Solo Church Cantata: Der Herr hat seinen Stuhl im H

72 Solo Cantatas for Voice, Instrument and Basso continuo. By Georg Philipp Telemann. Edited by Gustav Fock; Ute Poetzsch. For Medium Voice, Melodic Instrument, Basso Continuo. Cantatas for the Sundays after Trinity. Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA5896 01)

Brass Quintet - advanced

SKU: CY.CC2954

Composed by Johann Sebastian Bach. Arranged by Justin Bland. Baroque. Score and parts. 20 pages. Cherry Classics #2954. Published by Cherry Classics (CY.CC2954).

ISBN 9790530057735.

Ein feste Burg ist unser Gott (Our God is a secure fortress), BWV 80 is a church cantata based on Martin Luther's hymn that Bach composed for Reformation Day around the year 1723.
This movement Aria and Chorale is the second movement of the cantata. The Euphonium/Trombone part performs the bass solo and the Trumpet 1 part performs the Soprano/Oboe solo which is the Chorale itself in an embellished style of the melody.
Justin Bland has done a superb job of arranging this beautiful movement of about 4.5 minutes in length for moderately advanced performers.
Instrumen tation is: Trumpet 1 (C & B-flat parts are provided), Trumpet 2/Flugelhorn in B-flat, Horn, Euphonium/Trombone in bass clef & Tuba.

Selected parts from the Church Cantatas, from St Matthew Passion, Mass in B minor and the Lutheran Mass in A major. By Johann Sebastian Bach. Edited by Pfundl-Frittrang, Eva M. For Flute. Playing Score. Published by Baerenreiter-Ausgaben (German import). ISBN M006499540.

(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, 2 Oboe d'Amore, 2 Violins solo, Strings, Organ. This edition: paperbound. BWV 7. Full score available separately - see item CA.3100700. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days. Level 3. Piano/Vocal score. Language: German/English. Composed 1724. 40 pages. Duration 26 min

(72 Solo Cantatas for Voice, Instrument and Basso continuo). By Georg Philipp Telemann (1681-1767). Edited by Gustav Fock; Ute Poetzch. For Melodic Instrument, Basso Continuo. This edition: Stapled, Urtext edition. Stapled. Cantatas for the Sundays after . Set of Parts.

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB/SATB - 2.2.2.2 - 2.2.3.0 - timp - hp - org - str)

SKU: BR.PB-5182

Composed by Felix Bartholdy Mendelssohn. Edited by Frank Reinisch. Choir; Softcover. Partitur-Bibliothek (Score Library).

The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.

Psalm; Romantic. Full score. 40 pages. Duration 8'. Breitkopf and Haertel #PB 5182. Published by Breitkopf and Haertel (BR.PB-5182).

ISBN 9790004209226. 9 x 12 inches.

The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize. Just like the Lobgesang Cantata, which unites the symphonic form and the chorale cantata, the 98th Psalm joins the motet and cantata forms into a highly expressive unity. The work begins in eight parts a cappella and leads to a vigorous orchestral movement. The use of the harp in Romantic church music was innovative and provocative in Mendelssohn's day.The piano-vocal score made by Mendelssohn himself was completed by Michael Obst, who reduced the introductory a cappella chorus for rehearsal purposes.

The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.

Organ (solos: SATB - choir: SATB/SATB - 2.2.2.2 - 2.2.3.0 - timp - hp - org - str)

SKU: BR.OB-5182-11

Composed by Felix Bartholdy Mendelssohn. Stapled. Orchester-Bibliothek (Orchestral Library).

The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.

Psalm; Romantic. Part. 4 pages. Duration 8'. Breitkopf and Haertel #OB 5182-11. Published by Breitkopf and Haertel (BR.OB-5182-11).

ISBN 9790004330029. 9 x 12 inches.

The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize. Just like the Lobgesang Cantata, which unites the symphonic form and the chorale cantata, the 98th Psalm joins the motet and cantata forms into a highly expressive unity. The work begins in eight parts a cappella and leads to a vigorous orchestral movement. The use of the harp in Romantic church music was innovative and provocative in Mendelssohn's day.The piano-vocal score made by Mendelssohn himself was completed by Michael Obst, who reduced the introductory a cappella chorus for rehearsal purposes.

The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.

Woodwinds (solos: SATB - choir: SATB/SATB - 2.2.2.2 - 2.2.3.0 - timp - hp - org - str)

SKU: BR.OB-5182-30

Wind set. Composed by Felix Bartholdy Mendelssohn. Folder. Orchester-Bibliothek (Orchestral Library).

