SKU: HL.48186340
UPC: 888680839437. 9x12 inches.
“Fren ch composer, Vincent Paulet (b. 1962) studied at the Paris Conservatoire. His Antiphone for Alto Saxophone and Piano is a challenging, yet exciting addition to the repertoire. A typical performance of Paulet's Antiphone lasts around four minutes and fifteen seconds. It is a highly modern work, addressing features of fast, semiquaver passages, exploited tonality, extended techniques, chromaticim, and complex rhythms, among other aspects. The extended techniques include, multiphonic sounds, flutter tonguing, and slap notes. For all advanced saxophonists, Paulet's Antiphone is an essential modern addition to the repertoire.&rdquo.
SKU: HL.48185733
UPC: 888680832148. 9x12 inches.
“Cont emporary Italian-French composer, Armando Ghidoni brings together influences of both Italy and France in his music. Also, as an expert on jazz, the harmonies and rhythms of the composer's works reflect a huge diversity, Carillon for Saxophone and Piano accompaniment being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Carillon reflects Ghidoni's mastery of a range of instruments, adaptable to Soprano, Alto or Tenor Saxophones. With a typical performance lasting about three minutes, Carillon is an exciting addition to the beginner Saxophone repertoire.&rdquo.
SKU: HL.48185991
UPC: 888680841676. 9x12 inches.
“Cont emporary French saxophonist, Philippe Portejoie studied at the Paris Conservatoire where he won many prizes. Composed in 2007, Little Complaint for Alto Saxophone and Piano contributes to a significant collection of compositions by Portejoie. A typical performance of Little Complaint lasts around three minutes and explores features, including a wide range, complex rhythms, chromaticism, ornamentation and variations in performance directions, amongst other aspects. For all aspiring, advanced saxophonists, Portejoie's Little Complaint is essential to an exciting, varied repertoire. &rdquo.
SKU: HL.48181541
UPC: 888680842154. 9.0x12.0x0.074 inches.
French composer, Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire, particularly for Saxophone. Divertissement for Alto Saxophone was published in 1953 and remains popular in advanced saxophonists' repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. 'Divertissement' for Alto Saxophone and Piano reduction is made up of three movements; 1) Allegro vivo, 2) Lent et doux, and 3) Scherzando. Essential to the advanced saxophonists' repertoire, Dubois' 'Divertissement' makes for an exciting and enjoyable performance for players and audiences alike..
SKU: HL.48181180
UPC: 888680952310. 9.0x12.0x0.133 inches.
Part of the method for all saxophones by Marcel Mule, this third volume of Fifty-Three Studies after Bohem, Terschak, Fürstenau features the studies 36 to 53. Written for upper intermediate players, this book will help the players to maintain the acquired technique and develop even more their flexibility. This series of three books is a must-have to prepare the upper intermediate players to the change of cycle. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as Dix-huit Exercices ou Études, Exercices Journaliers d?après Terschack or 30 Grands Exercices ou Études d?après Soussmann (in two books), among others.
SKU: HL.48186424
UPC: 888680830779. 9x12 inches.
âConsi dered by Gramophone magazine as 'one of the most astounding players of the day', saxophonist Theodore Kerkezos divides his time between a brilliant soloist career and educational activities that include teaching at the Athens Conservatoire and providing master classes around the globe. Drawing on his long experience, the Greek musician is publishing his Ãtudes for high and low notes on the Saxophone to help students overcome one of the major learning difficulties: mastering the upper registers. Organised according to a step-by-step plan, the Ãtudes provide a variety of learning options in terms of melodics, rhythm and dynamics, some of which offer a valuable bonus: the choice between several fingerings. The problem of different attacks, often related to repertoire type, is given particular attention. Recommended by masters like Jean-Marie Londeix and Christian Lauba, this 'extraordinary' collection will delight saxophonists who dream of achieving precise intonation and roundness of tone in both the high and low ranges.andrdquo.
SKU: BT.DHP-1175787-070
ISBN 9789043154147.
