Sky Dive

SKU: CA.1709600

ISBN 9790007090616.

Arr. Hanns Wurz.

SKU: CA.8012200

ISBN 9790007083601.

SKU: HL.48188543

UPC: 888680883614. 9.75x6.5x0.088 inches.

Aubanel Georges 7 Divertissements 2 Descant Recorders Book.

SKU: HL.48024865

UPC: 840126913880. 9.0x12.0x0.095 inches.

Classical composer Vicente Martin y Soler (1754-1806), sometimes called The Spanish Mozart, wrote a 1786 opera entitled Una Cosa Rara. While the opera has falled into obscurity, it was immensely popular at the time of its premiere. Six divertimenti by the composer, all based on themes from the opera, have helped preserve the legacy of this marvelous music. Carefully edited and restored from the original manuscripts by Dr. Patricia Cornett, these are important additions to the repertoire for advanced chamber ensembles. Scored for: 2 Oboes, 2 Basset Horns (opt. Bb Clarinets), 2 Horns and 2 Bassoons. Recorded by members of the Temple University Wind Symphony, Dr. Patricia Cornett, conductor.

SKU: HL.48024869

UPC: 840126913927. 9.0x12.0x0.101 inches.

Classical composer Vicente Martin y Soler (1754-1806), sometimes called The Spanish Mozart, wrote a 1786 opera entitled Una Cosa Rara. While the opera has fallen into obscurity, it was immensely popular at the time of its premiere. Six divertimenti by the composer, all based on themes from the opera, have helped preserve the legacy of this marvelous music. Carefully edited and restored from the original manuscripts by Dr. Patricia Cornett, these are important additions to the repertoire for advanced chamber ensembles. Scored for: 2 Oboes, 2 Basset Horns (opt. Bb Clarinets), 2 Horns and 2 Bassoons. Recorded by members of the Temple University Wind Symphony, Dr. Patricia Cornett, conductor.

SKU: HL.48024867

UPC: 840126913903. 9.0x12.0x0.117 inches.

Classical composer Vicente Martin y Soler (1754-1806), sometimes called The Spanish Mozart, wrote a 1786 opera entitled Una Cosa Rara. While the opera has fallen into obscurity, it was immensely popular at the time of its premiere. Six divertimenti by the composer, all based on themes from the opera, have helped preserve the legacy of this marvelous music. Carefully edited and restored from the original manuscripts by Dr. Patricia Cornett, these are important additions to the repertoire for advanced chamber ensembles. Scored for: 2 Oboes, 2 Basset Horns (opt. Bb Clarinets), 2 Horns and 2 Bassoons. Recorded by members of the Temple University Wind Symphony, Dr. Patricia Cornett, conductor.

SKU: HL.48181541

UPC: 888680842154. 9.0x12.0x0.074 inches.

French composer, Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire, particularly for Saxophone. Divertissement for Alto Saxophone was published in 1953 and remains popular in advanced saxophonists' repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. 'Divertissement' for Alto Saxophone and Piano reduction is made up of three movements; 1) Allegro vivo, 2) Lent et doux, and 3) Scherzando. Essential to the advanced saxophonists' repertoire, Dubois' 'Divertissement' makes for an exciting and enjoyable performance for players and audiences alike..

SKU: HL.48182297

UPC: 888680839994. 9.0x12.0x0.183 inches.

�??French composer and conductor, Henri Tomasi (1901-1971) published Three Divertissements for Clarinet Quartet in 1964. As with his other wind compositions, Three Divertissements was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. The Three Divertissements are named; 1) Proceedings, 2) Masquerade, and 3) Rounds. This Tomasi piece is suitable to an advanced Clarinet Quartet, providing an exciting alternative addition to the ensemble repertoire.�?�.

SKU: CF.SPS89F

ISBN 9781491156490. UPC: 680160915033. 9 x 12 inches.

