Six trio sonatas, Op. 1 vol.2

Seules quelques oeuvres de l'histoire de la musique peuvent se parer de l'attribut 'epoch-making'. Les sonates en trio de Corelli sont parmi eux. Avec sa Sonate da chiesa op. 1 et Sonate da camera op. 2, Corelli, en 1681 et 1685 respectivement, a jeté les bases d'un genre qui allait devenir le genre de musique de chambre autorité depuis presque 100 ans. C'est seulement en 1781 qu'il a été remplacé par Quatuors à cordes de Joseph Haydn Op. 33, qui a également constitué un groupe de travail d'une importance epoch-making. Du point de vue historique, même le quatuor à cordes est un 'enfant' de la sonate en trio, ainsi, l'importance de Corelli en tant que fondateur du genre européen de musique de chambre ne peut pas être surévaluées. En conséquence, le Wiener Urtext édition publie une sélection représentative de 12 sur un total de 48 sonates en trio à l'occasion du 300e anniversaire de la mort du compositeur. Le volume 1 contient six sonates du modèle Chiesa Da, Volume 2 six morceaux représentatifs du type de Da Camera. La nouvelle édition a été basée sur les éditions originales, les premières rééditions italiennes et l'importante édition d'Amsterdam de Roger. En plus de pièces pour les instruments mélodiques, la nouvelle édition contient également un score continue à réaliser, facilement jouable basso continuo. Sur la base de ce matériau et en raison des exigences techniques modérées, l'édition est parfaitement adapté pour commencer à jouer des morceaux de musique de chambre. / 2 Violons, Violoncelle Et Orgue (Piano)

Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].

Six Sonatas for 2 violins & b. c., edited by Richard Gwilt. Important transcription in terms of Bach. Volume I contains Sonata I & III for 2 violins & b. c, Volume II contains Sonata II & IV for violin, viola & v. c. and Volume III contains Sonata V & VI for 2 violins & b. c. RG editions

Les 6 sonates en Trio, opus V, pour deux violons ou Flutes et Basso continuo a été publiée à Amsterdam en 1736 sous la supervision du compositeur. La présente édition - éditée par Piera Federici avec la réalisation de la basse continue par Filippo Ravizza - est basée sur le texte de l'édition critique publiée en association avec la Stichting-Fondazione Pietro Antonio Locatelli, Amsterdam-Crémone, sous la direction d'Albert Dunning. / 2 Violons (Flûtes Traversières) Et Basse Continue

Sonaten op. 1: Nr. 1 4 und 9 op. 3: Nr. 2 4 und 12. Very few works in music history have been associated with the phrase 'epoch-making' yet Arcangelo Corelli's Trio Sonatas are among them. In 1681 and 1685 with the composition of Sonate da chiesa Op. 1 and Sonate da camera Op. 2 Corelli laid the foundation for a genre which was to be the chamber music format for almost 100 years. It was only in 1781 that it was superseded by Joseph Haydn's String Quartets Op. 33 which were also highly significant to the era. From a historical point of view the String Quartet can be viewed as a 'child' of the trio sonata. As a result Wiener Urtext Edition have published a selection of 12 of a total of 48 trio sonatas due to the 300th anniversary of the composer's death. Volume 1 contains six sonatas of the Da Chiesa model Volume 2 six pieces of the Da Camera type. This new edition was based on original editions the first Italian reprints as well as the Rogers Amsterdam edition. In addition to parts for the melodic instruments the new edition also contains a Continuo score with realised easily playable Basso Continuo. This edition is perfectly suitable as an introduction into chamber music.

Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].

Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano

Les 6 sonates en Trio, opus 5 a été publiée à Amsterdam en 1736 sous la supervision du compositeur. La présente édition - éditée par Piera Federici avec la réalisation de la basse continue par Filippo Ravizza - est basée sur le texte de l'édition critique publiée en association avec la Stichting-Fondazione Pietro Antonio Locatelli, Amsterdam-Crémone, sous la direction d'Albert Dunning. / 2 Violons (Flûtes Traversières) Et Basse Continue

Trevor Wye (b. 1935) is an English flautist pedagogue and music editor who has been playing the flute for over 65 years. Despite not attending any conservatory or university he has held professorships at both theGuildhall School of Music and the RNCM. He has written several successful educational flute works and edited many more. The third volume of Wye’s Flute Duets contains six easy and tuneful Sonatas by the19th century composer and flautist Eugène Walkiers (1793-1866) taken from his opus 55. Walkiers is best remembered for his Flute duets trios and quartets compositions which are far superior to his solo works.

Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre

Sonatas in G D G min F; Sonata cinque in Bb; Allegro in C min; Sonatina from 'Il trionfo del tempo'; Sonata Movement in A min; Fantasia in A; and Allegro in G for Solo Violin.

In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano

This collection of the most beautiful 100 easy original compositions for piano presented by Schott contains a selection of works that accompany every pupil in the first years of his or her piano lessons.



The volume contains compositions from the days of Johann Pachelbel (1653-1706) to the days of Alexander Grechaninov (1864-1956), providing playing material from the high baroque period to the early 20th century. Apart from numerous individual pieces, there are also easy sonatas and sonatinas by Haydn, Cimarosa, Clementi, Mozart and Beethoven. Complete with fingerings, tempo suggestions in the form of metronome numbers and notes on the execution of ornaments, the collection with its modern, readable typeface is ideal not only for lessons, but also for the private music-making of every music lover.



This album represents superb value for money! / Partition /