W hen Iâ??m Sixty-Four is a famous love song by The Beatles, in which a young man sings to his beloved. â??Sixty-Fourâ?? is the age people were allowed to retire at in 1967. This version for saxophone quartet is a nice addition to oneâ??s repertoire,and perfect for all types of occasions.In When Iâ??m Sixty-Four een beroemd liefdesliedje van The Beatles zingt een jonge man zijn geliefde toe. Vierenzestig is de leeftijd waarop mensen in het Groot-Brittannië van 1967 met pensioen gingen. Deze versie voor saxofoonkwartet is eencharmante toevoeging aan elk repertoire en een perfect stuk voor diverse gelegenheden.W hen Iâ??m Sixty-Four ist ein berühmtes Liebeslied der Beatles aus dem Jahr 1967, in dem ein junger Mann seine Herzensdame fragt, ob sie wohl mit sixty-fourâ??, mit 64, noch immer zusammen sein werden, um den Lebensabend gemeinsam zu genieÃ?en.Die hier vorliegende Version für Saxophonquartett ist ein schönes Repertoirestück, das zu vielen Gelegenheiten passt.When Iâ??m Sixty-Four est lâ??une des toutes premières composition de Paul McCartney dans laquelle un jeune homme sâ??adresse une jeune fille pour lui promettre un amour éternel. Cette version pour quatuor de saxophones est un complémentindispensabl e votre répertoire et trouvera sans aucun problème sa place dans tous vos prochains programmes.Whe n Iâ??m Sixty-Four (Quando avrò 64 anni) è una celeberrima canzone d'amore dei Beatles, nella quale un giovane si rivolge alla sua amata. â??Sessantaquattro' era l'et in cui, nel 1967, i lavoratori potevano andare in pensione. Questa versione per sassofono è una gradevole aggiunta al repertorio ed è perfetta per tutte le occasioni.
SKU: BT.AMP-445-400
ISBN 9789043151382. English-German-French-Dut ch.
Sounds Classical is a collection of graded solos selected specifically for the developing saxophone player.Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music, the pieces aredrawn from four centuries of classical repertoire ranging from Susato to Sullivan, and will provide ideal material for practice or recital.Sounds Classical is een verzameling van solos die speciaal voor saxofoonleerlingen zijn geselecteerd - in oplopend niveau.De stukken komen qua moeilijkheidsgraad overeen met niveau 1-4 van de examenbundel van de Britse Associated Board ofthe Royal Schools of Music. Ze bestrijken een periode van vier eeuwen klassiek repertoire - van Susato tot Sullivan - en ze vormen ideaal materiaal voor zowel lessen als optredens.Soun ds Classical ist eine Sammlung von im Schwierigkeitsgrad fortschreitenden Soli, die speziell für den Instrumentalunterricht von Saxophonisten ausgewählt wurden. Philip Sparke wählte für dieses Buch Stücke aus dem klassischen Repertoireaus vier Jahrhunderten aus - von Susato über Telemann, Händel, Grieg, Purcell, Mozart bis Sullivan - das ideale Material zum Üben oder Vorspielen!Sou nds Classical est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les saxophonistes débutants. Ces pièces couvrent quatre siècles du répertoire classique, de Susato Sullivan, et se prêtentparfaitement l’étude comme une interprétation en concert.
SKU: BT.AMP-444-400
ISBN 9789043151375. English-German-French-Dut ch.
SKU: HL.48183553
UPC: 888680907495. 9.0x12.0x0.13 inches.
French saxophonist, Marcel Mule (1901-2001) compiles an essential addition to the Saxophone repertoire. Including pieces by Martini, Handel, Corelli, Rameau, Lully, Couperin, Leclair and Bach, Mule ensures that the Baroque genre is accessible to the Saxophone. In the first volume of his compilation, Famous Pieces for Alto Saxophone and Piano, Mule arranges famous works by the great composers of the Baroque era for the Saxophone, ensuring that necessary additions and edits are made. Pieces include Lully's Menuet from Les Bourgeois Gentilhomme and a J. S. Bach Suite. The changes by Mule include, phrasing, breath marks, tempo marks, dynamics and other performance directions. Famous Pieces for Alto Saxophone and Piano, compiled by Marcel Mule provides excellent expansion to the repertoire of the Saxophone. .
