Green

For use with all Bb, Eb, C, and Bass Clef instruments, the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues and other split-track choices on the included CD, this first-of-its-kind package helps you master improvisation while playing some of the greatest tunes of all time.For study: each tune includes a split track with:Melody cue with proper style and inflectionProfessional rhythm tracksChoruses for soloingRemovable Bass partRemovable Piano partFor Performance, each tune also has:An additional full stereo accompaniment track (no melody)Additional choruses for soloingThis volume features 10 songs: Dear Old Stockholm, Gypsy in My Soul, I Hear a Rhapsody, Ill Wind (You're Blowin' Me No Good), Mean to Me, On Green Dolphin Street, Pure Imagination, Robbin's Nest, Rosetta and Smoke Gets in Your Eyes. / Tout Instrument

Par CAMPBELL NORMAN / HARRON DON. The musical, Anne of Green Gables is based on the book by Canadian author Lucy Maud Montgomery. Although written as fiction for readers of all ages it has, in recent decades, become considered as a children's book. Montgomery found her inspiration in a newspaper article describing a couple that were mistakenly sent an orphan girl instead of a boy, yet decided to keep her. The music is by Norman Campbell and the lyrics by Don Harron. It is Canada's longest running musical, having been performed every year since 1965 at the Charlottetown Festival at the Confederation Centre of the Arts. / Vocal Music / Répertoire / Voix

Die schönsten Instrumentalstücke der Keyboard Klangwelt-Reihe gesammelt in umfangreichen Sammelbänden.Über 130 Stücke zu allen frohen Anlässen wie Hochzeit oder Geburtstag, beliebte Evergreens und Wunschmelodien, Stimmungslieder für frohe Runden und Karneval and Fastnacht, leicht spielbar und gut klingend arrangiert für Keyboard, Digitalpiano und E-Orgel.Ob Sie alleine oder zusammen musizieren, mit diesem Sammelband haben Sie die richtigen Noten für jede Gelegenheit schnell zur Hand. / Clavier

All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2013 (String Quartet No.12 13 and 14 played simultaneously). Gudmundsen-Holmgreen has written a collection of three new string quartets: String Quartet no. 12 ‘Each in Each’; String Quartet no. 13 ‘Mutual Ordering’ and String Quartet no. 14 ‘Well-Tuned Sounds’. Each quartet can be played on its own; they can also played simultaneously in any combination. When all three quartets are played together as they are tonight the combined work is titled All in One. About this collection Gudmundsen-Holmgreenwrites: 'Some years ago Kronos and the vocal group Theatre of Voices performed three new pieces which I had written for the two groups: one for Theatre of Voices (Green) and two for Kronos (New Ground and No Ground). They were played and sung by each group independently – but also both groups together concurrently on top of each other as a final gesture. The combined pieces were called New Ground Green and No Ground Green. 'David liked the idea (and the result) of pairs of quartets that could be played both independently and simultaneously and asked me if the vocal quartet could be transformed into a string quartet. It could not. He then asked me to repeat the whole set-up with a new pair of quartets adding also some percussion instruments as was the case with Green for Theatre of Voices. Of course this was tempting. Furthermore David asked me to make one of the two new quartets a little easier to play. 'I began to work. The Kronos part of the pair of quartets turned out to be tough to play as David puts it. Unfortunately the ‘easier’ one was tough to play also! So I had to write one more which was then a little easier still (but still not easy). 'The three new works can be played separately and on top of each other in many different combinations resulting in different kinds of

Pelle Gudmundsen-Holmgreen's Green for 4 Voices (SATB). Programme note: New Ground – No Ground – Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords – going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground – at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic and I decided to write a new – lighter ground – New Ground. To disappoint mylisteners as much as possible I based this piece on a very old and very well-known ground: Pachelbel’s Canon.  The piece is tonal and that suggested another –atonal – composition – No Ground (based on another string quartet – no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green. The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.

Pelle Gudmundsen-Holmgreen's No Ground Green for Mixed Choir (SATB) and String Quartet (2012). Set of parts: WH31464A Programme note: New Ground – No Ground – Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords – going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground – at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic andI decided to write a new – lighter ground –New Ground. To disappoint my listeners as much as possible I based this piece on a very old and very well-known ground: Pachelbel’s Canon.  The piece is tonal and that suggested another –atonal – composition – No Ground (based on another string quartet – no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green. The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.

Pelle Gudmundsen-Holmgreen's  String Quartet No. 10 'New Ground' (2011). Set of parts: WH31462A Programme note: New Ground – No Ground – Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords – going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground – at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic and Idecided to write a new – lighter ground – New Ground. To disappoint my listeners as much as possible I based this piece on a very old and very well-known ground: Pachelbel’s Canon.  The piece is tonal and that suggested another –atonal – composition – No Ground (based on another string quartet – no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green. The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.