4 Spanish Dances - Guitar

The complete set of Twelve Spanish Dances transcribed and arranged for guitar. The transcriptions remain true to the original piano score but have been arranged in an idiomatic style for the guitar. The Spanish Romanticcompositional style of Enrique Granados comes through in these elegant dances. The simplistic and intimate nature of the melodies make them very accessible for the guitar. These arrangements are a fresh approach to the familiardances and an incentive to play some of the lesser known. A valuable addition to any guitar library. The edition includes a composer bio and program notes about each of the dances. Written in standard notation.

The Three Spanish Dances from Opus 12 by Moritz Moszkowski (1854-1925) were originally written for piano in 1875. These were among his most popular works. Arranged here for flute and guitar these pieces are melodic works thatare fun to play and thoroughly enjoyable to listen to. Arranger Garth Baxter is noted for his modern traditionalist style of writing. This is a style that combines the traditions of form and clear melodic writingwith the use of contemporary approaches to harmonies and other elements. Upper-intermediate to advanced in difficulty. A free solo flute part plus audio downloads are available for use with this title.

Plus de 200 morceaux du début de la Renaissance et du Baroque aux périodes classiques et romantiques. Inclues des oeuvres de Carcassi, Bach, Tarrega et Mozart. / Guitare / Partition

Classical Guitar Arrangements from Bizet's Opera Carmen. One might think that it would be impossible to arrange the music of Georges Bizet?s opera, Carmen, for solo classic guitar, but Néstor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Método para Guitarra of 1843, the classic guitar?s expansive palette of tone color gives it the ability to emulate ?a miniature orchestra?. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizet?s Carmen?Aragonaise, Habanera, Seguidillas, and Danse Bohéme?as well as Carmen?s sober ?Chant de la Mort?. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Néstor Ausqui?s Carmen Suite, ??the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity.? ? Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina

Les trois danses espagnol, Opus 12 par Moritz Moszkowski (1854-1925), ont été écrites pour piano en 1875. Il s'agissait parmi ses oeuvres les plus populaires. Arrangé ici pour les flûte et guitare, ces pièces sont des oeuvres mélodiques qui sont agréables à jouer et minutieusement agréable à écouter. Arrangeur Garth Baxter est réputé pour son style traditionaliste moderne de l'écriture. C'est un style qui combine les traditions du formulaire et désactivez mélodique écrire avec l'utilisation d'approches contemporaines d'harmonies et d'autres éléments. Upper-intermédiaire à avancé en difficulté. Une partie les flûte solo libre ainsi que les téléchargements audio sont disponibles pour une utilisation avec ce titre. / Guitare Et Flûte Traversière / 24 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

Zohn, Andrew. Par GRANADOS ENRIQUE. / Niveau : Avancé / Répertoire / 2 Guitares

Enrique Granados (1867-1916) was a Spanish composer and pianist who studied in Barcelona and Paris and whose life was tragically cut short by the First World War. The nationalist style which dominated his early output is often seen to be epitomised by the 1890 work 12 Danza Española a collection of Spanish dances originally for the solo Piano. Andaluza is No. 5 from 12 Danza Española and has been transcribed here for Voice with Guitar by the Basque arranger Jose De Azpiazu (1912-1986) setting a poem by Luis Munoz Llorente.

Cumbees - Marizapalos - La Jotta. Par MURCIA SANTIAGO DE. The dances and sets of variations published in this volume come from the Codice Saldívar, a manuscript that was discovered by the Mexican musicologist Dr. Gabriel Saldívar y Silva in León (Mexico) in 1943. Although the title page of the manuscript is missing, we can assume with great certainty that it is the work of Santiago de Murcia. The manuscript dates from around 1732 and the handwriting, paper format and watermark are the same as those from another work by de Murcia. This collection demonstrates de Murcia's interest in a wide range of music for guitar and, like many other Spanish composers, the inspiration he found in the new sounds and rhythms brought home by the Spanish seafarers. The result is a rich and colourful feast of the baroque guitar repertoire./ Recueil / Guitare

Albert Gamse compile les plus célèbres chansons et danses espagnoles et d'Amérique latine. Partitions pour piano et paroles. / Chant Et Piano / Partition