SKU: HL.48185437
UPC: 888680834272. 9.0x12.0x0.108 inches.
“Fren ch saxophonists Marcel Mule and Jean-Marie Londeix compile an essential addition to the Soprano Saxophone repertoire. Including pieces by J. S. Bach, Boccherini, Couperin, Gluck, Leclair, Handel, Lully, Rameau, Philidor and Schubert, Mule and Londeix ensure that a range of famous works are accessible to intermediate to advanced Tenor Saxophone players. In this compilation, Famous Pieces for Soprano Saxophone and Piano, Mule and Londeix arrange and transcribe famous works by great preceding composers for the Soprano Saxophone, ensuring that necessary additions and edits are made. Pieces include movements from Lully's King's Ballets and a J. S. Bach Scherzetto. The changes by Mule and Londeix include, phrasing, breath marks, tempo marks, dynamics and other performance directions. Famous Pieces for Soprano Saxophone and Piano provides excellent expansion to the repertoire of the instrument.â€.
SKU: HL.48185846
UPC: 888680855529. 9x12 inches.
“Fren ch composer, Michel Mériot (1928-2003) studied at the Conservatory of Poitiers before joining the band of the French Marines. He then studied at the Paris Conservatoire where he won prizes for Saxophone, proving himself as a highly competent player of the instrument. His compositions, including Sicilienne and Dance for Alto Saxophone and Piano have provded that he is also a highly capable composer. With a typical performance lasting around 3 minutes and 10 seconds, Mériot's Sicilienne and Dance is suitable for intermediate standard saxophonists. The Sicilienne contains typical characteristics of the musical style, including a 6/8 meter, dotted rhythms and moderate tempo. Contrastingly, the Dance is highly rhythmic, with many semiquaver flourishes in a 2/4 meter. For all aspiring saxophonists seeking alternative repertoire, Mériot's Sicilienne and Dance is a delightful addition to the repertoire.&rdquo.
SKU: HL.48185789
UPC: 888680831479. 9.0x12.0x0.075 inches.
Born in 1948, Claude-Henry Joubert studied at the Paris Conservatoire where he won many prizes. His career has led him to become Director of the Orleans Conservatory, as well as teaching at other institutions. His compositional output is also substantial, with Miss Poppy being a delightful addition to the Saxophone repertoire. The preface of Miss Poppy, written by Michel Meriot, states that the piece fills a vital gap as an necessary exam and audition work for many schools and other institutions. Adaptable to Alto, Tenor or Soprano Saxophones, Miss Poppy is suitable to grade two standard saxophonists. With a typical performance lasting about 2 minutes and 15 seconds, Joubert's work contains many appealing musical features. For all aspiring saxophonists, Miss Poppy is a sublime addition to the repertoire..
SKU: HL.48181342
UPC: 888680856731. 9.0x12.0x0.096 inches.
“Jean ine Rueff (1922-1999) was a French composer and music educator. Her Concertino for Clarinet and orchestral or Piano accompaniment was first published in 1950 and remains a popular, alternative piece in the advanced clarinetist's performance repertoire. Rueff wrote extensively for the Saxophone and Clarinet and her compositions are often used as required contest solos. Concertino is fast and contains complex rhythms. Other appealing musical features include chromaticism, triplet motifs and the exploitation of the entire range of the Clarinet. Rueff's Concertino provides a challenging yet riveting piece for advanced clarinetists.â€.
SKU: BT.DHP-1165732-401
ISBN 9789043151559. English-German-French-Dut ch.
