Es.Per Uso Del Pedale

SKU: HL.14045058

ISBN 9790707006160. UPC: 9790707006160. French.

Jouez dans l'esprit des plus grands batteurs : Metallica, Nirvana, Red Hot Chili Peppers, AC/DC, Deep Purple, James Brown, Prince, Bob Marley, Telephone, Rage Against The Machine.
Tous les morceaux sont enregistres surles fichiers audio disponibles sur notre kiosque media.
Methode selectionnee par la CMF ( Confederation musicale de France ) pour les morceaux d'examens et concours.
L'ecoute des pistes audio est necessaire pourmemoriser les rythmes.Le morceau est joue par le groupe a tempo normal, puis a tempo lent.
Les patterns et les breaks sont joues par la batterie seule.Les 2 play-backs ( tempo lent et tempo normal ) vous permettent devous exercer.
Un chapitre consacre au jeu de la double pedale de grosse caisse vous permettra de maitriser cette technique souvent utilisee par les batteurs.

SKU: BO.B.3106

ISBN 9788480201940.

Engl ish comments:
With reference to the melody used to write the Fanstasia-Concerto, the composer Jordi Cervello says: A few years ago, a friend of mine, Jorge Wagensberg sang me a beautiful old Jewish melody inspired by the hymn Leja Dodi (Come, my beloved) by the Sefardie cabbalist Solomon Alkabez (1505-1576), who is buried in Israel. I was immediately entranced by its two extensive thematic ideas which complement each other perfectly. Its melodic and folk qualities seemed to me to make it an ideal theme for a work for guitar and orchestra. The orchestration is a fine thread of metallic timbres, which are present both in the very delicate subtleties of the pianissimi passages and the brilliant tutti. Moreover, the cler tonal definition of the melody contrasts with audacious harmonic contrapunctual textures, characteristic of the most advanced musical styles of our times. The solo guitar part is a model piece of compositon for the guitar, both for its melody and harmony. It puts forward extremely original formulas which are very effective from an instrumental point of view. Its abundant use of arpeggios, chords, harmonic pedals and other instrumental resources ensure that the dialogue with the orchestra is based completely on guitar-playing techniques, putting the guitarist's expressive skill and mastery to the test. This work was first performed on December 3 1997 in Sabadell's La Farandula Theatre performed by the Valles Symphonic Orchestra conducted by its permanent conductor Salvador Brotons. The guitar solo part was played by Jaume Torrent, to whom the work is dedicated.

Comen tarios del Espanol:
En relacion al origen de la melodia utilizada en este Concierto-Fantasia, el compositor Jordi Cervello comenta: Hace ya algunos anos, mi amigo Jorge Wagensberg me canto una antigua y deliciosa melodia judia compuesta sobre el himno Leja Dodi (Ven mi bien amada) del cabalista sefardi Solomon Alkabez (1505-1576), cuya tumba se encuentra en Israel. En seguida me cautivo por las dos amplias ideas tematicas que contiene, las cuales se complementan muy armoniosamente. Por sus caracteristicas melodicas y por su caracter popular me parecio un tema ideal para una obra de guitarra y orquesta. La orquestacion de este concierto es una filigrana de sugerencias timbricas, presentes tanto en las mas delicadas sutilezas de los pianissimi como en los efusivos tutti. Asimismo, la clara definicion tonal de la melodia contrasta con audaces texturas armonicas y contrapuntisticas propias de la estetica musical de nuestros dias. La parte del instrumento solista en un modelo de escritura guitarristica, tanto desde el punto de vista melodico como del armonico y propone formulas que resultan de una gran originalidad y eficacia instrumental. La prodigalidad de arpegios, acordes, pedales armonicos y otros recursos instrumentales, garantizan un dialogo con la orquesta desde un lenguaje plenamente guitarristico, a traves del cual, el interprete pone a prueba tanto su capacidad expresiva como la vituosistica. El estreno de esta obra tuvo lugar el dia 3 de octubre de 1997 en el Teatro La Farandula de Sabadell, interpretada por la Orquesta Sinfonica del Valles bajo la direccion de su director titular Salvador Brotons, y actuando como solista el guitarrista Jaume Torrent a quien esta dedicada la obra.

SKU: BO.B.3105

ISBN 9788480202350.

Engl ish comments:
With reference to the melody used to write the Fanstasia-Concerto, the composer Jordi Cervello says: A few years ago, a friend of mine, Jorge Wagensberg sang me a beautiful old Jewish melody inspired by the hymn Leja Dodi (Come, my beloved) by the Sefardie cabbalist Solomon Alkabez (1505-1576), who is buried in Israel. I was immediately entranced by its two extensive thematic ideas which complement each other perfectly. Its melodic and folk qualities seemed to me to make it an ideal theme for a work for guitar and orchestra. The orchestration is a fine thread of metallic timbres, which are present both in the very delicate subtleties of the pianissimi passages and the brilliant tutti. Moreover, the cler tonal definition of the melody contrasts with audacious harmonic contrapunctual textures, characteristic of the most advanced musical styles of our times. The solo guitar part is a model piece of compositon for the guitar, both for its melody and harmony. It puts forward extremely original formulas which are very effective from an instrumental point of view. Its abundant use of arpeggios, chords, harmonic pedals and other instrumental resources ensure that the dialogue with the orchestra is based completely on guitar-playing techniques, putting the guitarist's expressive skill and mastery to the test. This work was first performed on December 3 1997 in Sabadell's La Farandula Theatre performed by the Valles Symphonic Orchestra conducted by its permanent conductor Salvador Brotons. The guitar solo part was played by Jaume Torrent, to whom the work is dedicated.

