Trio in Three Parts

Arrangeur: Matt Johnston. Par TRANQUILLE BERBIGUIER BENOIT. Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 1, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet and Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective - and more efficient - learning and instruction. Trio No. 1, Op. 51 is in three movements: Allegro poco assai, Andante non tanto, Poco presto (Finale). Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 1, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet and Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective - and more efficient - learning and instruction. Trio No. 1, Op. 51 is in three movements: Allegro poco assai, Andante non tanto, Poco presto (Finale)./ Répertoire / 3 Flûtes Traversières

John Cacavas has cleverly arranged an assortment of folk tunes, holiday favorites and original melodies in a wide range of styles. Each collection features 22 well-crafted arrangements specifically chosen for each instrument. Cassette tapes are also available with live musicians performing all three parts together on side A and parts 2 and 3 only on side B.

Tunes for Three is an imaginative and entertaining way of learning ensemble playing. Keith Stent's arrangements of 20 well-known melodies ensure that the interest is spread across all three parts and participation increases the fun aspect for children.

Easy trios for beginners-James Rae's eminently successful tutor Introducing the Saxophone was the first of its kind providing the complete beginner with material in popular styles yet allowing for a sound musical development along traditional lines. Now complementing the tutor James Rae has produced these three volumes to introduce the beginner to ensemble playing. The parts are of the same technical level and are written with hints and tips along the way to familiarize the beginner with a new set of considerations and become a good team player.o easy pieces introducing the various aspects of music making with otherso all parts are of equal difficultyo compatible with Introducing Duets Trios and Quartets for clarineto especially suited to group teachingo ideal material for concerts and examinations

Flatpicking Guitar Trios is designed to bring guitarists together. Each arrangement includes a melody a harmony and a rhythm part. All parts are written in both standard notation and 6-line guitar tablature. The arrangementscontain multiple chord charts allowing all trio members to get a quick glance of the chord sequence at any time while playing the tune. For more versions of these tunes please refer to the author’s 50 Tunes Volume 1 forGuitar (99941BCD) published by Mel Bay Publications Inc. The 50 Tunes guitar book comes with three compact discs and is available at music stores throughout the U.S. and many countries outside of the U.S.

12 Easy Trios for Clarinets-Les douze thèmes classiques connus rassemblés dans ce recueil ont été arrangés par Robert van Beringen afin de pouvoir être joués par un trio de même instrumentation. Simply Classics for Three est un outil pédagogique précieux grâce au caractère varié de son contenu. En outre ces pièces se prêtent très bien à une interprétation en concert !

14 Flexible Trios for Wind Instruments-Voulez-vous jouer de la musique décontractée éclatante de diversité piquante et joyeuse ' Et de préférence avec d'autres musiciens ' Ne cherchez plus Take Three est le recueil qui vous convient ! Ce livre comporte quatorze trios flexibles et peut être utilisé en combinaison avec d'autres instruments à vent. Donc si vous jouez de la flûte de la clarinette du saxophone alto de la trompette du trombone ou de l'euphonium ce recueil est celui que vous avez toujours voulu posséder. Jouez avec vos meilleurs amis est désormais possible puisque tous les recueils peuvent être combinés. Disponible pour flute traversière clarinette saxophone alto trompette tromboneet euphonium.

Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt

Composed by Eugène Bozza in 1947  Short Suite In Trio Form Op. 67 is a piece for Oboe Clarinet and Bassoon. This edition features the parts for the three instruments and a full score. This four-movement work is quite difficult and would be perfect for advanced players. A great piece for recitals it is also really interesting to play for each of the three instruments. The four movements are Allegro moderato which starts with the Oboe Allegro vivo Adagio espressivo and Allegro vivo and the piece lasts approximatively 10 minutes. Eugène Bozza won different prizes at theConservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.