This concerto for baritone saxophone was commissioned by saxophonist Makoto Asari, who is a close friend of the composer. VONGOLE ! consists of three movements Spumante (Sparkling wine), Bianco (White) and Rosso (Red). It is a unique and welcome addition to the baritone saxophone repertoire. Dit concerto voor baritonsaxofoon is geschreven voor saxofonist Makoto Asari, een goede vriend van de componist. Vongole! bestaat uit drie delen: Spumante (mousserende wijn), Bianco (witte) en Rosso (rode). Het werk is een unieke en welkome aanvulling op het repertoire voor baritonsaxofoon. Dieses Konzert für Baritonsaxophon wurde von dem Saxophonisten Makoto Asari in Auftrag gegeben, der mit dem Komponisten eng befreundet ist. Vongole ! besteht aus drei Sätzen Spumante (Schaumwein“), Bianco (Weißwein“) und Rosso (Rotwein“). Das Stück erweitert auf einzigartige und willkommene Art und Weise das Repertoire für Baritonsaxophon. Ce concerto pour saxophone baryton fut commandé par le saxophoniste Makoto Asari, un ami proche du compositeur. Vongole ! est en trois mouvements : Spumante (vin blanc effervescent), Bianco (blanc) et Rosso (rouge). Un rajout unique et bienvenu dans le répertoire du saxophone baryton. Questo concerto per sax baritono è stato commissionato dal sassofonista Makoto Asari, amico intimo del compositore. Vongole ! ha tre movimenti Spumante, Bianco e Rosso. È un’aggiunta unica e gradita al repertorio per sassofono baritono.
SKU: BT.DHP-1155630-140
English-German-French- Dutch.
This concerto for baritone saxophone was commissioned by saxophonist Makoto Asari, who is a close friend of the composer. VONGOLE ! consists of three movements Spumante (Sparkling wine), Bianco (White) and Rosso (Red). It is a unique and welcome addition to the baritone saxophone repertoire. Dit concert voor baritonsaxofoon is geschreven voor saxofonist Makoto Asari, een goede vriend van de componist. Vongole bestaat uit drie delen: ‘Spumante’ (mousserende wijn), ‘Bianco’ (witte) en ‘Rosso’ (rode). Het werk is een unieke en welkome aanvulling op het repertoire voor baritonsaxofoon. Dieses Konzert für Baritonsaxophon wurde von dem Saxophonisten Makoto Asari in Auftrag gegeben, der mit dem Komponisten eng befreundet ist. Vongole besteht aus drei Sätzen Spumante (Schaumwein“), Bianco (Weißwein“) und Rosso (Rotwein“). Das Stück erweitert auf einzigartige und willkommene Art und Weise das Repertoire für Baritonsaxophon. Ce concerto pour saxophone baryton fut commandé par le saxophoniste Makoto Asari, un ami proche du compositeur. Vongole ! est en trois mouvements : Spumante (vin blanc effervescent), Bianco (blanc) et Rosso (rouge). Un rajout unique et bienvenu dans le répertoire du saxophone baryton. Questo concerto per sax baritono è stato commissionato dal sassofonista Makoto Asari, amico intimo del compositore. Vongole ! ha tre movimenti Spumante, Bianco e Rosso. È un’aggiunta unica e gradita al repertorio per sassofono baritono.
SKU: BT.DHP-1155630-010
SKU: BT.DHP-1053826-010
Dance of Uzume is a concertino that is based on a Japanese myth: out of anger toward her brother Susanowa, the storm god, the sun goddess Amaterasu hides in a cave. The goddess of joy, Uzume, succeeds in luring the sun goddess out of the cave by dancing wildly. The joy and laughter of the other gods as they watch Uzume arouses Amaterasu’s curiosity and with her appearance, the light on earth returns. This fantastic new original work will make a much needed addition to the advanced repertoire for saxophone and concert band. A version for saxophone and piano is also available.Piet Swerts componeerde Dance of Uzume op verzoek van de Japanse topsaxofonist Nobuya Sugawa. Het werk is gebaseerd op een Japanse mythe: uit woede op haar broer Susanowa, de god van de storm, verschuilt de zonnegodin Amaterasuzich in een grot. De vreugdegodin Uzume weet de godin van de zon echter met een wilde dans uit de grot te lokken. Het gelach van de andere goden wekt namelijk de nieuwsgierigheid van Amaterasu en met haar verschijning komt hetlicht terug op aarde. Dit verhaal wordt in de muziek meesterlijk weerspiegeld.Dies es Concertino für Altsaxophon und Blasorchester basiert auf einer japanischen Sage: Aus Ärger über ihren Bruder Susanowa, den Gott des Sturms, versteckt sich die Sonnengöttin Amaterasu in einer Höhle und kann erst durch den Tanz von Uzume, der Göttin der Freude, wieder hervorgelockt werden. Mit ihr kehrt auch das Licht wieder auf die Erde zurück. Piet Swerts’ anspruchsvolles und abwechslungsreiches Werk besteht aus einem konzertanten Dialog zwischen dem Solisten und dem Orchester. Lebhafte und lyrische Themen, ein sehr melodischer Mittelteil, Blues