Cd Play The Blues 3Cd Box Guitar

Par CHRISTIANSEN MIKE. From blues rhythm guitar to soloing, this book will help you learn in a step by step manner to play blues guitar styles similar to greats such as Stevie Ray Vaughn, BB King, Eric Clapton and others. You will learn the different techniques used in playing blues guitar and how to combine these elements to create your own blues solos and rhythm parts. The book contains sections on the blues progression, comping, power chords, turn-arounds, blues fills, scales, double stops, common blues licks, use of the whammy bar, how to get a blues sound, and how to build a blues guitar solo. The text is written in notation and tablature. This set includes a stereo play-along CD and 110-minute DVD. / Niveau : Tous Niveaux / Blues - Methods / Tablatures / Guitare Tablatures Electrique

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Open tunings have been used by many country blues guitarists. From the alternating bass styles of Furry Lewis and Mississippi John Hurt to the evocative and haunting sounds of Skip James to the ragtime blues of Blind Blake. In this series we discuss some of the finest guitar arrangements played in open tunings. For the intermediate guitarist. Notation and tablature with three compact discs. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Grâce à cette série de DVD, vous allez explorer divers style de fingerstyle blues guitare. Cette première leçon se focalise sur la clé de Do. Vous apprendrez les techniques de Mississippi John Hurt, Rev. Gary Davis et Blind Blake. Mais le but de cette leçon est surtout de vous permettre d'improviser en jouant du blues. Vous étudirez les morceaux ci-dessous, phrase à phrase, chaque morceau sera jouer normalement puis plus lentement. Le livret contient toutes les partitions, 85 minutes, en anglais. / Guitare

Guitarist educator and historian Stefan Grossman was a student of acoustic blues and gospel singer/guitarist Rev. Gary Davis. Beginning when he was 15 Stefan studied with Davis on weekends spending eight to ten hours at his house in Harlem absorbing all he could. While studying with Rev. Davis he met and studied with other country blues guitarists: Mississippi John Hurt Son House Skip James Mance Lipscomb and Fred McDowell.In the early 1960s Stefan formed the Even Dozen Jug Band (which also included such future luminaries as John Sebastian Steve Katz Maria Muldaur and David Grisman). In 1966 he worked with the alternate rock band the Fugs beforemoving to Great Britain in 1967. In 1969 he co-founded Kicking Mule Records with Ed Denson a label that showcased acoustic fingerstyle guitar. Many of these albums that Stefan produced during this period are finally being re-released on CD on his own label.From 1967 to 1987 Stefan Grossman lived in Great Britain and Italy and toured worldwide. He performed and recorded with John Renbourn for 15 years and they produced four albums together.Stefan's solo discography goes all the way back to 1966 when he recorded How to Play Blues Guitar with Rory Block (now released as Country Blues Guitar SGGW103). Since that time he has recorded over 30 solo albums and has written numerous books highlighting the playing of legendary bluesmen from the 1920s and 1930s.Nowadays Stefan divides his time between the USA and England. He continues to do concerts and workshops worldwide and remains one of the world's foremost authorities on acoustic blues guitar. The Guitar Artistry of Stefan Grossman brings together performances from 1965 to today. He performs solo with the Even Dozen Jog Band with John Renbourn as well as Duck Baker. In between the music Stefan weaves together the story behind his playing.An 87 page PDF booklet is included on the DVD. This details

Par CHRISTIANSEN COREY. This book contains a number of easy blues solos written for the beginning blues guitarist. Many of the solos are to be played in the first position with a few in the third and higher positions. All of the solos in this collection are presented in standard notation and tab. Students should read the standard notation as much as their reading skills will allow as that is where the rhythmic notation is contained, but the tab will allow any student to play the solos in higher positions where many beginners find reading challenging. Many of the solos have techniques written such as slides, 1/4 step bends (a very slight bend), and grace notes. These are simple techniques to execute and can be mimicked by listening to the play-along recording if the student does not read these techniques in standard notation. A professional band has recorded each tune on the accompanying play-along CD. This will help students hear the groove of the tune and how each piece should be phrased. Historically, the blues is an aural tradition and many of the most prolific blues artists learned by ear. The CD will provide invaluable help for playing these tunes authentically. Check out the Free PDF Download that contains a third of the book! / Niveau : Débutant / Blues - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

Play-Along Tracks For Developing Your Rhythm And Lead Blues Guitar. Par GARCIA JOHN. Blues Guitar Play-Along Trax, within the School of the Blues Lesson Series, is an exciting play-along that contains the most common grooves used in blues bands today. Notated examples are also provided to give you an idea of how you can approach accompanying a vocalist or instrumentalist. Along with the 12 jam tracks, the book is accompanied by a CD recording of all examples (played by author John Garcia) along with the background music. / Niveau : Débutant / Blues - Play Along / Recueil / Guitare

Anyone interested in playing blues guitar can pick up this well-paced, comprehensive method and get started right away. Beginning concepts include blues theory, left-hand technique, call-and-response phrasing, intros, turnarounds, improvisation, and the rhythmic styles of Texas swing, slow blues, and minor blues. Intermediate topics include phrasing, fills, non-scale tones, chord extensions, substitutions, and 'Licks of the Masters.' The book concludes with advanced techniques such as composite scales, the Mixolydian mode, arpeggio superimpositions, the eight-bar blues, gospel blues, minor blues, and techniques of great players like Muddy Waters, Big Bill Broonzy, Freddie King, B.B. King, John Lee Hooker, and many others. Whether you are just starting to learn guitar or are an advanced player looking to improve your playing, this is the one book on blues guitar you will ever need. This complete edition includes a full instructional video, available online via streaming or download, hosted by guitar virtuoso Jared Meeker for each book it includes, Beginning, Intermediate, and Mastering Blues Guitar. MP3 audio files for all three books are also available online. Includes: * Examples in easy-to-read TAB and standard music notation * Large chord and scale diagrams * Licks in the styles of blues masters * Eight- and twelve-bar solo examples * Techniques and theory for lead and rhythm guitar playing / Guitare

An Essential Study Of Blues Accompaniment Guitar For All Skill-Lev. Par BARRETT DAVID. Blues Guitar Level 1, within the School of the Blues Lesson Series, is about learning the art of playing rhythm guitar and its various grooves pertaining to the blues. Areas covered are: major scales, chord construction, Chicago-type shuffles, uptown swing and jump, cut time, slow blues, rhumba, funky blues, rock beat, boogie beat, eight-bar blues - openings, breaks and endings. This book is accompanied by a CD recording of all examples (played by author John Garcia) along with the background music. For all skill level players. / Niveau : Débutant / Blues - Methods / Méthode / Guitare