The Bodhran Book

SKU: HL.49003133

ISBN 9780946535163. 5.75x8.25x0.092 inches.

Fl. (afl, pic, bodhran 1 (hit with double headed stick), large metal bar (hit with hammer)) * ob 1 (ca, brake drum (hit with hammer, shared with ob 2), bodhran 2 (hit with double-headed stick)) * ob 2 (ca, brake drum (hit with hammer, shared with ob 1) * Bbcl 1 (bcl, Ebcl, medium tom-tom 1 (hit with hard stick) * Bbcl (bcl, medium tom-tom 2 (hit with hard stick) * sopsax (asax, barsax, vibraslap, ratchet 1) - hrn 1 in F (large tom-tom 1, metal bar 1) * hrn 2 in F (large tom-tom 2, metal bar 2) * Ctpt (large metal dustbin lid) * tbn (very large metal sheet) - 1 or 2perc: (1) timp., pedal b.d., mil.dr. (with snares), 4 tom-toms, large ride cym., hi-hat, antique cym. (drum sticks); (2) large b.dr. (without pedal), large tom-tom, bodhran 3, very large sus. cym., tamb., wh., ratch. 2, tri., very low gng, xyl., mar., vib., crots., tub.bells, multi-guiro, hand bells, desk bells, cel.)-hrp (low log drum and bodhran 4 (hit with double-headed stick).pno (epno (Yamaha or Fender Rhodes), police whistle 1 and claves 1)-va (large ratch. 2).3vc (claves 2, ratch. 3).db (police whistle 2).

SKU: MB.22062M

ISBN 9781513460536. 8.75 x 11.75 inches.

Built around the life and teachings of master percussionist, Michel Merhej Baklouk, this book has been designed as a biographical tribute, a teaching manual, and a resource guide for anyone wishing to develop a deeper understanding of the role that percussion plays in Near Eastern Arabic music. This book differs from most technique manuals in that it includes historical information about Arabic music as it pertains to the life and work of a single artist, Michel Merhej Baklouk.The book is composed of three parts: Introduction, Lessons, and Reference Information. Each part is written to stand on its own as well as fit with the whole so that readers can approach the book either as individual articles and lessons, or in its entirety, to be read from cover to cover. By presenting Michel's work in this way, we hope to appeal to a wider audience, percussion students at varying skill levels and from varying music disciplines and backgrounds, students of music and Middle Eastern studies, or anyone else interested in twentieth century Arab music and culture.The first part, Introduction, contains several essays about Michel's life, his teaching philosophy, pedagogical practices, musical aesthetics and performance practices. Although these sections may be read independently, they are also designed to help percussion students apply the book's lessons to their own playing and musical interpretations.The technical focus of this book is on the riqq; however, students of Arabic music (beginning through advanced) can adapt the practical exercises to gain mastery of the percussion instrument(s) of their choice.The second part, Lessons, begins with information about how to hold the percussion instrument (case in point: the riqq) and how to practice effectively. It then presents the body of exercises that Michel developed for his students. These exercises have been taken directly from Michel's notated lessons, which he developed into units corresponding to levels of proficiency, or academic years as he taught them at the Conservatory in Beirut; however, for the purposes of this book, the exercises are reorganized to correspond to subject matter and only roughly mirror Michel's conservatory sequence. Unit 1, Technique Building Exercises, is aimed at novice players or anyone who is new to reading music. Units 2 through 5 focus on specific rhythmic structures with increasing complexity. Students should master each unit of exercises before proceeding to the next unit. The third part, Reference Information, includes a notation reference, a list of rhythms, a list of further reading recommendations, and a glossary of Arabic music terms, many of which are used in the text. All Arabic words in this book appear in italics, except proper names, and with the exception of some proper Arab names, the text is essentially written in the standard system of transliteration used by the Library of Congress and most academic literature Throughout the book you will see quotations from Michel offset in the text. These prosaic tidbits may be words of wisdom, interesting anecdotes about Michel's life, or insights into his work and world of music.Each provides a glimpse into the personality of this exceptional musician. As a technical manual for students of Arabic percussion, Classical Riqq Technique provides specific exercises and explores important concepts, some of which are rarely taught, even in private lessons. At the same time, this book strives for a broader goal, to present and preserve classical percussion from the perspective of a master who not only lived in but also influenced the golden age of Arabic music. Includes access to online audio.