Program Notes This composition for wind ensemble is partially inspired by my home town of Sebastian, specifically its location on the east coast of the state of Florida. My childhood included many quick trips to both the nearby Indian River and the beaches on the coast, so swimming and the water were integral parts of my experience growing up. This work is my musical expression of diving underwater and getting swept up by a fast current and discovering wonders beneath the surface. Dive! has two central components: a constant, driving eighth-note pulse and a main theme which is fragmented and passed around at first, but then is presented completely by the low reeds around a minute and a half into the piece. The steady eighth-note pulse reflects the swift current that a diver might follow, while the main theme represents all the wonders that might be hidden under the water. Performance Notes Ideally, the Trombone 3 part should be played on a Bass Trombone. However, if one is not available there are cues for notes that are beneath a tenor trombone's range. Make sure the vibraphone is heard clearly throughout the piece, as this particular sound is very important to the overall color of this piece. The Percussion 5 part requires two performers as some of the hits happen too quickly for one player to switch between instruments. The most important component of this work is the steady eighth-note pulse, and this pulse never changes even though the meter changes frequently to odd or uncommon time signatures; if the eighth notes remain constant and driving, the meter changes will not pose much of a problem.              .
Program NotesThis composition for wind ensemble is partially inspired by my home town of Sebastian, specifically its location on the east coast of the state of Florida. My childhood included many quick trips to both the nearby Indian River and the beaches on the coast, so swimming and the water were integral parts of my experience growing up. This work is my musical expression of diving underwater and getting swept up by a fast current and discovering wonders beneath the surface.Dive! has two central components: a constant, driving eighth-note pulse and a main theme which is fragmented and passed around at first, but then is presented completely by the low reeds around a minute and a half into the piece. The steady eighth-note pulse reflects the swift current that a diver might follow, while the main theme represents all the wonders that might be hidden under the water.Performance NotesIdeally, the Trombone 3 part should be played on a Bass Trombone. However, if one is not available there are cues for notes that are beneath a tenor trombone's range.Make sure the vibraphone is heard clearly throughout the piece, as this particular sound is very important to the overall color of this piece. The Percussion 5 part requires two performers as some of the hits happen too quickly for one player to switch between instruments.The most important component of this work is the steady eighth-note pulse, and this pulse never changes even though the meter changes frequently to odd or uncommon time signatures; if the eighth notes remain constant and driving, the meter changes will not pose much of a problem.       .

SKU: CF.SPS89

ISBN 9781491156483. UPC: 680160915026. 9 x 12 inches.

Program Notes This composition for wind ensemble is partially inspired by my home town of Sebastian, specifically its location on the east coast of the state of Florida. My childhood included many quick trips to both the nearby Indian River and the beaches on the coast, so swimming and the water were integral parts of my experience growing up. This work is my musical expression of diving underwater and getting swept up by a fast current and discovering wonders beneath the surface. Dive! has two central components: a constant, driving eighth-note pulse and a main theme which is fragmented and passed around at first, but then is presented completely by the low reeds around a minute and a half into the piece. The steady eighth-note pulse reflects the swift current that a diver might follow, while the main theme represents all the wonders that might be hidden under the water. Performance Notes Ideally, the Trombone 3 part should be played on a Bass Trombone. However, if one is not available there are cues for notes that are beneath a tenor trombone's range. Make sure the vibraphone is heard clearly throughout the piece, as this particular sound is very important to the overall color of this piece. The Percussion 5 part requires two performers as some of the hits happen too quickly for one player to switch between instruments. The most important component of this work is the steady eighth-note pulse, and this pulse never changes even though the meter changes frequently to odd or uncommon time signatures; if the eighth notes remain constant and driving, the meter changes will not pose much of a problem.              .
Program NotesThis composition for wind ensemble is partially inspired by my home town of Sebastian, specifically its location on the east coast of the state of Florida. My childhood included many quick trips to both the nearby Indian River and the beaches on the coast, so swimming and the water were integral parts of my experience growing up. This work is my musical expression of diving underwater and getting swept up by a fast current and discovering wonders beneath the surface.Dive! has two central components: a constant, driving eighth-note pulse and a main theme which is fragmented and passed around at first, but then is presented completely by the low reeds around a minute and a half into the piece. The steady eighth-note pulse reflects the swift current that a diver might follow, while the main theme represents all the wonders that might be hidden under the water.Performance NotesIdeally, the Trombone 3 part should be played on a Bass Trombone. However, if one is not available there are cues for notes that are beneath a tenor trombone's range.Make sure the vibraphone is heard clearly throughout the piece, as this particular sound is very important to the overall color of this piece. The Percussion 5 part requires two performers as some of the hits happen too quickly for one player to switch between instruments.The most important component of this work is the steady eighth-note pulse, and this pulse never changes even though the meter changes frequently to odd or uncommon time signatures; if the eighth notes remain constant and driving, the meter changes will not pose much of a problem.       .

