Robert Schumann: Dichterliebe Song Cycle (Low Voice)

Par SCHUMANN ROBERT. Robert Schumann once described his lieder as a ”mirror image of his self”. This applies particularly to his compositions from Heinrich Heine's 'Buch der Lieder”. What began as a lyrical intermezzo, then developed into 'Dichterliebe”, a work with which Schumann identified the ardour of his love for Clara Wieck. This work still presents an enigma to performers- how Schumann interpretes Heine's irony in his music is often discussed. But one thing is certain: with 'Dichterliebe” the composer created what is perhaps the best-loved and one of the most tightly-woven lieder cycles of the Romantic period. This new edition presents the work based on the first edition. It takes Schumann's autograph score into consideration, an autograph score where there have recently been discussions as to whether it should be presented as an independent alternative version. The four lieder omitted by Schumann from the printed edition are included in the appendix. - High-quality Urtext edition of this well-known song cycle - Appendix includes four lieder by Schumann which he did not include in the original cycle - Comprehensive foreword and critical commentary (Ger/Eng)/ Répertoire / Chant et Piano

Ce portefeuille comporte plus célèbres chefs-d'oeuvre les par Robert Schumann, contenant à la fois les partitions et audio complet sur CD.Comprend des sélections de 'Album pour la jeunesse 'et' Scènes d'enfants ', trois de la' Davidsbündler' et plusieurs plus beaux morceaux de musique.Chaque pièce a été composée, ou spécialement aménagé, pour piano solo et est accompagné par des spectacles de démonstration de haute qualité sur un CD de musique spécialement commandée. Un ajout essentiel à votre bibliothèque de piano. / Piano

Includes full-length audio CD-Over the course of some three dozen volumes Amadeus Press highly acclaimed Unlocking the Masters series has drawn readers into the worlds of the greatest composers and their music. Curated pairings of critically minded introductory texts andcompanion CDs loaded with tracks selected from the worlds foremost libraries of recorded classics the series truly brings the sounds and stories of its legendary subjects to life. Its latest entry Victor Lederers Schumann: A Listeners Guide isan essential portal to the musical works of and tempestuous life of this little-understood genius. Many if not most major composers improve over the course of their careers. For Schumann however the opposite was true: plagued throughout his lifeby physical and mental illnesses he helplessly ? and consciously ? endured the gradual diminution of his prodigious talent until his premature death at age 46. Throughout Schumann: A Listeners Guide Lederer provides unflinching critiques of theweaknesses that plagued Schumanns style contrasting them with the brilliance of his earliest triumphs. This eminently accessible account explores the full spectrum of the master composers oeuvre from his popular early music and lieder to hisworks for chamber ensembles composed in 1842 to his four beloved if flawed symphonies. It also accounts for Schumanns dramatic works particularly Genoveva his only opera and Incidental Music to Byrons ?Manfred ? a bewilderingly unappreciatedmusical score. As with all volumes in the UTM series Schumann: A Listeners Guide is accompanied by a CD containing two of the masters most daring imaginative flights both explored in detail in the text: the Davidsbündlertänze for piano andDichterliebe (A Poets Love) one of the all-time greatest song cycles and works for voice. Geared toward fledglings but written with an eye turned to aficionados the book is a must-have for Schumann buffs and classical music fans young and old.

Ger. inc. Dichterliebe, Myrthen, Frauenlibe und Leben, Liederkreis / Voix Et Piano

Par SCHUMANN ROBERT. Langue: German, Format: DIN A4/ Répertoire / Soprano ou Ténor et Piano

Par SCHUMANN ROBERT. These Schumann songs, set to poems by Heinrich Heine, are a deeply psychological and disturbing journey, as they reflect more often than not the bitterness of unrequited love. The most cheerful songs begin asdeceptively happy experiences which ultimately turn sour as they eventually reveal themselves as somewhat despairing looks at love. Written for Low Voice and Piano./ Répertoire / Basse et Piano