Providence

The Haunter of the Dark is based on a tale by the author Howard Phillips Lovecraft (1890-1937) about a deserted church where according to an old legend a monster had been lying low for years.A scientist who studies ancient religions visits this church. Besides some ancient writings he discovers a box which contains a luminous stone. Every time the stone sheds its light the scientist experiences all sorts of weird visions.The church in the tale actually exists and can be found in Providence (USA). Franco Cesarini has visited it and sketches the mysterious and occult atmosphere in 'The Haunter of the Dark'.

Tarik O'Regan's Where All Is Buried for SATB choir with Percussion. Commissioned by the Providence Singers with support from its Wachner Fund for New Music.

Uses: General Mother's Day Father's Day Church Heritage BaccalaureateScripture: Luke 1:50; Psalm 145:4; Psalm 100:5One of the most celebrated Celtic melodies is given new purpose in this splendidnew retooling. Declaring the providence of God and his faithfulness the SAB voicing brings lightness and clarity to the choral texture while the flowing piano part adds support and variety. For church heritage Mother's andFather's Day or use anytime the SAB voicing makes this an excellent choice for slim Sundays. Duration: ca. 2:50.

The Haunter of the Dark is based on a tale by the author Howard Phillips Lovecraft (1890-1937) about a deserted church where according to an old legend a monster had been lying low for years.A scientist who studies ancient religions visits this church. Besides some ancient writings he discovers a box which contains a luminous stone. Every time the stone sheds its light the scientist experiences all sorts of weird visions.The church in the tale actually exists and can be found in Providence (USA). Franco Cesarini has visited it and sketches the mysterious and occult atmosphere in 'The Haunter of the Dark'.

Contents:1. Cradle Song: Away In A Manger (Kirkpatrick)2. Providence: God Sees The Little Sparrow Fall3. Shipston: Jesus Tender Shepherd Hear Me4. Jesus Loves Me: Jesus Loves Me5. Orientis Partibus: Loving Shepherd Of Thy Sheep6. Royal Oak: All Things Bright And Beautiful

Bert Stratton and Vicki Tucker Courtney have created a modern praise anthem proclaiming God's providence as our Redeemer and salvation. Available separately: SATB ChoirTrax CD. Score and parts (tpt 1-2 hn tbn 1-2) available as a digital download. Duration: ca. 2:30.

Commissioned by the Providence Singers with support from its Wachner Fund for New Music. Includes full vocal and percussion score (for 6 percussionists) on each page.

Uses: Patriotic; MemorialComposed the week of September 11 2001 this anthem is an impassioned cry for peace and a testimony of trust in the providence of God. Incorporating The Navy Hymn theme the new textlifts our eyes to the God who restores protects and defends. This best-seller has been used in national memorial gatherings and is available with several accompaniment options to maximize flexibility for directors in theirprogramming option.

Techniques and Concepts from 40 Years of Rock Guitar. Par FISCHER PETER. More than 250 licks reflecting the styles and concepts of rock guitar from 1960-90s. The aim Masters Of Rock Guitar (Book and CD) is to document the development of Rock Guitar playing by thoroughly investigating the styles of twenty distinctive and influential Guitar greats, including Chuck Berry, Jeff Beck, Jimi Hendrix, Mark Knopfler, Gary Moore, Eddie van Halen, Joe Satriani, Steve Vai and others. Masters Of Rock Guitar (Book and CD) uses more than 250 licks selected for inclusion here serve as a reference for anyone in search of authentic sounding material. This book is more than a mere compilation of licks. By presenting detailed information about personal influences, identifiable elements, harmonic material, sound (preferred instruments, amps, effects, etc. ) and discographies, Masters Of Rock Guitar provides the reader with a well-rounded picture of each individual guitarist. In addition, the level of technical difficulty increases parallel to the chronological sequence, so the book can also be used as a methodically constructed learning aid for beginning to advanced players. The accompanying CD is over 70 minutes in length. It will not only help readers play the licks, but gives them the ability to select each profiled guitarist's music individually. In notation and tablature. / Niveau : Débutant à Intermédiaire / Rock - Licks and Phrases / Recueil / Guitare Electrique

für 1 - 2 Saxophone. Par RAE JAMES. A collection of twenty-one easy progressive studies for the beginner and suitable for all saxophones. An optional teacher's part is included designed to give support and encouragement in the lesson. Each study has, on its facing page, clearly defined objectives with tips for successfully acquiring specific skills and space is provided for the teacher's comments for the pupil's easy reference when practising at home. Pupil/teacher warm-up exercises precede each piece. • 21 studies for the beginner establishing good habits in the early stages • Each piece has clearly defined objectives with tips provided for successfully acquiring specific skills • Pupil and teacher warm-up exercises are provided with each piece • A second part for the teacher is included to give support and encouragement to the pupil in the lesson • Space is provided for teacher's notes alongside each piece for the pupil's easy reference when practising at home • The pieces, when played on Eb saxophones, are compatible with those in Step by Step Clarinet (UE 21 615) providing opportunities for duet playing./ Etude / Saxophone

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières