SKU: HL.48181133
UPC: 888680864477. 9.0x12.0x0.177 inches.
Having studied the flute with virtuosos Paul Taffanel, Adolphe Hennebains and Philippe Gaubert at the Paris Conservatoire, Marcel Moyse (1889-1984) soon became a virtuoso of the instrument himself. His editions of Soussmann's 24 Daily Studies for Flute is one of many popular study books compiled by the renowned flautist. During his career, Moyse frequently played solo flute with many orchestras, including performing the main concertos of the repertory. As well as performing and composing, Moyse was responsible for the training of a brilliant generation of flautists at the Paris Conservatoire. Following WWI, the composer moved to the United States where he continued to perform, compose and teach. It is during his time in the USA that Moyse composed his extensive number of instructive books on instrumental technique, including Soussmann's 24 Daily Studies, which today remain universally accepted and popular. Moyse's book is essential to all aspiring advanced flautists.
SKU: AP.6-431886
ISBN 9780486431888. English.
A solid grounding in musical techniques of the seventeenth and eighteenth centuries is essential to a complete understanding of Baroque music. As scholar Denis Stevens says in his introduction to this work, Full enjoyment will come only when the soloist learns the gentle art of tasteful embellishment of a melodic line, and when continuo players learn that their role is perhaps the most important in the entire ensemble. Arnold's legendary work is a comprehensive survey of its topic, covering every issue of significance to today's performer. The text is fully amplified with numerous musical examples, authoritative citations, scholarly interpretations and syntheses, and the author's own conclusions. An inexhaustible collection of source material for the musicologist as well as an indispensable companion for conductor, editor, or performer. Unabridged republication of the first edition (1931), originally published by Oxford University Press. Introduction to the Dover edition by Denis Stevens. First of two volumes.
SKU: AP.6-431959
ISBN 9780486431956. English.
A solid grounding in musical techniques of the seventeenth and eighteenth centuries is essential to a complete understanding of Baroque music. As scholar Denis Stevens says in his introduction to this work, Full enjoyment will come only when the soloist learns the gentle art of tasteful embellishment of a melodic line, and when continuo players learn that their role is perhaps the most important in the entire ensemble. Arnold's legendary work is a comprehensive survey of its topic, covering every issue of significance to today's performer. The text is fully amplified with numerous musical examples, authoritative citations, scholarly interpretations and syntheses, and the author's own conclusions. An inexhaustible collection of source material for the musicologist as well as an indispensable companion for conductor, editor, or performer.Unabridged republication of the first edition (1931), originally published by Oxford University Press. Introduction to the Dover edition by Denis Stevens. Second of two volumes.
SKU: GI.G-9729
ISBN 9781622775323.
Comp iled and Edited by James Mick, David Pope, and Soo Han. Chapter authors: Brenda Brenner, Robert Gillespie, Soo Han, Mark Laycock, James Mick, Christopher Selby, and James Woomert.  This much-anticipated fourth volume in the indispensable Teaching Music through Performance in Orchestra series arrives 13 years after the publication of the previous volume, with a new team of authors and editors, each at the top of the string education profession. But while the team is new, the book remains an essential resource for today’s string teachers and conductors at all levels. Part I features practical chapters by leading educators: “Selecting and Teaching Concert Music†by Christopher Selby, “Preparing for the Podium†by James Mick, “Begin with the Score: Making Notation Come Alive†by Mark Laycock, “From Poof to Portato: A Sequence of Bow Strokes for the Heterogeneous Class†by Brenda Brenner, “NRB (Notes, Rhythm, and Bow): Systematic Ways of Providing Technique in the Orchestra Classroom†by Soo Han, “Bowing Styles for the Ages: What Are They? How Do They Sound? When Do I Use Them? How Do I Get My School Orchestra to Play Them?†by Robert Gillespie, “If Only We Had More Rehearsal Time! Strategies for Optimizing Rehearsal Efficiency and Performance Preparedness that Have Nothing to Do With Conducting†by James Woomert. Part II contains analyses of 92 of the most significant works for string and full orchestra in print, Grades 1 through 6. Like the first three volumes of this series, each Teacher Resource Guide includes essential information on each musical selection, including composer and composition information, historical background, technical requirements, stylistic considerations, musical elements (form and structure), suggestions for additional listening, and a guide to selected references. Click HERE to access a spreadsheet with recommended recordings for works in Volume 4. A Note about Volume 5:  In preparation for Volume 5 of this hallmark series, we welcome your input as we seek to include more repertoire from historically underrepresented composers. For more details, please reivew the following PDF and use the Google Form below to submit your suggested works. PDF: Diversity, Equity, and Inclusion in the TMPO Series Loading….
SKU: HL.346462
ISBN 9781538137253. UPC: 840126924480. 7.5x9.25x0.788 inches. Frank D. Cook and Harley Glynn Contributions by Eric Kuehnl.
Learn the basics of recording, editing, and mixing audio using Cubase Elements, Artist, or Pro. Experience the software used worldwide by musicians, producers, engineers, mixers, and audio professionals. Filled with tips and insights, Audio Production Basics with Cubase 10.5 will get you working fast. With this book and the included media files, you'll get the practical, hands-on exposure you need. We cover everything from setting up your computer to the fundamentals of audio production, including: Basic Digital Audio Workstation operations and audio hardware options; Principles of sound production and microphone use; Essential Cubase concepts and operations; MIDI fundamentals for playing and performing with virtual instruments; Multi-track recording; Plug-in use and signal processing techniques; Mixing your project and using automation; Outputting your final mixdown. Cubase software is very powerful, yet fun and easy to use. Everything you learn here will apply to all editions of Cubase (Elements, Artist, and Pro), so you can easily upgrade in the future no matter where you are starting today. Take the first step now, with Audio Production Basics with Cubase 10.5.
