Two Madrigals

SKU: HL.49015916

ISBN 9790220124518. UPC: 884088567606. 8.25x11.75x0.375 inches. Italian.

Like many Englishmen I had sung madrigals for pleasure - usually late at night with friends, after several glasses of wine. While these madrigals have their charm, and many are extremely beautiful, I found, as I began an extended exploration of the madrigal as a creative venture, that the richest source lies in the Italian Renaissance.In 1998 I embarked on a project to write a series of madrigals, eventually deciding to collect them in 'books' in the manner of Italian madrigalists, such as Monteverdi or Gesualdo. The Second Book is for an unusual six-part group - the Scandinavian Trio Mediaeval (3 sopranos) and three tenors (John Potter plus two from the Hilliard Ensemble) - and sets Petrarch in the original 14th century Italian. I focused on those sonnets known as the Rima Sparsi (scattered verses) and added one extra Petrarch setting - originally a radiophonic piece (Marconi's Madrigal) for CBC's Marconi Day. Gavin Bryars.

SKU: HL.14011727

ISBN 9788759880678. 10.5x14.25x0.52 inches. Danish.

Pelle Gudmundsen-Holmgreen 's Four Madrigals From The Natural World for 6-12 part mixed chorus. This piece incorporates texts by Les Murray. ' FOUR MADRIGALS to texts by the Australian poet Les Murray are composed of two songs (Bats' Ultrasound and The Octave of Elephants) written for the Australian vocal group THE SONG COMPANY, and two songs (Cattle Egret and Comete) from my larger work SOUND / SIGHT, written for the Danish Radio Chamber Choir, but here arranged for six voices. The texts are pictures and situations from - or meditations over - THE NATURAL WORLD. Les Murray's way of approaching this world is not in the least sentimentalor nostalgic: the poems reveal a truebeing-out-there realism: so basically the approach is realistic, but the creating of form elevates the material to an abstractplay, a daring and exuberant poetic language. These poems asked to be set to music. I gave up old idiosyncrasies regarding descriptive music, and surrendered to the madrigal, with its special so-called madrigalisms, which entails also animal-imitations. You will hear this particulary inThe Octave of Elephants. ' - Pelle Gudmundsen-Holmgreen.

SKU: HL.8552362

UPC: 884088612771. 4.75x5.0x0.157 inches. Mary Donnelly/George L.O. Strid.

Here is a playful contemporary madrigal for younger mixed choirs that will be great for concerts and festivals at any time of year. Set in a buoyant 3/4, the strophic text will be easy to learn and provide a successful first a cappella experience for beginning singers. Available separately: 3-Part Mixed a cappella, VoiceTrax CD. Duration: ca. 1:25.

SKU: HL.381409

ISBN 9781705152928. UPC: 196288019695. 6.75x10.5x0.019 inches.

The Thomas Morley madrigal, Sing We and Chant It, is re-imagined as a delightful winter-themed choral with lyrics reflecting the smiles and trials of wintertime. Performed a cappella or with a very approachable keyboard accompaniment.

SKU: UT.ODH-35

ISBN 9790215322578. 9 x 12 inches.

L’am orosa caccia is a collection of 24 madrigals for five voices, created specially by as many composers originating from Mantua. All were distinguished professional people, working within the church, at court or in the Palatine basilica of Saint Barbara, and music lovers of noble birth from the area who were somehow connected to the Academy of the Invaghiti, or perhaps part of the same. Among the established musicians of the collection are to be mentioned: G.M. Bacchino, H. Baccusi, P. Cantino, A. Coma, G. Moro, S. Nascimbeni, A. Nuvoloni, N. Parma, G.B. Recalchi, F. Rovigo, A. Striggio, R. Trofeo. The lesser-known, however, seem to be: C. Accelli, E. Ceruti, S. Cressoni, P. Marni, A. Preti, while the following: H. Borelli, C. Ceruti, O. Grassi, P. Massari, G.B. Orto, F. Ramesini, C. Zucca have become known as composers only thanks to L’amorosa caccia.
The realization in score of the madrigals has made it possible to bring to light this collection, establishing its actual musical value and proving the remarkable mastery of madrigal writing of these 24 musicians and offering the opportunity to highlight each one’s different skill as a composer. If some of them have proved to be completely in line with the practices of the time, verging on Augenmusik, others stand out for the wide variety of their harmonies, melodies and rhythms, seeking the best musical expressions to express the affetti contained in the text.
There are no major breakthroughs, but, if the contrapuntal procedures are as to be expected, the body of voices, the experimentation, the interplay between the parts and the harmonic sensitivity show familiarity with the vocal virtuosity of the concerti di dame of Ferrara and Mantua, bringing out what was most modern at the time. The possibility that these madrigals may actually have been performed by that very group of talented singers is enchanting and entirely plausible.

