The Contemporary Violinist + Cd - Violin

SKU: HL.48186510

UPC: 888680871437. 10.25x13.25 inches.

“Melo dic Studies is the third in a series of three volumes of studies for the Violin. Compiled in 1878 by Auguste Samie, the studies allow students to work on basic technical concepts, such as articulation, bowing and rhythm. The 15 exercises in Melodic Studies each helpfully contain a title indicating the focus of the exercise, followed by clear instructions regarding technique. Moreover, this edition of 60 Studies is revised and annotated by Georges Catherine, popular contemporary violinist and arranger. Edits by Catherine include bowing marks, fingerings, articulation, dynamics and performance directions. Containing input by two prolific figures of the Violin, Melodic Studies is an obligatory guide for beginners of the instrument. &rdquo.

SKU: HL.48181468

UPC: 888680842420. 9x12 inches.

“Maur ice Hauchard (1870-1957) was a French violinist and composer. As a minor composer, often in the shadow of his contemporary, Maurice Ravel, much of Hauchard's music is not widely known. However, his Methodical Study of Positions for Violin remains popular to improve violinist's technique. As an excellent, versatile musician Hauchard loved his art and remains one of the greatest contributors to music education. The fourth volume of Methodical Study of Positions addresses the sixth and seventh positions in detail, through exercises which enable progression using intervals, scales, arpeggios, chromaticism and varying rhythms. All violinists should seek to purchase this Hauchard study series to ensure technical progression to a high level.&rdquo.

SKU: HL.48181655

UPC: 888680848422. 9x12.25 inches.

“Maur ice Hauchard (1870-1957) was a French violinist and composer. As a minor composer, often in the shadow of his contemporary, Maurice Ravel, much of Hauchard's music is not widely known. However, his First Concert Solo for Violin and Piano provides excellent preparation for the classical concertos. As an excellent, versatile musician Hauchard loved his art and remains one of the greatest contributors to music education. First Concert Solo is part of a series of modern concert solos for the Violin, intended for young violinists. The First Concert Solo</strong is Allegro in tempo and makes use of a variety of techniques. All violinists seeking to play the large concertos of the repertoire should play this delightful Hauchard work to ensure progression.&rdquo.

SKU: BT.EMBZ14880

Composer and violinist János Lavotta (1764-1820), as a member of the ''virtuoso trio'' who played a great role in the history of Hungarian music, was one of the pioneers of verbunkos music. (The other two key players being János Bihari and Antal Csermák.) Although Lavotta s Violin Duos Op. 49 must have also been used for playing music at home, they show the composer's clear educational intent since the fourteen consecutive pieces gradually increase in difficulty in both technical and musical respects. The relatively short and undemanding melodies (which can be grasped by beginners), the sequence-like structure that makes practising individual technical elements possible, therhythmical-harmonic accompanying forms, as well as the temperately applied modulations are definitely suitable for beginner violinists to achieve significant progress in playing. According to music historian Mária Domokos, Lavotta's duos could have been included in the syllabus of any contemporary music school at the time. The first publication of Easy Duos - which came out on the 250th anniversary of the Lavotta's birth - was edited by János Dombóvári who provided the fingering and the necessary instructions for performance.

Die Erstauflage von EASY DUOS - die anlässlich des 250. Geburtstag von Lavotta erschien - wurde von János Dombóvári mit Fingersätzen und Spiel-Tipps ergänzt. Die 14 relativ kurzen, spielfreundlichen Melodien, die unkomplizierte rhythmisch-harmonischeStr uktur und die einfachen Modulationen machen sie zu idealen Übungsstücken für Anfänger, ohne diese jedoch zu unterfordern.

SKU: LM.29209

ISBN 9790230992091.

SKU: BT.EMBZ2453

French violinist-composer Pierre Rode was a pupil of G.B. Viotti and later a soloist at the court of Napoleon. He made several key contributions to violin pedagogy and repertoire. The 24 Caprices, aimed at encouraging the player s facility over the whole instrument, are still studied today by pupils around the world several contemporary violinists have even recorded them.

SKU: BR.PB-16110

ISBN 9790004214374. 10 x 12.5 inches.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.

SKU: BR.OB-16110-16

ISBN 9790004348031. 10 x 12.5 inches.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.

SKU: BR.OB-16110-15

ISBN 9790004348024. 10 x 12.5 inches.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.