Matériel : Vocal Score
REALIZATIONS BY BENJAMIN BRITTEN INSTRUMENTATION : MEDIUM/LOW VOICE AND PIANO DESCRIPTION : MOST OF THE DISTINCTIVE PURCELL REALISATIONS BY BENJAMIN BRITTEN, VOCAL PARTS EDITED BY PETER PEARS, HAVE BEEN OUT OF PRINT FOR SOME YEARS. THIS NEW EDITION COLLECTS 45 PIECES FOR MEDIUM/LOW VOICE. INCLUDES 9 SONGS FROM HARMONIA SACRA, 24 SOLO SONGS AND SIX DUETS FROM ORPHEUS BRITANNICUS, 'THE QUEEN'S EPICEDIUM,' AND SELECTIONS FROM DIDO AND AENEAS AND THE FAIRY QUEEN. CONTENU : 'TIS HOLIDAY - A MORNING HYMN - AH, BELINDA! I AM PREST WITH TORMENT - ALLELUIA - BUT ERE WE THIS PERFORM - DIALOGUE OF CORYDON AND MOPSA - EVENING HYMN - FAIREST ISLE - FEAR NO DANGER TO ENSUE - HARK THE ECH'ING AIR - HOW BLEST ARE SHEPHERDS - I ATTEMPT FROM LOVE'S SICKNESS - I SPY CELIA - I TAKE NO PLEASURE - I'LL SAIL UPON THE DOG-STAR - IF MUSIC BE THE FOOD OF LOVE (1ST VERSION) - IF MUSIC BE THE FOOD OF LOVE (3RD VERSION) - IN THE BLACK DISMAL DUNGEON OF DESPAIR - JOB'S CURSE - LET SULLEN DISCORD SMILE - LORD, WHAT IS MAN - LOST IS MY QUIET - MAD BESS - MAN IS FOR THE WOMAN MADE - MUSIC FOR A WHILE - NO, RESISTANCE IS BUT VAIN - NOT ALL MY TORMENTS - ON THE BROW OF RICHMOND HILL - PIOUS CELINDA - SAUL AND THE WITCH AT ENDOR - SHEPHERD, LEAVE DECOYING - SO WHEN THE GLITTERING QUEEN OF NIGHT - SOUND FAME THY BRAZEN TRUMPET - SOUND THE TRUMPET - SWEETER THAN ROSES - TAKE NOT A WOMAN'S ANGER ILL - THE BLESSED VIRGIN'S EXPOSTULATION - THE QUEEN'S EPICEDIUM - THERE'S NOT A SWAIN OF THE PLAIN - THOU TUN'ST THIS WORLD - TURN THEN THINE EYES - WE SING TO HIM - WHAT CAN WE POOR FEMALES DO' - WHEN I AM LAID IN EARTH - WHY SHOULD MEN QUARREL' LANGUE : ENGLISH
SKU: BT.DHP-1175816-030
English-German-French- Dutch.
This composition is based on the march from Henry Purcell’s Music for the funeral of Queen Mary II, a work written in 1694. In this fantasia, various movements flow from one to the next following the main theme; these movements not onlyelaborate on the theme, but also contrast with it. At times, the thematic material diverges so much, that the work acquires a character of its own; however, the composer often refers back to fragments of the theme. This work was test piece in the 4thdivision of the Dutch National Brass Band Championships (NBK) in 2017.Deze compositie is gebaseerd op de mars uit Henry Purcells Music for the funeral of Queen Mary II, een werk uit het jaar 1694. In deze fantasia wordt het hoofdthema gevolgd door verschillende in elkaar overgaande delen die voortborduren op hetthema of er een contrast mee vormen. Alhoewel het thematisch materiaal soms zodanig afwijkt dat het werk een geheel eigen karakter krijgt, grijpt de componist toch steeds weer terug op flarden van het origineel. Dit werk was het verplichte werk op deNederlandse Brassband Kampioenschappen (NBK), 2017 vierde divisie.Die Komposition basiert auf dem Marsch aus Henry Purcells Music for the funeral of Queen Mary II, einem Werk, das 1694 komponiert wurde. Auf das Hauptthema der Fantasie folgen verschiedene, ineinander übergehende Sätze. In den Sätzen wirdjedoch nicht nur das Thema weiterentwickelt, sondern sie bilden zugleich einen Gegensatz zu dem Thema. Auch wenn das thematische Material manchmal so stark voneinander abweicht, dass das Werk einen ganz eigenen Charakter erhält, kehrt der Komponistimmer wieder zu Fragmenten des Themas zurück. Das Werk war 2017 Pflichtstück in der Leistungsklasse 4 bei den Dutch National Brass Band Championships (NBK).Cette composition se base sur la marche de la Music for the funeral of Queen Mary II (Musique pour les funérailles de la reine Mary II) d’Henry Purcell, une œuvre écrite en 1694. Dans cette fantaisie, le thème principal est suivi de plusieursmouvements enchaînés ; développé au travers de ces mouvements il est également mis en contraste. Bien que le matériau thématique dévie tellement que l’œuvre acquiert son propre caractère, le compositeur ne cesse de revenir sur des fragments du thème.Ce morceau était la pièce imposée la 4e division du Championnat National de Brass Band des Pays-Bas (NBK) en 2017.
SKU: BT.DHP-1175816-130
SKU: HL.14011052
ISBN 9780853602644. 8.25x11.75x0.215 inches.
Henr y Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey, and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral, ecclesiastical, operatic, theatrical, incidental, and chamber music were all enriched by his output.
Fantazias And In Nomines is a collection of his 15 Fantasies and 2 In Nomines, Z. 731-747. Purcell is credited with popularising the hitherto arcane form of the Fantasy, perhaps most famously in his Fanstasia Upon One Note, where a middle C is sustained throughout - in live performances this issometimes played by a volunteer from the audience!
This full score edition has been edited by the renowned musicologist Robert Thurston Dart.
