The Library of Romantic Music

The Library Of Classical Music is a wonderfully vast collection of the greatest pieces of music from the Classical period. Featuring a diverse range of compositions from the innovators and masters each work isarranged for solo Piano in a conveniently spiral-bound volume. Among the many composers whose work is included are C.P.E. Bach J.C. Bach Beethoven Clementi Czerny Gluck Haydn Hummel Mozart and Weber. Thesheer amount of incredible music featured within The Library Of Classical Music makes this an essential book to have on your bookshelf or music stand. The joy of playing this music will be in learning yourfavourite pieces or discovering new ones by unfamiliar names.  The Classical period saw a broad reaction against the layered complexities of Baroque music and led to a simplerrelationship between melody and harmony. It reflected the mid-18th century’s wider enthusiasm for reviving the clean well-ordered structures of Greek classicism across the arts. The orchestra expanded in size woodwind became aself-contained section and the Harpsichord was increasingly displaced by the recently invented fortepiano. Instrumental music dominated notably symphony and string quartet with examples of both strands represented here inbeautiful and accurate Piano arrangements that are perfect for seasoned players of Classical music or those new to the period. The Library Of Classical Music sheet musicsongbook covers the rich musical period that followed Baroque and preceded Romantic. The Classical era saw some of Europe’s greatest composers exploring new musical possibilities spanning some 70 years startingin the mid-18th century. The spirit of Classicism would last until the new preoccupations of Romanticism defined the next major period of Western music.  All of this makes The Library Of

Schirmer's Library of Musical Classics Vol. 2117 For Violin and Piano-Three of the most beloved Violin concertos from the Romantic era combined into a convenient and affordable collection.These repertoire staples belong in every violinist's music library.

Compiled and edited by Helen Marlais Succeeding with the Masters is a series dedicated to the authentic keyboard works of Baroque Classical Romantic and 20th Century masters.This series provides a complete and easily accessible method for learning and performing the works of the masters. Each book presents the works in historical perspective for the student and provides the means and the motivation to play these pieces in the correct stylistic musical and technical manner. The easily understandable format of practice strategies and musical concepts make this series enjoyable for both students and teachers.To ensure authenticity all of these pieceshave been extensively researched. Teachers will find a wealth of excellent repertoire that can be used for recitals festivals competitions and state achievement testing. Many of these original compositions may be new to you while others will be familiar. This series brings together an essential and comprehensive library of the pedagogical repertoire of the great composers.Succeeding with the Masters: Romantic Era - Volume One is a groundbreaking collection of 22 graded repertoire pieces by Schubert Schumann and Tchaikovsky.

Piano-A specially selected anthology of pieces from the masters of the Romantic style all suitable for the intermediate-advanced Piano student. From Brahms and Chopin to Schumann and Tchaikovsky 16 great Piano works of the Romantic era have been chosen and edited by Christine Brown to offer you a satisfying and highly rewarding repertoire that will suit almost every musical occasion. Pieces include a Mazurka a Prelude and a Waltz from the celebrated collections by Chopin Mendelssohn's Venetian Gondola Song and Tchaikovsky's beautifully expressive Song Of The Lark. Unmissable works that all players should have in their library!

Library of Easy Classical Guitar Solos. A superb collection of easy and rewarding classical guitar solos, each one carefully selected and arranged in modern notation and tablature for the beginning guitarist. Turn these pages to enjoy the greatest guitar music of the Renaissance, Baroque, classical, and Romantic periods. Excerpts from essential guitar methods by Aguado, Carcassi (Op. 60), Carulli, Giuliani (Opp. 50, 51) and Sor (Opp. 60, 48): traditional settings of timeless classics by Bach, Pachelbel, Beethoven, Paganini, Wagner and Mendelssohn: and recital and audition favorites by Galilei, Tárrega and Satie are all contained within these pages. Early masterpieces by Milan, Dowland, Sanz and de Visée are represented here, as well as rarer but equally delightful works by Bosch and Coste.

13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano

This is a beginning fake book for players new to faking. By using a fake book, musicians learn to fake an accompaniment to a melody, playing chords as indicated. This book is designed for those players just acquiring this important musical skill. It includes 100 favorite songs that belong in all musicians' repertoire library, including standards, pop hits, Broadway and movie songs, folk favorites, and much more. All the songs are in the key of C and include easy-to-read, large notation complete with lyrics. Chords have been simplified, but remain true to each tune. This book even includes an introduction on how to use a fake book. Songs include: Beauty and the Beast · Bewitched · Blackbird · Can You Feel the Love Tonight · Do-Re-Mi · Don't Cry for Me Argentina · Edelweiss · Georgia on My Mind · Heart and Soul · Hotel California · I Walk the Line · Lean on Me · Let It Be · A Million Dreams · Satin Doll · Stand by Me · Sweet Caroline · This Is Me · Try to Remember · Unchained Melody · When I Fall in Love · When the Saints Go Marching In · A Whole New World · Yesterday · You Made Me Love You (I Didn't Want to Do It) · and more./ Recueil / Instruments en Do C

13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Basse Continue

In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece. In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece.

