Trio Sonata for Flute, Violin and Basso continuo

La Sonate en trio BWV 1038 pour traverso, violon et basse continue de Johann Sebastian Bach est énigmatique. Si l'on a pu prouver que le matériel conservé est de la main de Bach, la source n'est pas signée. C'est pourquoi son authenticité fut régulièrement remise en doute. Les musicologues d'aujourd'hui sont pourtant d'avis que cette sonate tout à fait charmante est une oeuvre originale de Bach. Expert confirmé, notre éditeur, Peter Wollny, détaille les raisons de ce jugement. Nous présentons la partie de violon dans sa notation d'origine en scordatura, ainsi que dans sa notation moderne pour un violon à l'accord traditionnel. / Flûte, Violon Et Basse Continue

Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accompanied at will by a violin or a transverse flute. In a partial press run of the first edition a cello part was included. Our new edition is the first to take these conflicting formats into account by presenting two separate versions, one being the unaltered harpsichord part, the other a full score with separateinstrumental parts for violin/flute and cello. The harpsichord part [CV 51. 010/10] is indeed capable of standing by itself and requires no instrumental expansion. The melody instrument, in contrast, merely function as an accompaniment or contribute brief interjections, or, in the case of the cello, reinforce the left hand of the keyboard. In other words, K. 10–15 are not only Mozart's earliest piano trios, they are also his earliest keyboard sonatas to survive intact./ Répertoire / Violon, Violoncelle et Piano

Music Minus One Flute or Violin-Here are three marvelous baroque trio sonatas for flute or violin from the masters of the era. Flute virtuoso Katarzyna Bury lends a masterful interpretation of each sonata for your enjoyment and reference then you step in and take center stage with the full ensemble! Contains a high-quality music score featuring the solo flute (or violin) part printed on ivory paper and a compact disc containing digital stereo complete version of each sonata with soloist and digitally remastered stereo accompaniments to each sonata. Performed by by Katarzyna Bury flute Accompaniment: The Rameau Trio

Par GOODIN JOHN. As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories:Sonatas for two treble-clef instruments without bass accompaniment.Pieces for solo instrument and bass.Movements from Telemann's many trio sonatas and overture-suites for two melody instruments and bass.Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Recueil / 2 Mandolines

7 Canzons ? Tarquinio Merula
Sonata concertate, from Libro terzo, op. 12
for 2 recorders (violins) and b.c.
Edited by Joachim Arndt and Claudia Schweitzer, score and parts
Perfectly structured and joyful chamber music of Early Italian Baroque
/ Partitions classique / Bois / Flûte à bec / MIEROPRINT

Par TELEMANN GEORG PHILIPP. Georg Phillipp Telemann's Trio Sonata In G for Flute, Violin and Continuo, edited and arranged by Karl Grebe. Georg Phillipp Telemann's Trio Sonata In G for Flute, Violin and Continuo, edited and arranged by Karl Grebe./ Répertoire / Flûte Traversière Violon et Continuo

Scheibe’s three sonatas for flute (or violin) and obbligato harpsichord were published by Haffner in the late 1750’s but were probably composed much earlier; they contain a significant quantity of elaborate imitative writing that is out of character with Scheibe’s later music. Although rooted in the same tradition as the sonatas for flute and obbligato harpsichord by J.S. Bach C.P.E Bach and composers at Berlin court of Frederick the Great these are more substantial works each having four movements in the traditional slow-fast-slow-fast scheme. For the most part they are trio sonatas the right hand of the harpsichord acting as the secondtreble voice but several movements feature idiomatic writing for the keyboard. Also interesting is the large amount of ornamentation called for particularly in the harpsichord part. While Scheibe disapproved of the excessive embellishments that Bach actually wrote into his melody lines these sonatas are nonetheless heavily ornamented albeit through the insertion of notational symbols; in addition to turns and mordents Scheibe uses no less than three different trill symbols!

Par TELEMANN GEORG PHILIPP. G. Ph. Telemann 's Trio Sonata in E Minor for Flute, Violin and Continuo. Also suitable for Oboe./ Répertoire / Flûte Traversière, Violon et Basse Continue