Matériel : Vocal Score
Cette édition de pièces plus belles et plus étendu Alessandro Scarlatti de la musique liturgique qu'il présente pour la première fois dans une partition complète qui vise à répondre aux exigences de l'interprète et le savant.La messe a été composée pour la Fête de la St Cecilia de Rome en 1720. Il est un exemple de style plus mature de Scarlatti, la combinaison des auniquee brillante techniques vocales et instrumentales qu'il avait développé dans la cantate et l'opéra avec le contrepoint unpedantic encore appris qu'il avait tenue en haute estime au long de sa vie. Pour SSATB soli et choeur, orchestre à cordes et orgue continuo. Edité par John Steele. Partition vocale avec une partie d'organe. / Scores / Partition
SKU: HL.14002305
ISBN 9780853605034.
< strong>Audi Filia was written for the celebrations for St Cecilia's Day in Rome in October 1720. It was originally part of a much larger mass setting for the event, which is considered to be one of the finest pieces of music to survive from the Baroque era. This movement, intended for the gradual, is one of the more popular sections and is often performed as a stand-alone piece. It is scored for 2 Oboes, Strings, Organ, and Soprano solo.
Alessandr o Scarlatti (1660-1725) was an Italian composer in the Baroque style, who mostly wrote for choral groups. He is best remembered for his operas and oratorios, but he also wrote several hundred chambercantatas for solo Voice.
SKU: BR.ED-10296
ISBN 9790220101977. 7.5 x 11 inches.
The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences.(Christop her Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life.My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets.My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably.(Martin Smolka).
SKU: CA.4060403
ISBN 9790007092078. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score available separately - see item CA.4060400.
SKU: CA.4060419
ISBN 9790007133214. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and parts available separately - see item CA.4060400.
SKU: CA.4060409
ISBN 9790007219383. Key: C major. Language: Latin.
SKU: CA.4060413
ISBN 9790007219413. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and part available separately - see item CA.4060400.
SKU: CA.4060400
ISBN 9790007091385. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app.
SKU: CA.4060414
ISBN 9790007219420. Key: C major. Language: Latin.
SKU: CA.4060449
ISBN 9790007219437. Key: C major. Language: Latin.
SKU: CA.2709203
ISBN 9790007248697. Key: D minor. Latin.
Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 November at the Feast of St Cecilia in Linz Cathedral - with great success. The mass is one of the first works by Bruckner to be written in his characteristic symphonic style. It was revised several times and first published in 1892. This edition is based on a critical evaluation of all the relevant sources, and offers an improved musical text.
SKU: CA.411000
ISBN 9790007181635.
Char les Gounod, the 200th anniversary of whose birth falls in 2018, is known above all for his operas - Faust, Sapho, Romeo et Juliette, etc. But throughout his life Gounod was also a very religious man. As winner of the prestigious Prix de Rome in 1839, he spent an extended period in the Holy City and subsequently devoted several years exclusively to writing sacred music. For a time he even thought of becoming a priest and signed his letters Abbe Ch. Gounod. As well as several masses - including the famous St Cecilia Mass - he composed numerous smaller works for various scorings for use in the liturgy and other church services. This collection contains 20 smaller sacred motets for 4-6-part mixed choir with organ or piano accompaniment, mostly ad libitum.
SKU: CA.2730405
ISBN 9790007187453. Language: Latin.
Marco Enrico Bossi is the best-known Italian composer of organ music and virtuoso from the turn of the 19th to 20th century. He also composed secular and sacred choral music, ranging from unaccompanied settings to large-scale oratorio. In his Missa pro defunctis op. 83 for mixed chorus with harmonium or organ accompaniment ad libitum, he encapsulated the aims of the Cecilian movement, the 19th century movement for the restoration of sacred music, in a convincing musical form. Bossi wrote a first version of the Requiem Mass in 1892/93 with a colleague; in 1906 he replaced the other composer's sections with his own. This final authorized version has now been published in a first critical edition. One of the essential sacred choral works by Bossi, this Requiem deserves to be rediscovered.
SKU: CA.2730400
ISBN 9790007187446. Language: Latin.