Matériel : Partition + CD
Voir toutes les partitions de Duke Ellington
SKU: HL.14021531
9.0x12.0x0.154 inches. French.
Les caracteristiques de la guitare sont telles qu'il existe un nombre quasi-illimite de possibilites (positions, doigtes, techniques de liaison) pour jouer une meme phrase melodique. Cet ouvrage a donc pour but de donner quelques exemples de phrases et d'arrangements des Standards du Jazz issus de repertoire Swing et Be-Bop a l'aide d'un CD d'accompagnement. Vous trouverez dans cette methode deux types de themes et d'arrangements: * Les themes Be-Bop: Ils sont arranges pour deux guitares, une basse et une batterie. * Les themes Swing: Ils sont arranges pour guitare, basse et batterie. La guitare joue les accords et la melodie simultanement. The guitar idioms give an endless comnbination of fingerings, neck positions and legato techniques to play one single musical line. The purpose of this book is to provide examples of phrasing and arranging of swing and be-bop standards. You will find two types of tunes * Be-Bop tunes: These tunes are arranged for two guitars, a bass and drums. * Swing tunes: These are arranged for guitar, bass and drums. The theme and chords are played by one guitar only.
SKU: KN.63750
UPC: 822795637502.
Based on the chord changes to Satin Doll by Duke Ellington and Billy Strayhorn, this swing chart is perfect for beginning groups. The solo section is playable by any instrument and solo sheets are provided in all keys. This is a great chart to introduce the ii-V-I progression. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 3:25.
SKU: AP.1-ADV11307
ISBN 9783892211334. UPC: 805095113075. English.
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization are covered, along with linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano, or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensemble. A useful discography is included at the end of each chapter. Dans ce volume, beaucoup de différentes possibilités pour l'harmonisation de la même mélodie sont illustrées et analysées, en utilisant des techniques d'arrangeurs et compositeurs influents tels que Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans et Clare Fischer. Contents: Preface * About the Chord Symbols Used in This Book * Melody Harmonization: The Basic Techniques and the Linear Approach * Writing for Two Horns * Writing for the Rhythm Section * Writing for Three Horns * Writing for Four Horns * Writing for Five Horns * Form and Development * Minor D * Blues for Barry * Beautiful Dreamer * Suite for Swee' Pea' * Appendix: I. Ranges and Transpositions of the Instruments Used in this Book * II. Articulations and Jazz Inflections Used in this Book * III. Basic Procedures for Score Layout * Bill Dobbins Discography.
SKU: KN.63750S
SKU: AP.1-ADV11306
UPC: 805095113068. English.
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization are covered, along with linear writing and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano, or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensemble. A useful discography is included at the end of each chapter. Contents: Preface * About the Chord Symbols Used in this Book * Melody Harmonization: The Basic Techniques and the Linear Approach * Writing for Two Horns * Writing for the Rhythm Section * Writing for Three Horns * Writing for Four Horns * Writing for Five Horns * Form and Development * Minor D * Blues for Barry * Beautiful Dreamer * Suite for Swee' Pea' * Appendix.
SKU: KN.63780
UPC: 822795637809.
Based on the chord changes to It Don't Mean A Thing by Duke Ellington, this chart is the perfect chart to introduce beginning jazz groups to the swing style. The solo section is playable by any instrument, with solo sheets provided in all keys along with scales to assist students in improvisation. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 2:10.
SKU: KN.63780S
SKU: AP.1-ADV11305
ISBN 9783892210061. UPC: 805095113051. English.
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans and Clare Fischer.Techniques of melody harmonization, linear writing and counterpoint for 2, 3, 4 and 5 horns.A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers.Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the audio download.An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensembleA useful discography is included at the end of each chapter.
SKU: MB.31103M
ISBN 9781513468792. 8.75x11.75 inches.
Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book.
This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.
There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.
In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.
The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.
The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.
Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.
Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.
SKU: AP.47030S
UPC: 038081540375. English.
This chart swings! A sensational chart that captures the collaboration of Ellington and Strayhorn, played around 130 BPM. Lead trumpet plays to written A with optional high C. Solos written out for trombone, alto, trumpet, and tenor. Great use of plunger mutes for trumpets. Excellent chart in every way!
SKU: HL.7013724
UPC: 840126964578. 9.0x12.0x0.23 inches.
Billy Strayhorn's iconic jazz standard, recorded by Duke Ellington, is skillfully adapted in this easy version. From the trademark introduction, saxes on the main theme, and short written or ad lib. solos, this will sound great even with young players. The Discovery Jazz Series features arrangements written for full band, playable with 3 saxes, 2 tpts., 1 tbn., rhythm section. Each arrangement includes optional parts for flute, clarinet, F horn and tuba and full length recordings available for each arrangement.
SKU: KN.KEN60061S
UPC: 822795600612.
This medium swing original for developing groups is a riff-based blues in the tradition of the Count Basie and Duke Ellington bands. The solo section is playable by any instrument with solo sheets provided in all keys, along with scales to assist students in improvisation. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 3:45.
SKU: KN.KEN60061
