry Brooks.
(What Did I Do to Be So) Black and Blue arranged by Victor López is a beautiful ballad, and very playable by a young jazz group. The tempo is around 82 BPM with a straight-eighth ballad feel, smooth and lyrical melodic lines, modest brass range, no individual solos, and all the usual optional parts plus flute, clarinet, and vibes. (3:41).
SKU: AP.47507
UPC: 038081546773. English. Andy Razaf.
A swingin' jazz classic played around 156 BPM. Written-out suggested solos are provided for alto 1 and trumpet 2 with cues for piano and trumpet 1. The sax section soli, drum fills, a few familiar quotes along with well-notated rhythm parts all come together creating a fine chart that will make your band shine.
SKU: AP.47507S
UPC: 038081546780. English. Andy Razaf.