SKU: ST.EM8

ISBN 9790220206320.

Well -known in his day as one of the most important contributors to East's Whole Book of Psalms (1592), Farmer was in the service of the Earl of Oxford who, more than any other nobleman, established the professional Elizabethan theatre. In the year that Burbidge opened the Globe Theatre, these 18 madrigals (the most famous is probably Fair Phyllis) gave the composer an attractive place in the history of English music.

CONTENTS
A little pretty bonny lass (SATB)
Cease now thy mourning (SAT(or A) B (or T))
Compare me to the child (SAT(or A) B)
Fair nymphs, I heard one telling (SSAT(or A) TB)
Fair Phyliss, I saw (SATB)
I thought, my love (SATB)
Now each creature joys the other (SATB)
O stay sweet love (SATB)
Soon as the hungry lion (SATB)
Sweet friend, thy absence (SAT(or A) B)
Sweet Lord, your flame still burning (SATB)
Take time while time doth last (SATB)
The flattering words (SATB)
Who would have thought that face? (SAAT)
You blessed bowers (SSATTTBB)
You'll never leave still tossing (SATB)
You pretty flowers that smile (SAT(or A) B.

SKU: ST.B351

ISBN 9790220203084.

Of madrigals and partsongs, Volume 16 of the Byrd Edition contains the six items not included in the printed sets of 1588, 1589 and 1611 (distinguished by the lack of obligatory instrumental accompaniments); of the consort songs, the original versions of consort songs that were subsequently arranged as madrigals; and of canons and rounds, the two that can without doubt be attributed to the composer.

SKU: ST.EM35A

ISBN 9790220209796.

Jone s was a famous lutenist and one of the musicians responsible for training the 'children of St Paul's', who acted and sang in Elizabethan and Jacobean court plays. His 16 madrigals are mostly to texts about birds - birds merry, sweet, shrill, crowing or melancholic.

CONTENTS
Are lovers full of fire? (SSAATBB)
But let her look in mine (SST)
Cock-a-doodle-doo (SS (or A) A (or T) B)
Come, doleful owl (SSTTB)
Fair Oriana seeming to wink (SSAATB)
I come, sweet birds (SS (or A) A (or T) B)
Love, if a god thou art (SST)
O I do love (SST (or A))
She only is the pride (SSA)
Shrill-sounding bird (SST (or A) B)
Sing, merry birds (SS (or A) A (or T) B)
Sweet, when thou singest (SSATB)
The more I burn (SSAATTBB)
Thine eyes so bright (SSA)
When I behold her eyes (SST)
Your presence breeds (SSAATB).

SKU: ST.EM27

ISBN 9790220203428.

A minor canon of Norwich Cathedral, Carlton belonged also to the older generation of madrigal composers, particularly fond of the 'Byrd' or English cadence of flat versus sharp leading-notes. Although he claims to have laboured 'somewhat to imitate the Italian style', he admitted in his preface, 'I cannot forget that I am an English man.'

CONTENTS
All creatures then (SSATB)
Calm was the air (SSAT (or A) B)
Content thyself with thy estate (SAATB)
Even as the flowers do wither (SSATB)
From stately tower (SSATB)
If women can be courteous (SSATB)
Let every sharp (SSATB)
Like as the gentle heart (SSATB)
Nought is on earth (SSATB)
Nought under heaven (SSATB)
O vain desire (SSATB)
Sound saddest notes (SSATB)
So whilom learned (SSATB)
The heathen Gods for love (SA (or T) A (or T) BB)
The love of change (SSATB)
The self-same things (SS (or A) ATB)
The witless boy (SSATB)
When Flora fair (SSATB)
Who seeks to captivate (SAATB)
Who vows devotion (SSATB)
With her sweet locks (SSATB)
Ye gentle ladies (SSATB).

SKU: CF.CM9345

ISBN 9780825893919. UPC: 798408093914. 6.875 x 10.5 inches.

Patrick M. Liebergen has done it again! He has masterfully arranged two of Orlande de Lassus' most well-known madrigals: O Occhi, Manza Mia & Mon Couer Se Recommande À Vous with options to suit the needs of men's choirs. Directors may choose to use the optional, supportive piano accompaniment provided by the arranger. Additionally, pronunciation guides of the original Italian and French texts and optional English texts are provided . Each madrigal can easily stand alone in concert performance.