30 Classics From The Legendary Guitar…

13 of His Greatest Songs-13 of His Greatest Songs. 13 classics from legendary singer/songwriter Don McLean. Contains tab transcriptions of: American Pie · And I Love You So · Crying · Tapestry · Vincent (Starry Starry Night) · more. Includes bio and photos.

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

From the Classic Hot Licks Video Series Newly Transcribed and Edited!. Par BURTON JAMES. For the first time, the legendary Hot Licks guitar instruction video series is being made available in book format with online access to all of the classic video footage. All the guitar tab from the original video booklets has been re-transcribed and edited using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet. In this book/video, guitarist James Burton (Ricky Nelson, Elvis Presley) covers a wide range of classic rock 'n' roll and country-style guitar skills and techniquesheard on such timeless rock hits as Susie-Q, Travelin' Man and Fools Rush In, among others. You'll learn: hybrid picking - steel guitar licks - string bending technique - chicken pickin' - bending behind the nut - cross-string picking - his echo effect rhythm style - and more. For the first time, the legendary Hot Licks guitar instruction video series is being made available in book format with online access to all of the classic video footage. All the guitar tab from the original video booklets has been re-transcribed and edited using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet. In this book/video, guitarist James Burton (Ricky Nelson, Elvis Presley) covers a wide range of classic rock 'n' roll and country-style guitar skills andtechniquesheard on such timeless rock hits as Susie-Q, Travelin' Man and Fools Rush In, among others. You'll learn: hybrid picking - steel guitar licks - string bending technique - chicken pickin' - bending behind the nut - cross-string picking - his echo effect rhythm style - and more. / Date parution : 2018-05-04/ Tablatures / Guitare

From the Classic Hot Licks Video Series. The legendary Hot Licks guitar instruction video series is being made available in book format with online access to all of the classic video footage. This re-transcribed and edited book with online video includes guitar tab and new, accurate transcriptions. It features footage collected from Becker's 1989 guitar clinic at the Atlanta Institute of Music (AIM), a clinic from Japan, his famous yo-yo live guitar solo, rare home video, various television news items and more. Topics covered include: Becker's use of the Japanese scale, pentatonic ideas, arpeggios and sweep picking, his triangle pattern, sections of his original song Serrana and more./ Tablatures / Guitare

A selection of 19 classic themes from legendary movies all arranged so that beginners can play them. The selection inculudes As Time Goes By Over The Rainbow and Love is and Many-Splendoured Thing.

Released in March 1972 Deep Purple?s Machine Head is one of the most influential rock albums of all time and often cited as one of the first genuine heavy metal records. Commercially it is the band?s most successful album topping the charts in several countries following its release. Machine Head reached number 1 in the United Kingdom and stayed in the top 40 for 20 weeks and in the United States it remained on the Billboard 200 for an incredible 118 weeks.Learn to play the following:? Highway Star? Maybe I?m a Leo? Pictures Of Home? Never Before? Smoke On TheWater? Lazy? Space Truckin?In this course LickLibrary veteran Danny Gill walks you through the many highlights of each song from the rock giants one phrase at a time including Ritchie Blackmore?s legendary guitar riffs and solos from the tracks; ?Highway Star? and ?Pictures Of Home? to the iconic ?Smoke on the Water'.

The Art of Acoustic Blues Guitar - The Basics. Whether your favourite blues guitarist is Robert Johnson, Muddy Waters, Blind Blake, John Lee Hooker, Big Bill Broonzy, or Mississippi John Hurt, studying the basic techniques presented in this program is the first step toward being able to capture the essence of their traditional styles. In this book, Woody Mann shows you practical ways to develop fundamental technique and offers you insights into the musical logic of blues guitar. Woody walks you through each song, explaining the chord positions and picking techniques. He teaches blues in the keys of D, G, C, E, and A, presenting a wide selection of classic blues songs and instrumentals from the masters of blues guitar. Included in this program are the basics of the Delta blues of Robert Johnson, the ragtime style of Blind Blake (the man with the piano-playing guitar), and the music of Big Bill Broonzy, Memphis Minnie, Willie Walker, and Willie Moore. Each song illustrates how solo players approach the guitar like a piano, playing melodies and bass lines simultaneously. Developing this independent two-line picking technique enables you to get the feel, syncopation, and subtleties of the music. The songs in themselves are studies in acoustic blues technique and present the authentic elements of the acoustic blues sound and style including blues technique and ways to play off of the chords and improvise within a song. This program is recommended for beginning acoustic blues guitarists as well as electric guitarists and acoustic fingerstyle guitarists of all levels who would like to go beyond pattern picking and develop a more dynamic and syncopated sound. Woody Mann had his first schooling as a teenager in the living room of Rev. Gary Davis, the now legendary gospel and ragtime guitarist. Mann soon went on to perform and record with blues masters Son House and Bukka White as well as contemporary innovators including John Fahey. He has recorded extensively, performed throughout the world, and is widely recognized as one of the world's leading teachers and transcribers of acoustic blues music, having taught countless guitarists through his popular books and videos.