Peter And The Wolf Op. 67

SKU: HL.14025397

ISBN 9783937041094. 9.0x12.0x0.098 inches.

Arrangement of themes from Peter And The Wolf for recorder ensemble. Can be used in conjunction with the Piano accompaniment in this series. German Edition.

SKU: HL.14006541

ISBN 9780711956100. 9.0x12.0x0.088 inches.

Twelve easy pieces for piano written and arranged by Carol Barratt. An entertaining selection all about animals: superbly arranged classics plus imaginative original pieces. Includes music from 'Peter And The Wolf', 'Carnival Of The Animals' and Carols Barratt's 'Giraffes'. Suitable for players of grade 1 to grade 2 standard. Contents: Aunty Lizzie's Old Pig * Giraffes * Sheep May Safely Graze * Swan Lake * The Bear * The Cat From Peter and the Wolf * The Cat in the Corner * The Crow * The Cuckoo (Muller) * The Duck (Peter and the Wolf) * The Elephant (Carnival of the Animals) * The Pony (Couppey).

SKU: HL.50605472

ISBN 9781705189467. UPC: 196288125211.

In his Sonata, Peter Wolf puts his style well-known from the character pieces of his previous piano series (Wolf-temperiertes Klavier, Jazz preludes) in the service of a demanding form. We can recognize the style that can be traced back to jazz and Bartok, the characters that tap like a toccata or swirl like perpetual motion, the singing lyrical melodies or even such playful turns as the baroque musette-like episode of the slow movement. Like Wolf's previous piano works, this multi-faceted composition, which sets high standards in terms of instrumental technique, was inspired by the outstanding pianist Jozsef Balog and gives the impression of his individuality as a performer.

SKU: HL.50607005

UPC: 196288217381.

Pï¿ ½TER WOLF (1947) studied classical piano and jazz piano at the B�la Bart�k Secondary School under Korn�l Zempl�ni, Ferenc Rados and J�nos Gonda. In 2015 he obtained his DLA degree from the Franz Liszt Academy of Music with his thesis on jazz arrangements. In 1969 he became the keyboard-player of the band Ex Antiquis. He composed many hits of the 1970s and 1980s as well as scores for popular films and musicals. His virtuosity as an orchestrator was shown in concerts and albums of the Franz Liszt Chamber Orchestra; he also orchestrated violin pieces for Isaac Stern's ''Kreisler'' CD. In 1995 he was awarded the F�nyes Szabolcs Prize, in 2005 the Erkel Prize, and in 2018 Artisjus's Life Prize. In recent years he has had numerous large-scale compositions premiered by excellent performers: his two piano concertos and his concertos for oboe, clarinet, and violin respectively. About Inventions for Young Pianists, piano teacher Rita Znamen�k writes: ''This volume expressly aims at extending the repertoire of 3rd- and 4th-grade primary music students (and, of course, that of the older ones, too). Each of the 23 inventions expands and revolves around a musical idea. The short pieces inspire the children's imagination already with their titles. Teachers and student scan freely choose among pieces which require crossing hands, arpeggios, clusters, polyphony, syncopated rhythm, chromaticism, and pedalling. There are melodies with accompaniment, playing with alternate hands, playing legato and staccato, notes with appoggiaturas and acciaccaturas, jazz accents, and glissandi, too. The composer wrote unusual sound effects into a few pieces for the brave. It's my most sincere wish for young pianists that they find joy in studying Peter Wolf's works, and I encourage my colleagues to include pieces from this volume into their material: maybe students will also become more open to contemporary music through them.''.

SKU: HL.50605345

ISBN 9781705180235. UPC: 196288106135.

Simil arly to Bach's cycle The Well-Tempered Clavier or to Chopin's 24 Preludes, and similarly to his own collection published in 2019, the Wolf-temperiertes Klavier, Péter Wolf penned 24 piano pieces again. His Jazz Preludes set examples for improvisation and make use of the entire stylistic spectrum of jazz, ranging from the gospel (“Anthem, No. 7”) to blues (“Windlass, No. 1”), bebop (“Crime, No. 11”), Latin jazz (“Tropical Night, No. 6”), and, of course, the world of ballads (“Nostalgia, No. 4” and “Question Without Answer, No. 16”). The individual movements are no mere style exercises or piano technique exercises but, like Debussy's preludes, they are expressive character pieces: musical images of a phenomenon, an emotion, a behavior pattern, a personal experience reflected by their titles.