At The Piano With Mozart

Soprano lirico/drammatico - Lyric to Full Soprano-A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.

12 Famous Operatic Melodies. Par CALLAND DEBORAH. Deborah Calland, composer of Top Brass, has chosen twelve classic opera tunes and skilfully arranged them for Trumpet and Piano to make Onstage Brass. Styles and moods vary from the serenity of Gluck's Che farò senza Euridice to the impassioned Toreador's Song by Bizet. With Mozart, Verdi and Wagner well represented, this anthology will prove a must for all Trumpet players, especially those at intermediate level, and pianists who are of comparable standard./ Recueil / Trompette et Piano

En 1948, lorsque Günter Henle fonda sa maison d'édition, il inaugura son catalogue par une édition en deux volumes des 18 sonates pour piano de Mozart (HN 1 et HN 2). Ces sonates figurent depuis lors au coeur du répertoire de tous les pianistes. Au cours des décennies, ces deux volumes furent remaniés à plusieurs reprises afin d'accorder le texte musical aux acquis les plus récents de la recherche. La dernière actualisation, datée de 2015, concerne K. 331 ('Alla turca' du vol. II). L'avant-propos et le commentaire critique des éditeurs fournissent des renseignements exhaustifs sur toutes les questions relatives aux sources et à l'établissement du texte. HN 1 et HN 2 sont pourvus de doigtés. Henle Verlag propose désormais deux autres volumes sans doigtés - à l'attention de tous les pianistes souhaitant se frayer leur propre accès à l'univers pianistique de Mozart. / Piano

Additional books to complement the tutor for adults and young people. Play the Piano! Levels 1 & 2, are now available providing specially arranged favourite pieces in keeping with the technical level attained by the end of each course book. Whilst still under Mike's guiding hand, here is the chance for players to explore and enjoy more beautiful music in a variety of styles, confident that the technical levels are within their capabilities. Includes popular classics by Purcell, Handel, Bach, Mozart, Grieg, Humperdinck, Schumann, Chopin, Rimsky-Korsakov, Brahms, Elgar and more. Also included are traditional folksong favourites along with selections of Jazzy, Latin and Ragtime pieces by Scott Joplin, Mike Cornick and Duke Ellington. • Includes 'In the Shed' by Mike Cornick • Easy arrangements of favourite pieces in a variety of musical styles • Pieces for any middle-grade pianist seeking to broaden their repertoire and ideal for those who have completed the tutor PLAY THE PIANO! Level 2 – for more music to play and enjoy • Helpful advice is provided with each piece and, in some cases, suggestions for further listening • FREE DOWNLOADS of play-along versions and/or demonstration performances of some pieces are available from: www.universaledition.com/pianorepertoire2/ Recueil / Piano

The Really Big Really Easy Piano Songbook combines a huge selection of songs from the entire Easy Piano series. Ranging from Mozart to Justin Bieber, this songbook is sure to satiate any beginner pianist and expand their repertoire ten-fold!Includes songs from: Ludwig Van Beethoven, Coldplay, Bill Withers, John Legend, Elvis Presley, Franz Schubert, Taylor Swift, Simon and Garfunkel, David Bowie, Adele and many more! / Piano

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano

In Full Score. With Mozart's Cadenzas for Nos. 9 and 10. Par MOZART WOLFGANG AMADEUS. Mozart's supremacy as a composer is nowhere more apparent than in his piano concertos, which were a lifelong preoccupation for him. This volume includes the Triple Concerto No. 7 in F, Mozart's only concerto for three pianos, with the composer's cadenzas for all three movements. Reproduced and unabridged from the authoritative Breitkopf & Hartel Complete Works edition./ Répertoire / Piano

Compilation. The Piano Treasury of Easy Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's favourite inventions, preludes, fugues, minuets, sonata movements, nocturnes, waltzes, mazurkas, intermezzos, romantic short pieces, impressionistic works, and light classics, as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Niveau : Elémentaire / Rép Classique / Recueil / Piano

Even Mozart had to learn how to play the piano. This collection of easy works includes pieces composed by both young Mozart and by his father, for his piano lessons. Including pieces from the volume Notebook for Wolfgang alongside popular pieces by Mozart such as Ah vous dirai-je Maman (variations) and themes from Sonata in A major KV 331 and Sonata in C major KV 545. All pieces can be played with or without pedal. / Piano

This collection of 50 of the most beautiful original compositions for piano, presented by Schott, contains a selection of works that is suitable for pupils in their first years of piano lessons.

The volume contains compositions ranging from Johann Pachelbel (1653-1706) to Alexander Grechaninov (1864-1956), providing playing material from the baroque period to the early 20th century.

As well as many individual pieces, this volume also includes easy sonatas and sonatinas by Haydn, Clementi, Mozart and Beethoven.

Complete with fingerings, tempo suggestions in the form of metronome marks and notes on the execution of ornaments, this collection with its modern, readable typeface is ideal not only for lessons, but also for private music-making. / Classique / Partition / Broché /