Romans

SKU: KN.13606

UPC: 822795136067.

In this fun collection of 6 solos for the multiple percussionist, only common instruments are required. A perfect collection for students, as it contains a nice variety of grade levels (2-4) that the students can use for multiple years.

Contents:Up In The Air; Triplicity; Roundabout; Rumble City; Romans; Cyms.

SKU: GI.G-9655

UPC: 785147965565.

As the hymn tunes of Sally Ann Morris have appeared in more and more of our modern hymnals, music ministers and congregations have come to appreciate their singable quality and versatility. Now organists can enjoy playing these tunes with creative settings idiomatically scored for the organ. The tunes ISAIAH 9, ISAIAH 43, and ROMANS 8 are included, along with a delightful set of theme and seven variations on the tune new world. Registration suggestions are provided to help bring these tunes to life with an even greater sparkle. Contains: ISAIAH 9 • ISAIAH 43 • Variations on NEW WORLD • ROMANS 8.

SKU: HP.8733

UPC: 763628187330. Key: Key of f. 1 Samuel 7:12, 2 Corinthians 9:8, Acts 5:11, Ephesians 2:8, Ephesians 2:9, Exodus 15:6, Jeremiah 29:11, John 9:25, Psalms 119:114, Psalms 28:7, Psalms 3:3, Psalms 33:20, Psalms 67:1, Psalms 7:10, Romans 8:36, Romans 8:37, Romans 8:38.

American classic by John Newton Jack Schrader's blues-gospel is available in both SATB and SAB voicings. Blockbuster sales have proved the wide appeal of this definitive setting of John Newton's American classic. A proven winner with church, school and community choruses alike. The Orchestration by Don Hart includes a Conductor's Score and parts for: Flute, Oboe, Clarinet, Horns 1 & 2, Trumpets 1-3, Trombones 1-3, Tuba, Percussion 1 & 2, Harp, Rhythm (Keyboard, Guitar, Bass Guitar), Violins 1 & 2, Viola, Cello and Bass.

SKU: HP.C6211

UPC: 763628162115. Fred Kaan & Joel Raney. Exodus 14:19-31, Psalms 34:14, Proverbs 15:1, Zechariah 8:19, Matthew 26:26, Mark 9:50, Mark 14:22, Luke 1:79, Luke 2:14, Luke 22:19, John 14:27, John 16:33, Romans 2:10, Romans 12:18, Romans 14:19, 1 Corinthians 7:15, 1 Corinthians 10:16, 1 Corinthians 1.

Original anthem The message of peace, unity, mercy, and love are perfectly captured in this text that calls each of us to put Christ into each other's hands. Original music sets these words in an emotionally packed anthem with piano and optional flute accompaniment. Ideal for communion services and any worship emphasizing care for each other.

SKU: GI.G-7834

UPC: 785147783404. English. Text Source: Based on Romans 8:35-39. Text by Shirley Erena Murray. Scripture: Romans 8:35–39.

Here’s one of those pieces that is immediately appealing, easy to learn, but crafted to withstand time. Which is a good thing, as True’s melodic setting of Murray’s take on Romans 8 has many opportunities for use! It is preferred that a cantor sing the verses, unless the choir has excellent diction. Use a soloist on the verses, if desired. .

SKU: GI.G-9797

UPC: 785147979708. English. Text Source: Based on Romans 13:11&ndash,12, 15:12a, and Isaiah 11:6, adapt. HHH. Scripture: Romans 13:11–12, Romans 15:12a, Isaiah 11:6.

SKU: MN.50-9426

UPC: 688670594267. Text: Romans 8. Romans 8:35, 38-39; 1 Corinthians 13:8.

The composer combines texts from Romans 8:35,38-39 and 1 Corinthians 13:8 with repeated vocal and accompaniment patterns to create an anthem that speaks tenderly of the never ending love of God.

SKU: GI.G-8815

UPC: 785147881506. English, Latin. Text Source: Romans 11:29, Latin Vulgate. Scripture: Romans 11:29.

