Matériel : Partition + CD
SKU: HL.49045875
The Catalan composer and vihuela player Luis de Milan (1500-1561) ranks among the most important composers of the Spanish Renaissance. His collection El Maestro from 1536 was the first publication of vihuela music in music history (the vihuela is a predecessor of the guitar). The six pavans contained therein are typical examples of the stately processional dance. According to the etymological derivation of'pavo' (Spanish/Latin: 'peacock'), this characteristic bird call which can be performed freely and naturalistically by the saxophoneplayer can sometimes be heard in this 'peacock's dance'. World premiere: 15.2.2017 Ballhaus Berlin, with Domiki Wollenweber (cor anglais) and the saxophone quartet CLAIR OBSCUR. Also published by Schott: a version for alto saxophone (cor anglais) and organ (ED 21260).
SKU: SU.90920040
Julius Hemphill is celebrated for the brilliance and expressive range of his compositions for Saxophone Quartet and Sextet. The Saxophone Quartet works included in Book I and II were premiered by Julius with the World Saxophone Quartet (WSQ). Covering a broad range of musical styles, they are compelling vehicles for improvisation and equally works that can be performed without improvisation as a concert suite. The orchestration is S/A/T/B, with some doubling of alto and soprano saxophone. These two collections are also available for String Quartet instrumentation and performance. Saxophone Quartet (SATBar) Published by: Subito Music Publishing Includes: Revue Another Feeling Touchic' R&B Cool Red JiJi Tune Pillars Latino Slide One/Waltz/Time Bumpkin.
SKU: BT.DHP-1185888-401
ISBN 9789043155502. English-German-French-Dut ch.
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. This work is a musical collage of impressions following the composers visit to Italy. The solo part can also be performed on trumpet or euphonium. Deze compositie is geschreven in opdracht van het Osaka Kyoiku University Wind Orchestra. De wereldpremière werd samen met trompetsolist Osamu Kumashiro uitgevoerd onder leiding van de componist, die zich tijdens een bezoek aan Firenze heeft laten inspireren door de beroemde Ponte Vecchio (oude brug). Het werk is een muzikale collage van indrukken die Yagisawa in Italië heeft opgedaan. De solopartij kan ook op trompet of euphonium worden gespeeld. Dieses Werk wurde vom Blasorchester der Osaka Kyoiku Universität in Auftrag gegeben. Die Welturaufführung fand mit dem Trompeter Osamu Kumashiro als Solist und unter der Leitung des Komponisten statt. Der Komponist hat sich während einer Reise nach Florenz von der berühmten Ponte Vecchio (Alte Brücke“) inspirieren lassen. Das Werk ist eine musikalische Collage mit den Eindrücken des Komponisten von seiner Italienreise. Die Solostimme kann auch mit dem Trompete oder Euphonium gespielt werden.Cette œuvre est une commande de Osaka Kyoiku University Wind Orchestra. La première mondiale eut lieu avec Osamu Kumashiro, trompette solo, sous la direction du compositeur, qui s’était inspiré du célèbre Ponte Vecchio (le vieux pont) lors d’une visite Florence. Cette œuvre est un collage musical des impressions du compositeur de son voyage en Italie. La partie solo de cette œuvre se pre te aussi a une interpre tation avec un trompette ou baritone.
SKU: ET.TU132D
ISBN 9790207020833.
