Rhythm & Blues You Can Use: Guitar Solo: Instrumental Tutor

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Par FERGUSON JIM. In Comping Standards For Jazz Guitar renowned Guitar guru and author Jim Ferguson helps you to take your playing to the next level. Using common jazz chord progressions, this book takes you through three primary comping approaches: straight-four, moving bass lines and combo variants. In the process, you'll learn numerous chord voicings, ways to organize them and a wide variety of dynamic rhythmic figures used in jazz. Other highlights include the use of guides and pivots, chord substitution, mastering rootless chords, playing with a pianist, inverting partial harmonic structures, Latin comping, chord scales, handling modal tunes and mixing voicings. The highly detailed music examples cover most of the common jazz keys and the material comes to life on the accompanying 17-track CD. The pieces featured in Comping Standards For Jazz Guitar are in both standard notation and tablature./ Recueil / Guitare

Description In Comping Standards For Jazz Guitar renowned Guitar guru and author Jim Ferguson helps you to take your playing to the next level. Using common jazz chord progressions, this book takes you through three primary comping approaches: straight-four, moving bass lines and combo variants. In the process, you'll learn numerous chord voicings, ways to organize them and a wide variety of dynamic rhythmic figures used in jazz. Other highlights include the use of guides and pivots, chord substitution, mastering rootless chords, playing with a pianist, inverting partial harmonic structures, Latin comping, chord scales, handling modal tunes and mixing voicings. The highly detailed music examples cover most of the common jazz keys and the material comes to life on the accompanying 17-track CD. The pieces featured in Comping Standards For Jazz Guitar are in both standard notation and tablature. All The Things You Want Always Autumn Confirmation Blues Deep Blue Bossa Five Minus One Gnawing On The Apple Into Somewhere Minor Blues Rhythm Changes Un Peu Blues We Can't Be Parted

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

The House of Blues and producers of The Rock House Method join together to bring you this accelerated electric guitar course designed to take you from beginner to intermediate player in no time.The instruction with world renowned guitarist John McCarthy takes you step-by-step through the basics. You start by learning the parts of the guitar proper hand position tuning essential chords and scales lead patterns practice tips rhythm techniques and exercises to build hand coordination.You then move onto advanced lead guitar techniques like hammer-ons pull-offs bending and complete rhythm progressions. This comprehensive course will get you ready to play in yourown band.This expanded edition features:redesigned packagingupdated and revised lessons8 new pages of lessons addedall audio tracks now available as downloadand a PDF digital edition for portable devices when the product gets registered

Red hot Blues master Joe Bonamassa reveals the secrets behind his powerhouse blues-rock guitar style from the equipment he uses to the licks that make up his incredible signature style.Get a private lesson from this blues master and discover his approach to:StratocastersTelecastersGibson guitarsRhythm playingSoloingUsing a slideEffectsAmps and speakersAmplifier baffleMics and amps

The 2 000 licks in this book are organized into 36 chapters. These chapters explore the different pitches rhythms techniques and methods of phrasing found in blues and blues-influenced guitar solos and fills. Use these licks to deliver heavy yet ear-catching riffs. These can be played along with the 43 backing tracks included on the 3 CDs that come with this book. They are all written in the key of a C blues while the backing tracks are played in the keys of E A D G C F and Bb. A handy table is included that shows how to transpose up or down from C to other blues keys. The backing tracks (performed by a live band in a studio) are all in the 12-bar bluesform but the licks do not necessarily have to be played over specific chords in the progression.

Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles. His repertoire featured blues, rags, show instrumentals and gospel songs. He played with his thumb and index finger to pick out complex melodies, rhythmic licks and lightning fast single-string runs. In this book, seven of Rev. Davis's blues are presented. These arrangements have been performed and recorded by a host of great artists including Bob Dylan, Taj Mahal, Hot Tuna, David Bromberg, John Renbourn, Bert Jansch and many others. These lessons are for the intermediate to advanced fingerstyle guitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings. LESSON ONE: Our first lesson highlights two of Rev. Davis's most popular blues arrangements. Hesitation Blues is played in the key of C. Baby, Let Me Follow You Down is played in the key of G. LESSON TWO: The key of C was a favorite for Rev. Davis. In this lesson we explore the party tune Sally Where'd You Get Your Liquor From (made popular by Hot Tuna). Rev. Davis used to joke that he could play Candyman so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself! We look at two versions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman. LESSON THREE: 'Raggin' the blues' was a great part of Rev. Davis's repertoire. His Walkin' Dog Blues is a tour de force in a blues in C. All fourteen verses are transcribed here, and we study how this arrangement develops. Buck Rag is a fascinating rag played in the key of C. Single-string runs, counterpoint lines, rhythmic variations and syncopated bass patterns are featured. / Guitare (Fingerpick) / 40 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Leads Runs & Rhythms 2-DVD Set-The Rock House Artist series features multiple DVDs with hours of jam-packed lessons from killer guitar players. The DVDs come with tab booklets that make it easy to follow along as well as complete full-band backing tracks thatput you at the center of the sound and also include lifetime membership to the Rock House Method® lesson support system on the web at www.RockHouseMethod.com .Atreyu's '80s-inspired guitarist Dan Jacobs one of Metalcore's most popular guitarists is featured in this jam-packed set of guitar lessons.DVD 1: If you have basicknowledge of guitar playing this DVD will take you to the next level. Dan teaches you the key components of lead playing single note runs strumming progressions syncopated rhythms blues scales double stops and palm muting.Learn how he uses octaves as a rhythm and lead technique picks out a chord progression to create dynamics within a song and the Metal chords and voicings he uses to create rhythms and complete song progressions. You'll learnDan's personal workout routines and all about his live and studio gear.DVD 2: Dan builds on the techniques learned in Level 1. Dan guides you step-by step through more advanced lead techniques like tapping hammer-ons pull-offs palm muting scales arpeggios and speed picking. He uses examples from Atreyu's hit songs to shows you complete leads guitar harmony sections melodic metal rhythm and lead patterns and much more.'