String Quartet #2 D Minor

Haydn Quartets. Par MOZART WOLFGANG AMADEUS. Haydn Quartets / Seiffert, Wolf-Dieter / Répertoire / 2 Violons, Alto, Violoncelle

Fantasia In F Minor for Strings (1799) after the Organ Piece for Mechanical Organ K.608.Despite their high quality Mozart?s works for unusual instruments or instrumental combinations often receive scant attention. One of these remarkable compositions is a piece for mechanical Organ K. 608 that he wrote for ? Müller?s Art Gallery ? in March 1791. By 1799 it had already appeared in print in Vienna as a fantasy for Piano four-hands.But there were also other transcriptions including one for two Flutes and another for String Quartet.Several sources and later editions attest to the popularity of this contemporary stringarrangement of 1799. Our new volume edited by Christopher Hogwood takes the relevant sources into account.It contains a trilingual preface (Eng./Ger./Cz.) discussing the work?s history and performance practice as well as a detailed critical report.- Almost unknown music from Mozart?s final year.- Transcription of 1799 for String Quartet.- Additional Double Bass part provided to allow performances with Chamber Orchestra.- Detailed preface critical report (Eng./ Cz ./Ger.). Also includes facsimiles.- Full score & parts (BA9505) available for sale.

for String Quartet. Par ORFF CARL. Like the Quartettsatz of 1914 (ED 7816), Quartettsatz in c-Moll of 1921, premièred by the Henschel Quartet at the Orff Centre in Munich in 2007, testifies to Orff’s early struggles towards the classical-Romantic tradition. Originally left unfinished as a fragment in C sharp minor, the first version has now been reconstructed (in C minor) from a source that only survived as a copy with autograph corrections. It is interesting to see a new tonal language appearing quite suddenly (and notated without bar lines in the first version) in the coda./ Répertoire / Quatuor à Cordes

Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models – here Baroque movements like gavotte, saraband, gigue – with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire./ Répertoire / 2 Violons, Alto et Violoncelle