SKU: HL.1115082

ISBN 9781705179598. UPC: 196288105404. 13.0x3.2x3.207 inches.

Get everything you need to start your Bodhrán journey with this convenient pack that includes the Hal Leonard Bodhrán Method AND a Plain 12″ Bodhrán. The Hal Leonard Bodhrán Method is designed for anyone just learning to play the bodhrán, regardless of your ability to read notation. Professional bodhrán player and educator Amy Richter (áthas, Danú, et. al.) equips you with the necessary knowledge and skills to play the instrument. The book includes video lessons, showing you how to implement the techniques described within. The videos also feature how to play with other musicians on classic tunes that you are guaranteed to play at your next session! The 12″ Bodhrán is from Waltons Irish Music. Waltons' classic range of standard bodhrans are handcrafted from the finest woods, with heads made from real goatskin. All bodhrans come with a carrying box and hardwood beater. Suitable for everyone from beginners to advanced players.

SKU: MB.98284M

ISBN 9780786693429. 8.75 x 11.75 inches.

Recent interest in bongos has surged with the inclusion of bongos in almost every type of music including classical, rock, flamenco, jazz, Latin, Middle Eastern and East Indian. Fun with the Bongos was written to provide a simple guide for someone without any musical experience who wants to learn to play the bongos. The book is designed to teach drum notation, basic bongo technique, simple rhythms and their application. In addition it develops familiarity with the construction, nomenclature and characteristics of the bongos. Fun with the Bongos is the first level in a series of books written by the author. Now includes Spanish and Portuguese translations. Audio download available online.

SKU: MB.30032M

ISBN 9780786690084. 8.75 x 11.75 inches.

First Lessons Cajon will take you through the necessary steps to become a proficient cajon player in a pop and rock context. Basic lessons in rhythm will help you learn mainstream beats for the cajon that you can use in your favorite songs. Lessons in hand position, posture, and sound are also included to ensure the best cajon playing experience possible. Whether you are a beginner or have a little experience with the cajon, this book will help you master the fundamentals of this unique instrument. Comes with access to online audio.

SKU: MB.99062M

ISBN 9780786689019. 8.75 x 11.75 inches.

The tabla, a hand drum which originated in India, has become very popular throughout the world. This method covers everything you need to know to learn to play the tabla, including the history and parts of the tabla, tuning and maintenance, positioning, basic exercises, and numerous techniques and patterns. A glossary is included to help the student decipher the many mnemonics and foreign terms which are essential to the tradition of the tabla. Includes access to online audio that illustrates many of the exercises, so that this book may be used either with or without a teacher.

SKU: MB.20300M

ISBN 9780786690350. 8.75 x 11.75 inches.

Volume II is aimed at two distinct categories of readers: 1 Intermediate players who are ready for a wider range of rhythms to study and use in live playing situations; and 2 Experienced congueros who have digested Volume I and now seek to understand the roots of the modern Cuban conga style. Having assimilated the material in Volume I, the student should be able to play basic Son Montuno, Salsa, Chachacha, and Bolero.Volume II moves on to Guaguanco, Iyesa, 6/8, Changui, Afro, Mozambique, Pilon, Songo, Merengue, Bomba, Cumbia and other rhythms that a professional conguero will be expected to know. Each rhythm is accompanied by an article reflecting on its history and role in the big picture of Latin music and offering listening recommendations. Like Volume I, it uses the Step by Step online video Method. A special 8-page appendix explains the often infuriatingly complex subject of clave with an unprecedented level of clarity and insight. Includes access to online video.