Solo for Bass Flute

Par LINTHICUM-BLACKHORSE WILLIAM. Wamakaskan for Bass Flute by William Linthicum-Blackhorse. Wamakaskan is comprised of 4 melodies in the form of prayers corresponding to each cardinal direction. After each prayer, the performer listens for 4 seconds and improvises animal sounds that correspond to the previous prayer: Ate Wiohpeyata, Ate Waziyata, Ate Wiohiyanpata, Ate Itokagata, and Wakantanka (all creation). / Date parution : 2022-11-29/ Répertoire / Flûte Basse

POD-Flashnight for Bass Flute solo with Electronis and Ensemble was composed by Niels Rosing-Schow in 2015-16.

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns).Bassoon part with pianoreduction of the orchestral score.

Arranged and adapted by Andrea Cappellari. Easy duets. Each book included complet scores and solo part.

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Tuba And Piano. 15 Intermediate Classical Solos, de Philip Sparke, est un ouvrage qui s’adresse aux jeunes musiciens, maîtrisant un peu plus d’une octave et demie. Il fait suite au recueil 15 Easy Classical Solos, et a été conçu pour être joué en corrélation avec la série Expert Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment. Spécifiquement adapté à chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Hændel, Tchaïkovski, Clémenti et Brahms. Comprenant les parties d’accompagnement de piano et une version d’accompagnement sur compactdisc, ces ouvrages représentent une source complémentaire inestimable à toute méthode pédagogique. / Niveau : Intermédiaire / Recueil / Tuba en Do Basse Continue, Tuba en Sib Clé de Sol

Music Minus One Bassoon-This luscious quintet is scored for piano oboe clarinet horn and bassoon. Mozart's magnificent orchestration of the winds with piano creates a warm and glowing texture of sound and each instrument emerges at times for a prominent position. Cast in three movements: Largo/Allegro moderato Larghetto and Rondo/Allegretto. Truly one of the great works in this format and wonderful fun to practice and perform. Includes the complete solo part for the Bassoon printed on high-quality ivory paper and a compact disc containing a complete performance of the quintet with soloist then performed again minus the soloist. Accompaniment: Harriet Wingreen piano New Art Wind Quintet:Mel Kaplan oboe Tina DiDario bassoon Murray Panitz flute Aldo Simonelli clarinet

Par SNIDERO JIM. Exact transcription, as played by Dennis Irwin, plus 21 simple bass lead sheets.See and hear how a well known bass player phrases and articulates and comp for the soloist on the mp3 CD.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Use the book/CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the bass lines off the CD (then check against the book) or for just having fun playing along with a great jazz rhythm section.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.Please note that mp3 CDs may not work on some (older) CD players./ Recueil / Guitare Basse

Music Minus One Bassoon-A marvelous and eclectic assortment of pieces for woodwind quintet from Bach Haydn Mozart and others. Includes a high-quality printed music score and a compact disc featuring each piece performed twice: first with soloist then without. Accompaniment: Camerata Woodwind Quintet: Roy Lawrence oboe Gerald Carey flute Roger Collins french horn Robert Koper bassoon

Transcribed For Solo Electric Bass. Par BACH JOHANN SEBASTIAN. While many electric bassists study the Bach cello suites at some point, fewer attempt the sonatas and partitas for un- accompanied violin (BWV 1001-1006). Composed around 1720, the sonatas and partitas display rich polyphonic writing, unlike the simpler monophonic cello suites. This collection features a challenging but rewarding transcription of the complete A minor Violin Sonata (BWV 1002), which fits particularly well on the bass. Also included are the well-known gavotte en rondeau from the E major violin partita (BWV1006) and the complete A minor partita for solo flute (BWV 1013), transposed here to D minor. Finally, an arrangement of the familiar chorale Jesu, Joy of Man's Desiring (from BWV 147) takes advantage of the bass's natural and artificial harmonics. Performance notes are included. Written in notation and tablature for the 4-string electric bass. / Niveau : Intermédiaire / Baroque - Solos / Tablatures / Guitare Basse Tablatures

This volume which marks the 300th anniversary of the king?s birth contains the first edition of four sonatas for solo Flute and Basso Continuo composed by Frederick II known as ?the Great? (1712?1786) King of Prussia from 1740 to 1786.