SKU: HL.48010942
UPC: 073999928303. 10.0x13.5x0.224 inches.
Contents: Concerto for Violoncello and Orchestra * Caprice and Elegy for Violoncello Solo and Chamber Orchestra.
SKU: CA.5009414
ISBN 9790007223267. Key: A flat major. Language: all languages.
We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.
SKU: BA.BA10927
ISBN 9790006566259. 31 x 24.3 cm inches. Key: E minor.
Ludwig van Beethoven’s overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the genre: Joseph Haydn.Saint-Saà ns’ string quartets appear here for the first time in a scholarly-critical edition. It is also the first edition to contain the original version of the Finale to String Quartet No. 2 in score and parts. An informative Introduction is included in the study score to complete this volume of important French chamber music, based on the Urtext from “Camille Saint-Saëns – Complete Edition of the Instrumental Worksâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA07895-82
ISBN 9790006564286. 32.5 x 25.5 cm inches.
Incidental music with the famous SicilienneFaure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.BA $?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.* First Urtext edition * Based on Gabriel Faure The Complete Works* Score and orchestral parts in a large format (25.5 x 32.5 cm).
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.50601277
UPC: 888680743819. 8.25x11.75 inches.
“The adaptation of Brahms' four symphonies by the composer Friedrich Hermann (1828-1907), written during the composer's lifetime and published one year after his death, in 1898, are exemples of how this orchestral effect can be created through the addition of another pianist. Hermann called them 'works for pianoforte 4 hands with violin and violoncello.'Memb ers of piano trios have repeatedly expressed the desire for a usable chamber version of the Double Concerto, Op. 102 of Brahms; this wish is now being granted for the first time with the transference of the orchestral material in the spirit of Friedrich Hermann.Taking the concerto character into consideration, the solo parts are only added to complete the piano part in the grand tutti of the first movement and in other brief tutti sections; this work is not to be regarded as a piano trio in the traditional sense. In a few places, the dynamics (originally conceived for the large orchestral apparatus) have been carefully adjusted to fulfil the requirements of balance and transparency so necessary in chamber music.”(Cor d Garben).
SKU: HL.51484164
ISBN 9790201841649. UPC: 884088181123. 10.25x13 inches.
SKU: CA.5060100
ISBN 9790007087647.
The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, when Haydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. The fact that six of them were published in 1784 as Kraus's Opus 1 by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume also contains another key work in Kraus's chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799.
SKU: BA.BA04913
ISBN 9790006460441. 33 x 26 cm inches. Key: A major, e-flat major, c minor.
SKU: BA.BA04675-82
ISBN 9790006501960. 32.5 x 25.5 cm inches. Key: D major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: BA.TP00394
ISBN 9790006203086. 22.5 x 16.5 cm inches. Key: E minor. Preface: Todd, R. Larry / Brown, Clive / Sutcliffe, Richard.
This standard work of the cello literature has been extracted from volume II of the Complete Works for Violoncello and Pianoforte (BA 9096 and BA 9097) which was published in 2016. Mendelssohn scholar R. Larry Todd edited the scholarly-critical edition ofSong without Words.This work is not based on the surviving autograph manuscript, which could not have been the basis for the posthumous first edition, but rather on the only plausible source: the German first edition itself. This was published in 1868 as op. 109 and is unquestionably based on an untraceable complete final manuscript, perhaps once previously owned by the dedicatee, French cellist Lisa Barbier Cristiani.The publication is free from editorial amendments and modern performance instructions and provides an excellent basis for musical interpretation.