I composed this setting in my last weeks of study at Westminster Choir College. The Latin text (Sine paenitentia enim sunt dona et vocatio Dei) translates roughly to “Truly, without regret are the gifts and callings of God.” This piece serves not only as an outward affirmation for all to embrace and use their God-given talents, but also as an inward mantra for myself, as I move into an uncertain period in my life after completing my undergraduate studies. Many of the colors and textures found within this piece were influenced by my experience singing with the Westminster Williamson Voices for two years. While the “sine paenitentia” text may allow shades of doubt to creep in, all uncertainty and fear is dispelled upon singing “sunt dona et vocatio Dei.” —Cortlandt Matthews Here is an amazing performance by The Westminster Williamson Voices at the Choral Insititute at Oxford. Ryan Manni, Conductor.

SKU: GI.G-10246

UPC: 785147024613. English. Text Source: Romans 12 and Colossians 3, adapt. Scripture: Colossians 3, Romans 12.

SKU: CF.CPS234

ISBN 9781491156346. UPC: 680160914883. 9 x 12 inches.

Mercury - the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst's major orchestral suite The Planets that Mercury utilizes such light and swift themes. There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst's orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13-20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work. One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience. Rehearsal Notes and Suggestions As stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!.
Mercury – the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst’s major orchestral suite The Planets that Mercury utilizes such light and swift themes.There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst’s orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13–20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work.One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience.Rehearsal Notes and SuggestionsAs stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!

SKU: GI.G-9823

UPC: 785147982364.

From prelude to interlude to moments of quiet meditation, these ten arrangements of classic and modern hymn tunes emulate the style of many master composers. They are great for use during the liturgical year, during worship services, or as concert repertoire. Contents: BLEST ARE THEY �?� CASTLEWOOD Choral Variations on Come to Us, Creative Spirit �?� COENA DOMINI Draw Near and Take the Body of the Lord �?� DUNDEE �?� DUNEDIN The Church of Christ, in Every Age �?� DUNSTAN Come to Me, O Weary Traveler �?� ROMANS 8 Shall Tribulation or Distress �?� SHARPTHORNE What Does the Lord Require �?� SOJOURNER I Want Jesus to Walk with Me �?� YADKINVILLE Air and Variations on Be Thou My Vision.

SKU: HP.C5297C

UPC: 763628952976. Romans 12:1-2.

Original anthem Based on Romans 12:1-2, this stirring praise chorus arrangement is both a prayer of commitment and a worshipful proclamation of God's redemptive work. This earnest, prayerful setting is the perfect supporting music for this pivotal scripture passage.

SKU: HP.C5082B

UPC: 763628144500. Christopher Idle. 1 Corinthians 2:28, Acts 2:34, Acts 7:55, Ephesians 1:20, Hebrews 1:3, Mark 14:62, Psalms 19:1, Psalms 24:7-10, Psalms 9:1, Revelation 1:1-11, Revelation 5:11-14, Revelation 7:11-17, Romans 3:24, Romans 5:1, Titus 3:7.

Hymn tune by C. Hubert H. Parry Based on a strong hymn tune and a paraphrase of the historic Te Deum, this choir, brass and organ arrangement by Jack Schrader is both climactic and poignantly worshipful. Based on a strong hymn tune and a paraphrase of the historic Te Deum, this choir, brass and organ arrangement by Jack Schrader is both climactic and poignantly worshipful.

SKU: GI.G-6427

English. Text source: Based on Romans 8. Text by Paul Hoffman. Scripture: Romans 8.

The assembly part is optional.

SKU: HP.C5297R

UPC: 763628252977. Romans 12:1-2.

Original anthem Based on Romans 12:1-2, this stirring praise chorus arrangement is both a prayer of commitment and a worshipful proclamation of God's redemptive work. This earnest, prayerful setting is the perfect supporting music for this pivotal scripture passage.