SKU: BR.EB-5401

This new edition of the five Mozart Divertimenti K. 229(439B) offers alternative performance possibilities:- original version: 3 Basset Horns- traditional, standard version: 2 Clarinets and Bassoon- new version, for group teaching: 3 Clarin. Serenade/divertimento; Classical. Score. 12 pages. Breitkopf and Haertel #EB 5401. Published by Breitkopf and Haertel (BR.EB-5401).

ISBN 9790004164020. 9 x 12 inches.

Mozart's Five Divertimenti KV 439b (App. 229) were presumably composed between 1783 and 1785. They are widely prevalent in various scorings. Originally, the works were written for 3 basset horns (2 basset horns or 2 clarinets and bassoon) - early printings shortly after Mozart's death are known as sources.The arrangement and setting by the composer and conductor Paul Klengel not only opens up a different instrumental genre for the pieces. The usage of string instruments with different pitch ranges results also in a change of register that decisively alters the sound character.

Paul Klengel arranged only four of the Five Divertimentos for strings.

SKU: BR.EB-5362

The Trio di Clarone's new edition of the five Mozart Divertimenti K. 229(439B) offers alternative performance possibilities:- original version: 3 Basset Horns- traditional, standard version: 2 Clarinets and Bassoon- new version, for group t. Serenade/divertimento; Classical. Score. 10 pages. Breitkopf and Haertel #EB 5362. Published by Breitkopf and Haertel (BR.EB-5362).

ISBN 9790004163993. 9 x 12 inches.

Mozart's Five Divertimenti KV 439b (App. 229) were presumably composed between 1783 and 1785. They are widely prevalent in various scorings. Originally, the works were written for 3 basset horns (2 basset horns or 2 clarinets and bassoon) - early printings shortly after Mozart's death are known as sources.The arrangement and setting by the composer and conductor Paul Klengel not only opens up a different instrumental genre for the pieces. The usage of string instruments with different pitch ranges results also in a change of register that decisively alters the sound character.

Paul Klengel arranged only four of the Five Divertimentos for strings.

SKU: BR.EB-5363

Die Neuausgabe der funf Mozart-Divertimenti KV Anh. 229 (439B) bietet erweiterte Spielmoglichkeiten: - original: 3 Bassetthorner - tradiert und bewahrt: 2 Klarinetten und Fagott - neu fur den Gruppenunterricht: 3 Klarinetten

ISBN 9790004164006. 9 x 12 inches.

Mozart's Five Divertimenti KV 439b (App. 229) were presumably composed between 1783 and 1785. They are widely prevalent in various scorings. Originally, the works were written for 3 basset horns (2 basset horns or 2 clarinets and bassoon) - early printings shortly after Mozart's death are known as sources.The arrangement and setting by the composer and conductor Paul Klengel not only opens up a different instrumental genre for the pieces. The usage of string instruments with different pitch ranges results also in a change of register that decisively alters the sound character.

Paul Klengel arranged only four of the Five Divertimentos for strings.

SKU: GI.G-10717

ISBN 9781622776597.

Writ ten by noted scholar and conductor Dennis Shrock, Choral Diversity is a presentation of composers throughout history who represent the broad and diverse canon of choral music. Included are twenty women composers and ten composers of color, many of whom have been previously underrepresented in studies and in performances. Each chapter presents overviews of the composer’s life and choral output, information and analysis of selected compositions, including complete texts and literal translations not found elsewhere, and guidelines that address related and important aspects of performance. Importantly, Shrock approaches choral diversity from multiple perspectives. Most notably, the book highlights the music of women composers—such as Hildegard von Bingen, Amy Beach, and Undine Smith Moore—as well as composers of color, including José Maurício Nunes Garcia, William Grant Still, and Margaret Allison Bonds, among others. Rounding out his approach, Shrock also explores the lesser-known works of familiar composers such as Palestrina and Brahms. The book’s repertoire, too, represents a diversity of musical periods, styles, and genres—including chants, madrigals, chansons, motets, partsongs, oratorios, cantatas, and vocal chamber pieces—all of which are intended to be accessible to regular school, church, and community choruses. With its broad scope and scholarly authority, Choral Diversity is the ideal resource for conductors at all levels looking to diversify their concert programming in a practical and historically informed way. Dennis Shrock is author of ten books, three published by Oxford University Press and the remaining seven published by GIA Publications. He has held faculty positions at Boston University, Westminster Choir College, and the University of Oklahoma. He has also served as Artistic Director of the Santa Fe Desert Chorale and was a lecturer and member of the conducting staff at Yale University. Shrock received his master’s and doctoral degrees in choral conducting from Indiana University.