The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.

Psalm; Romantic. Set of parts. 36 pages. Duration 8'. Breitkopf and Haertel #OB 5182-30. Published by Breitkopf and Haertel (BR.OB-5182-30).

ISBN 9790004330074. 9 x 12 inches.

The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize. Just like the Lobgesang Cantata, which unites the symphonic form and the chorale cantata, the 98th Psalm joins the motet and cantata forms into a highly expressive unity. The work begins in eight parts a cappella and leads to a vigorous orchestral movement. The use of the harp in Romantic church music was innovative and provocative in Mendelssohn's day.The piano-vocal score made by Mendelssohn himself was completed by Michael Obst, who reduced the introductory a cappella chorus for rehearsal purposes.

The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.

(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, 2 Oboe d'Amore, 2 Violins solo, Strings, Organ. This edition: paperbound. BWV 7. Full score available separately - see item CA.3100700. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days. Level 3. Study score. Language: German/English. Composed 1724. 96 pages. Duration 26 min

(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, 2 Oboe d'Amore, 2 Violins solo, Strings, Organ. This edition: paperbound. BWV 7. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days. Level 3. Score. Language: German/English. Composed 1724. 96 pages. Duration 26 min

By Johann Philipp Krieger (1649-1725). Edited by Dietrich Kruger. For Solo Soprano, 2 Violins, Basso continuo. This edition: paperbound. Genres: Cantatas; Use / Occasion: Praise and thanks, Psalms; Use during church year: Easter and Eastertide. Score. Language: Latin. 16 pages. Published by Carus Verlag

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Part: Violin 2. Language: German/English. Composed 1725. 4 pages. Duration 18 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Set of instrumental parts (except strings). Language: German/English. Composed 1725. 32 pages. Duration 18 min

By Johann Philipp Krieger (1649-1725). Edited by Dietrich Kruger. For Solo Soprano, 2 Violins, Basso continuo. Full score available separately - see item CA.1005000. Genres: Cantatas; Use / Occasion: Praise and thanks, Psalms; Use during church year: Easter and Eastertide. Part: Basso continuo. Language: Latin. 4 pages. Published by Carus Verlag

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. This edition: paperbound. BWV 137. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Score. Language: German/English. Composed 1725. 52 pages. Duration 18 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Part: Violoncello/Contrabass. Language: German/English. Composed 1725. 12 pages. Duration 18 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Part: Violin 1. Language: German/English. Composed 1725. 8 pages. Duration 18 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Part: Viola. Language: German/English. Composed 1725. 4 pages. Duration 18 min

By Johann Philipp Krieger (1649-1725). Edited by Dietrich Kruger. For Solo Soprano, 2 Violins, Basso continuo. Full score available separately - see item CA.1005000. Genres: Cantatas; Use / Occasion: Praise and thanks, Psalms; Use during church year: Easter and Eastertide. Part: Violin 2. Language: Latin. 4 pages. Published by Carus Verlag

By Johann Philipp Krieger (1649-1725). Edited by Dietrich Kruger. For Solo Soprano, 2 Violins, Basso continuo. Full score available separately - see item CA.1005000. Genres: Cantatas; Use / Occasion: Praise and thanks, Psalms; Use during church year: Easter and Eastertide. Part: Violin 1. Language: Latin. 4 pages. Published by Carus Verlag

Chorus (with soloists) and orchestra (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc)

SKU: BR.PB-32034

Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Full score. Duration 9'. Breitkopf and Haertel #PB 32034. Published by Breitkopf and Haertel (BR.PB-32034).

ISBN 9790004215678. 10 x 12.5 inches.

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.

Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc)

SKU: BR.OB-32034-19

Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-19. Published by Breitkopf and Haertel (BR.OB-32034-19).

ISBN 9790004350911. 10 x 12.5 inches.

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.

Violin 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc)

SKU: BR.OB-32034-15

Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-15. Published by Breitkopf and Haertel (BR.OB-32034-15).

ISBN 9790004350898. 10 x 12.5 inches.

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.

Organ (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc)

SKU: BR.OB-32034-11

Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-11. Published by Breitkopf and Haertel (BR.OB-32034-11).

ISBN 9790004350881. 10 x 12.5 inches.

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.

Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc)

SKU: BR.OB-32034-20

Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-20. Published by Breitkopf and Haertel (BR.OB-32034-20).

ISBN 9790004350928. 10 x 12.5 inches.

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.