Matériel : FeuilletLangue : Français
Variété / Feuillet /
SKU: CL.032-3609-01
Did someone say shuffle? From the stop-time intro to a poppin’ shout chorus, this Howard Rowe chart is maximum excitement! Subway Shuffle is an excellent showcase for soloists and ensemble alike and builds to a rousing finale!
SKU: CL.032-3609-00
SKU: HL.278209
ISBN 9781540029560. UPC: 888680752637. 9x12 inches. Jeremy Siskind Intermediate Level.
Eight original piano solos at an intermediate level with the flair of New York City: Bronx Accent • Brooklyn Sunset • Harlem Tapdance • Immigrant's Song • Late Night Subway Platform • Puerto Rican Day Parade • Skyscraper • Upper East Side. Includes composer notes for each piece.
SKU: FL.FX071919
The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...
SKU: FL.FX071918
SKU: FL.FX071927
SKU: FL.FX071924
SKU: FL.FX071922
SKU: FL.FX071921
SKU: FL.FX071923
SKU: FL.FX071926
SKU: FL.FX071925
SKU: HL.4008056
ISBN 9781705184523. UPC: 196288115953.
Fasci nated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes†Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”.