und Marsch ähnliche Motive sowie östliche Anklänge sind eine lohnende Herausforderung für Saxophonisten und bieten vielAbwechslung für das gesamte Blasorchester. Dance of Uzume (“La danse d’Uzumeâ€) est un dialogue virtuose et lyrique entre le soliste et l’accompagnement. La trame se développe sur un tempo unique et rapide. Ce concertino raconte un épisode de la mythologie japonaise. Ulcérée par les méfaits de son frère Susanowo, dieu du vent et des tempêtes, Amaterasu, déesse du Soleil, se confine dans une caverne, privant le monde de sa lumière. Ne supportant plus l’obscurité, les autres dieux se réunissent devant l’entrée de la caverne pour trouver un moyen de la faire sortir. Uzume, la déesse de la gaieté, se met alors danser frénétiquement. Intriguée, Amaterasu paraît enfin et le monde retrouve la lumière du soleil.Dance of Uzume è un dialogo virtuoso e lirico tra il solista e l’accompagnamento. La trama si sviluppa su un tempo unico e rapido. Questo concertino narra un episodio della mitologia giapponese. Devastata dai misfatti di suo fratello Susanowo, Dio del vento e delle tempeste, Amaterasu, Dea del Sole, si rifugia in una caverna, privando il mondo della luce. Non sopportando più l’oscurit , gli altri Dei si riuniscono davanti all’entrata della caverna per trovare un mezzo per farla uscire. Uzume, la Dea della gioia, inizia una danza frenetica. Intrigata, Amaterasu appare all’entrata e il mondo ritrova la luce del sole.
SKU: BT.DHP-1053826-040
SKU: HL.44005579
UPC: 884088058272. English-German-French-Dut ch.
Dance of Uzume is a concertino that is based on a Japanese myth: out of anger toward her brother Susanowa, the storm god, the sun goddess Amaterasu hides in a cave. The goddess of joy, Uzume, succeeds in luring the sun goddess out of the cave by dancing wildly. The joy and laughter of the other gods as they watch Uzume arouses Amaterasu's curiosity and with her appearance, the light on earth returns. This fantastic new original work will make a much needed addition to the advanced repertoire for saxophone and concert band. A version for saxophone and piano is also available.Piet Swerts componeerde Dance of Uzume op verzoek van de Japanse topsaxofonist Nobuya Sugawa. Het werk is gebaseerd op een Japanse mythe: uit woede op haar broer Susanowa, de god van de storm, verschuilt de zonnegodin Amaterasuzich in een grot. De vreugdegodin Uzume weet de godin van de zon echter met een wilde dans uit de grot te lokken. Het gelach van de andere goden wekt namelijk de nieuwsgierigheid van Amaterasu en met haar verschijning komt hetlicht terug op aarde. Dit verhaal wordt in de muziek meesterlijk weerspiegeld.Dies es Concertino fur Altsaxophon und Blasorchester basiert auf einer japanischen Sage: Aus Arger uber ihren Bruder Susanowa, den Gott des Sturms, versteckt sich die Sonnengottin Amaterasu in einer Hohle und kann erst durch den Tanz von Uzume, der Gottin der Freude, wieder hervorgelockt werden. Mit ihr kehrt auch das Licht wieder auf die Erde zuruck. Piet Swerts' anspruchsvolles und abwechslungsreiches Werk besteht aus einem konzertanten Dialog zwischen dem Solisten und dem Orchester. Lebhafte und lyrische Themen, ein sehr melodischer Mittelteil, Blues und Marsch ahnliche Motive sowie ostliche Anklange sind eine lohnende Herausforderung fur Saxophonisten und bieten vielAbwechslung fur das gesamte Blasorchester. Dance of Uzume (La danse d'Uzume) est un dialogue virtuose et lyrique entre le soliste et l'accompagnement. La trame se developpe sur un tempo unique et rapide. Ce concertino raconte un episode de la mythologie japonaise. Ulceree par les mefaits de son frere Susanowo, dieu du vent et des tempetes, Amaterasu, deesse du Soleil, se confine dans une caverne, privant le monde de sa lumiere. Ne supportant plus l'obscurite, les autres dieux se reunissent devant l'entree de la caverne pour trouver un moyen de la faire sortir. Uzume, la deesse de la gaiete, se met alors a danser frenetiquement. Intriguee, Amaterasu parait enfin et le monde retrouve la lumiere du soleil.Dance of Uzume e un dialogo virtuoso e lirico tra il solista e l'accompagnamento. La trama si sviluppa su un tempo unico e rapido. Questo concertino narra un episodio della mitologia giapponese. Devastata dai misfatti di suo fratello Susanowo, Dio del vento e delle tempeste, Amaterasu, Dea del Sole, si rifugia in una caverna, privando il mondo della luce. Non sopportando piu l'oscurita, gli altri Dei si riuniscono davanti all'entrata della caverna per trovare un mezzo per farla uscire. Uzume, la Dea della gioia, inizia una danza frenetica. Intrigata, Amaterasu appare all'entrata e il mondo ritrova la luce del sole.