Virtuoso pianist Franz Liszt was a key figure in the evolution of modern music. Most of his 700 compositions which range from romantic impressionism to daring experimental pieces were written for the piano. This survey by a well-known British composer and musicologist constitutes the most authoritative English-language study of Liszt's works. 'Mr. Searle is himself a composer of progressive outlook and he thus speaks with authority. His book was needed and he has made it a good one ' observed the Times (London) Literary Supplement.This classic study surveys the compositions in chronological order and the medium for which they were written. The authorexamines in detail the most important pieces and fully reviews Liszt's place in history. Subjects include romantic pieces symphonic poems songs symphonies and other works. A biographical summary illustrates the relationship between significant works and events in the composer's life. Acclaimed by Library Journal as 'a balanced long-overdue treatment ' this study is essential for every true Lisztian student.Reprint of the Williams & Norgate 1954 edition.

Schirmer's Library of Musical Classics Vol. 2054 Violin and Piano-Friedrich Seitz’s complete set Pupil’s Concertos Nos.1-5 for Violin and Piano. This fabulous inclusive volume has been accurately edited and fingered by Philipp Mittell. These terrific post-romantic concerti are full ofpractical instructional usage and melodic joy to encourage and inspire younger players students or pianists who enjoy the late Romantic repertoire.

a cura di - edited by Rina You. Par TIRINDELLI PIER ADOLFO. The edition of the Andante e Polacca for violin and piano published here was realised from an autograph manuscript held in the library of the Conservatory of Santa Cecilia in Rome. An inspired melodic vein, with a cantability typical of Late Romantic Italian compositions, characterises the piece, especially in the first part. The Polacca distinguishes itself for its virtuosity: rapid scales, brilliant bowings and open string passages keep the bowed-string player engaged during the second and longest part of the piece. The recovery of this composition has occurred during a period which gives particular importance to the rediscovery of works composed in Italy around the turn of the twentieth century, rarely performed in concert series, which can only be fully appreciated through their promotion and dissemination in the form of musical editions and recordings. / Niveau : Avancé / Répertoire / Violon et Piano

Irl Allison Library-A collection of piano works from the Baroque Classical Romantic and Contemporary eras suitable for the national auditions of the National Federation of Piano Teachers.

Compiled and edited by Helen Marlais Succeeding with the Masters is a series dedicated to the authentic keyboard works of Baroque Classical Romantic and 20th Century masters.This series provides a complete and easily accessible method for learning and performing the works of the masters. Each book presents the works in historical perspective for the student and provides the means and the motivation to play these pieces in the correct stylistic musical and technical manner. The easily understandable format of practice strategies and musical concepts make this series enjoyable for both students and teachers.To ensure authenticity all of these pieceshave been extensively researched. Teachers will find a wealth of excellent repertoire that can be used for recitals festivals competitions and state achievement testing. Many of these original compositions may be new to you while others will be familiar. This series brings together an essential and comprehensive library of the pedagogical repertoire of the great composers.Succeeding with the Masters: Classical Era - Volume Two is a groundbreaking collection of 23 graded repertoire pieces by Haydn Mozart and Beethoven.

The large and technically demanding G major Sonata was composed two years before Schubert?s death in October 1826 and is one of only three piano sonatas that appeared in print during his lifetime. The unusual title of the first edition ?Fantasie, Andante, Menuetto und Allegretto? stems from the publisher Haslinger and is probably due to the dreamy-melancholy underlying mood of the first movement which corresponded little to the traditional concepts of a sonata?s first movement. It is hardly surprising that the ?Fantasy-Sonata?, as it is often still called today, later inspired artists such as Franz Liszt and Robert Schumann with its free and romantic nature, who described it as being consummate ?in form and spirit?. For the present Urtext edition a thorough re-examination of all known sources was undertaken, including the autograph in the British Library, and the edition now presents itself with the usual crystal clear Henle music engraving. The preface by Schubert expert Andrea Lindmayr-Brandl and the detailed commentary section provide comprehensive information about the genesis of the work, the sources and their readings. A further highlight are the fingerings by pianist Martin Helmchen.