3 Dances is a Suite in three movements for 2 solo tubas and big band (2 alto saxophones, tenor saxophone, bariton saxophone, 4 trumpets, horn in F, 3 trombones, bass trombone, xylophone, vibraphone, marimba, piano, bass guitar, drum set) written in 3 movements. It is a typical example of the versatile composing talent of Roland Szentpali. His approach to jazz is well structured, with subtle fast or slow groovy sequences of the different instrumental and rhythm sections, stimulating (and how !) the two solo tubas interacting with each other. I. Blow On Fire starts with a free cadenza that is an introduction merging into fast elements which appear all along this movement. The two tubas start to play once the melodic elements burn, and from then develop their own dynamic shifts. II. Oriental Flavors is another kind of groove (as the movement title suggests), beginning with a short opening of the trombone section falling into secco rhythm that beats in contrasts with the stimulating lyrical intervention by the two tubists. III. Cinder Dance has a specific introduction that leads the musicians and the audience on the path of various trances over several uneven time signatures. At a certain point, the 2 tubas fly through cadencial sequences just over the rhythm section, before ending on a long collective and steamy final progression. World premiere and recording premiere: May 13-14, 2017 in the L. Austin Weeks Center for Recording and Performance at the Frost School of Music, University of Miami - Coral Gables, Florida, USA with the award winning Frost Concert Jazz Band conducted by John Daversa, and soloists Aaron Tindall and Roland Szentpali on tuba.
SKU: ET.TU132C
ISBN 9790207020826.
SKU: CF.SPS6F
ISBN 9780825840012. UPC: 798408040017. 9 X 12 inches. Key: Bb major.
SKU: PR.114417770
ISBN 9781491108185. UPC: 680160636594. 9x12 inches.
A Song from the Heart for E-Flat Alto Saxophone and PianoA beautiful cantabile song without words, A SONG FROM THE HEART has all of Ewazen’s expressive elegance, yet is performable by advanced students as well as on professional and collegerecitals. Transcribed for Alto Saxophone by the composer, A SONG FROM THE HEART was originally composed for Trumpet and Piano and premiered by Charles Schlueter, long-time principal trumpet of the Boston Symphony.A SONG FROM THE HEART was originally composed for Trumpet and Piano and is dedicated to Dennis Caron on the occasion of his retirement. It was commissioned by his wife, Marsha Caron, and was premiered at Dennis’s retirement party by our mutual friend Charles Schlueter, long-time principal trumpet of the Boston Symphony. A SONG FROM THE HEART is filled with lyricism and rich harmonies, as the trumpet line sings and soars over a rich accompaniment.
SKU: CF.SPS9F
ISBN 9780825840173. UPC: 798408040178. 9 X 12 inches. Key: F major.
SKU: SU.90920041
Julius Hemphill is celebrated for the brilliance and expressive range of his compositions for Saxophone Quartet and Sextet. The Saxophone Quartet works included in Book I and II were premiered by Julius with the World Saxophone Quartet (WSQ). Covering a broad range of musical styles, they are compelling vehicles for improvisation and equally works that can be performed without improvisation as a concert suite. The orchestration is S/A/T/B, with some doubling of alto and soprano saxophone. These two collections are also available for String Quartet instrumentation and performance. Saxophone Quartet Published by: Subito Music Publishing Includes: Big Foot Choo Choo Connections Dar El Sudan Funny Paper Hearts My First Winter Plain Song Romance in Time Stick Void.
SKU: PR.144406060
UPC: 680160621842. 9 x 12 inches.
Three Dance Preludes is one of an impressive list of commissions by master saxophonist John Sampen, who premiered the piece at the 1982 World Saxophone Congress with pianist Marilyn Shrude. The three preludes pay homage to jazz greats Charlie Parker, Lee Konitz, and Jimmy Dorsey, and are to be performed with a sound style that emulates each. Hodkinson also points out that the piano is neither accompanimental nor secondary in any sense, but a full partner in the duet. For advanced performers. Duration: 13'.
SKU: PR.11540204F
UPC: 680160591237. Key: G major.
Already a popular recital work for piccolo and piano, and winner of the 2009 International Piccolo Symposium biennial composition competition, Flash! is now available for solo piccolo with band accompaniment - fresh from the NFA premiere, featuring piccolo legend Walfrid Kujala. The East Coast premiere is scheduled for 11/18/10, featuring Boston Symphony piccoloist Linda Toote with the Boston University wind ensemble.By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo. In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete. Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010. More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo.In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete.Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010.More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.