Comen tarios del Espanol:
En relacion al origen de la melodia utilizada en este Concierto-Fantasia, el compositor Jordi Cervello comenta: Hace ya algunos anos, mi amigo Jorge Wagensberg me canto una antigua y deliciosa melodia judia compuesta sobre el himno Leja Dodi (Ven mi bien amada) del cabalista sefardi Solomon Alkabez (1505-1576), cuya tumba se encuentra en Israel. En seguida me cautivo por las dos amplias ideas tematicas que contiene, las cuales se complementan muy armoniosamente. Por sus caracteristicas melodicas y por su caracter popular me parecio un tema ideal para una obra de guitarra y orquesta. La orquestacion de este concierto es una filigrana de sugerencias timbricas, presentes tanto en las mas delicadas sutilezas de los pianissimi como en los efusivos tutti. Asimismo, la clara definicion tonal de la melodia contrasta con audaces texturas armonicas y contrapuntisticas propias de la estetica musical de nuestros dias. La parte del instrumento solista en un modelo de escritura guitarristica, tanto desde el punto de vista melodico como del armonico y propone formulas que resultan de una gran originalidad y eficacia instrumental. La prodigalidad de arpegios, acordes, pedales armonicos y otros recursos instrumentales, garantizan un dialogo con la orquesta desde un lenguaje plenamente guitarristico, a traves del cual, el interprete pone a prueba tanto su capacidad expresiva como la vituosistica. El estreno de esta obra tuvo lugar el dia 3 de octubre de 1997 en el Teatro La Farandula de Sabadell, interpretada por la Orquesta Sinfonica del Valles bajo la direccion de su director titular Salvador Brotons, y actuando como solista el guitarrista Jaume Torrent a quien esta dedicada la obra.

SKU: HL.14035114

Few baroque composers were ever able to create work as sunny, as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its satisfying double final movement shows the composer at the height of his powers.Vivaldi composed this work in Venice in about 1715, during his fruitful time at the Ospedale della Pieta. In his lifetime this priest, composer and virtuoso Violinist achieved enormous musical success. Considering his great popularity in the modern era, it is difficult to believe that public appreciation of his work declined after his death and that the Gloria languished undiscovered forcenturies. It wasn't until 1957 that the restored work was heard again in its entirety. Since that time, this moving and joyous Gloria has been recorded more than one hundred times and perennially appears on concert series around the world.

SKU: HL.48185583

UPC: 888680854164. 9x12 inches.

“Tech nique, Independance and Coordination (for pedal bass drum) French, English, German and Spanish text&rdquo.

SKU: BT.SINF012

ISBN 9788884001283. Italian.

Raccolta di composizioni per i primi corsi e primi elementi ed esercizi sull'uso del pedale di risonanza 33 brani tratti dal repertorio pianistico Barocco, Classico e Romantico, composti da autori conosciuti e da altri meno noti. Con questa raccolta gli studenti dei primi corsi hanno la possibilità di variare e completare il proprio programma di studio con una scelta mirata di brani facili e gradevoli. La raccolta si conclude con esercizi sull'uso del pedale di risonanza.

SKU: CA.4002000

ISBN M-007-24070-7. Latin.

Antonio Vivaldi composed not only instrumental music, but also vocal music with equal sensitivity and enjoyment for the girls at the Ospedale della Pieta in Venice. The Laudate Dominum RV 606 dates from this period. This choral piece is simple and homophonic, but through multiple modulations into distant keys it acquires its own very special charm. Accents are placed in typically Vivaldian style, individual words emphasized, and the venerable psalm text is accordingly given a new kind of meaning by the composer.

SKU: CA.4002049

ISBN M-007-24072-1. Latin.

Antonio Vivaldi composed not only instrumental music, but also vocal music with equal sensitivity and enjoyment for the girls at the Ospedale della Pieta in Venice. The Laudate Dominum RV 606 dates from this period. This choral piece is simple and homophonic, but through multiple modulations into distant keys it acquires its own very special charm. Accents are placed in typically Vivaldian style, individual words emphasized, and the venerable psalm text is accordingly given a new kind of meaning by the composer.

SKU: CA.4002019

ISBN M-007-25166-6. Latin.

Antonio Vivaldi composed not only instrumental music, but also vocal music with equal sensitivity and enjoyment for the girls at the Ospedale della Pieta in Venice. The Laudate Dominum RV 606 dates from this period. This choral piece is simple and homophonic, but through multiple modulations into distant keys it acquires its own very special charm. Accents are placed in typically Vivaldian style, individual words emphasized, and the venerable psalm text is accordingly given a new kind of meaning by the composer.

SKU: CA.4002012

ISBN M-007-25164-2. Latin.

Antonio Vivaldi composed not only instrumental music, but also vocal music with equal sensitivity and enjoyment for the girls at the Ospedale della Pieta in Venice. The Laudate Dominum RV 606 dates from this period. This choral piece is simple and homophonic, but through multiple modulations into distant keys it acquires its own very special charm. Accents are placed in typically Vivaldian style, individual words emphasized, and the venerable psalm text is accordingly given a new kind of meaning by the composer.

SKU: CA.4002013

ISBN M-007-25165-9. Latin.

Antonio Vivaldi composed not only instrumental music, but also vocal music with equal sensitivity and enjoyment for the girls at the Ospedale della Pieta in Venice. The Laudate Dominum RV 606 dates from this period. This choral piece is simple and homophonic, but through multiple modulations into distant keys it acquires its own very special charm. Accents are placed in typically Vivaldian style, individual words emphasized, and the venerable psalm text is accordingly given a new kind of meaning by the composer.