SKU: BT.DHP-1053826-140
SKU: HL.44011072
UPC: 884088646097. 9x12 inches. English-German-French-Dut ch.
Diese Suite in c-Moll zollt einem berühmten klassischen Blaserwerk Tribut - der Ersten Suite in Es-Dur von Gustav Holst von 1909 - und erscheint zu deren 100-jahrigem Jubilaum. Die viersatzige Suite erinnert an die Stilistik von Holst, enthalt aber auch charakteristische Klangidiome sowie Strukturmerkmale von Jacob de Haan. Eine erfrischende originale Komposition, inspiriert von einem durchaus nicht angestaubten Klassiker. En 1909, Gustav Holst composa une œuvre audacieuse et novatrice, la Premiere Suite en Mib Majeur, op. 28 ndeg1 (First Suite in Eb major, Op. 28, No. 1), une suite exclusivement ecrite pour instruments a vent. A l'occasion du centenaire de cette piece, devenue un classique du repertoire pour Orchestre d'Harmonie, Jacob de Haan a compose la Memorial Suite en Ut mineur. Cette composition en quatre mouvements fait reference aux qualites stylistiques de l'œuvre de Holst, tout en s'appuyant sur le langage sonore et l'ecriture caracteristiques du style de Jacob de Haan. Le resultat est original.Comme Gustav Holst, Jacob de Haan a choisi d'ouvrir sasuite avec une chaconne, une forme de variation contrapuntique (a l'origine une danse espagnole a trois temps) dans laquelle un theme revient de facon recurrente accompagne a chaque fois par un nouveau contre-chant. Ce theme ostinato est utilise de differentes manieres tout au long des quatre mouvements, assurant ainsi l'unite de l'œuvre. Le second mouvement est un scherzo. Par sa progression et son caractere, il s'apparente a l'intermezzo central de la suite de Holst. Le troisieme mouvement, Song Without Words (Chanson sans paroles), porte le meme titre que le second mouvement de la Deuxieme Suite en Fa, op. 28 ndeg 2 (Second Suite in F, Op. 28, No. 1) composee par Holst en 1911. A mi-chemin de ce mouvement tres expressif apparait un solo de saxophone alto. Jacob de Haan conclut son œuvre par une Marche comme le fit jadis Gustav Holst.
SKU: HL.48182205
UPC: 888680788216. 9.0x12.0x0.061 inches.
Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugene Bozza went on to conduct the orchestra of the Opera-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, New Orleans being popular in the bass brass repertoire. This Bozza piece for bass brass with piano accompaniment was written in 1962. It was orginally composed for bass saxhorn but since the instrument was falling into obscurity, Bozza also adapted it for bass trombone and tuba. New Orleans is influenced by the jazz culture of the city. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities. New Orleans for bass trombone, tuba, or bass saxhorn and piano remains popular in the repertoire of the instruments and is often included in audition syllabuses, making it essential to aspiring performers of bass brass.
