The Second Collection

Fiddler Playalong Collection 2 is a second collection of pieces from all over the world that represent a colourful cross-section of fiddle music through the ages. Whether you are looking for a Hot Club trad-Jazz classic an Irish folk tune an old Bluegrass standard or something more exotic this special selection of nineteen fiddle melodies has it all! What's more the book also boasts a play-along CD of backing tracks and recorded examples to accompany your practices and performances. You'll find a pull-out part containing a full set of Piano accompaniments too as well as supplementary Violin parts for elementary players so everybody can enjoythis wonderful selection of pieces from around the globe whatever your ability!

A second collection of Latin-American pieces for flute and piano, edited by Trevor Wye. Suitable for players from grade 5 standard. / Flûte Traversière

Jazz Piano Solos Series Volume 52-24 bebop favorites are included in this collection with chord names. Includes: Bohemia After Dark - Boneology - Cattin' - Disorder at the Border - Eclypso - 52nd Street Theme - Grand Central - Hallucinations - Jay Bird - Lester Leaps In - Move - Ow - Parisian Thoroughfare - Second Balcony Jump - The Serpent's Tooth - Steeplechase - Witches Pit - and more.

In autumn 1827 Schubert composed eight 'Impromptus' for publication as a complete collection by Haslinger in Vienna. When the plan fell through Schubert offered his 'Impromptus' to Schott as pieces which 'could be issued individually or all four together'. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata drew attention to the second collection published by Diabelli in 1839 in hisreview.For the first time this scholarly-critical Urtext edition presents the musical text of the 'New Schubert Edition' in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.A detailed foreword suggestions for performance and notes on the evaluation of the primary sources complete the edition.- Scholarly-critical editions based on the Urtext of the New Schubert Edition taking all known sources into account- Newly engraved editions with optimum page-turns- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer- With a detailed foreword (Ger/Eng) and critical commentary (Eng)Mario Aschauerstudied piano historical keyboard instruments conducting and musicology in Linz Salzburg and Vienna. He performs as a soloist and chamber musician with groups including the Austrian Calamus Consort presenting a wide-ranging repertoire on fortepiano harpsichord and organ. Four Impromptus op. 90 - D 899: I. Impromptu C minorII. Impromptu E flat majorIII. Impromptu G flat majorIV. Impromptu A flat majorFour Impromptus op. post. 142 - D 935: I. Impromptus F minorII. Impromptus A flat majorIII. Impromptus B flat majorIV. Impromptus F minor Critical Commentary

Par DR. HAYES-JONES SARAH. Unknown until their discovery was announced in 1971 by Péter Várnai in an article in Die Musikforschung, this set of six suites for solo violin, published in 1696, is in all likelihood a second edition of, or second collection to his First Dozen Allemandes, Courantes, Sarabands, and Gigues for Solo Violin without Basso Continuo published in 1682 which are considered lost. Along with his suite for solo violin published in 1683 in Le Mercure Galant, these suites for unaccompanied violin are the first in their medium and undoubtedly served as an inspiration for Bach?s Six Sonatas and Partitas for Solo Violin.This edition is a modern transcription of Westhoff?s unique notation and provides editorial fingering and bowing suggestions. A facsimile of the only extant 1696 publication, which is housed in the Somogyi Károly Városi és Megyei Könyvtár in Szeged, Hungary, is included in the back of this edition for reference. This edition was created with the intention of making these suites more accessible, and to be used as a pedagogical tool in preparation for the study of solo Bach. / Date parution : 2022-07-20/ Recueil / Violon

Following the outstanding success of book 1 Popular Voiceworks 2 is a second collection of jazzy and popular songs in the highly practical Voiceworks format.Packed with songs in a huge range of styles the collection provides exciting new material written by the authors as well as choral arrangements of favourites such as 'Ain't no stoppin' us now' 'Feelin' good' and 'Bang the drum all day'.The accompanying CDs include stylish performances of all the songs together with backings for most. This all adds up to a fabulous resource for all young and young-at-heart singing groups!28 fabulous songs from unison to four-partharmonyIdeal for youth choirs school groups (11 yrs +) community choirs and choral groups of all ages and experienceOpportunities for improvisation throughoutVast range of repertoire including jazz R&B country funk spiritual gospel disco rock show folk motown doo-wop and moreBrand-new songs and new arrangements of popular favouritesA complete rehearsal plan for each song including warm-ups and guidance on vocal techniques for singing popular styles and beatboxingStylistic but accessible piano accompanimentsPhotocopiable pages for most piecesTwo CDs with performances and stylish backingsExtra resources available to download