German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass

This edition of Fantasia is prepared from an autograph in the possession of the Hessische Landes und Hochschulbibliothek Darmstadt Germany. All editorial suggestions are shown in the normal manner slashed slurs and square brackets.If a performance using Harpsichord or Piano is preferred a Continuo instrument (Bassoon or Cello) may replace the pedal line leaving the upper two parts to the Keyboard player.The German organist and composer Johann Ludwig Krebs 1713-1780 received his early musical instruction from his father. During his teenage years he enrolled at St. Thomas's School in-Leipzig where he had been accepted as one ofJohann Sebastian Bach's pupils. He frequently played Harpsichord at the weekly practices of Bach's Collegium Musicum and was generally acknowledged to be one of his best pupils. During his lifetime he served as organist or court musician in the German towns of Zwichau Zeitz and Altenburg.

Im Schülerkreis um J. S. Bach nimmt Johann Ludwig Krebs eine Schlüsselposition ein. Als einer der begabtesten Eleven Bachs galt Krebs bereits zu Lebzeiten als außergewöhnlicher Komponist und Organist mit virtuosen Fähigkeiten. Beim Studium seines umfangreichen Orgelschaffens spürt man seine großen organistischen Fähigkeiten, die sich in einer virtuosen Finger- und Pedaltechnik äußern. Auf kompositorischem Gebiet begegnet uns Krebs als ein die kontrapunktischen Regeln perfekt beherrschender Künstler. Neben der perfekten Nachahmung seines Lehrmeisters Bach hatte sich Krebs auch den neuen galanten und empfindsamen Tendenzen seiner Zeit zugewandt. Er zeigte sich damit sehr aufgeschlossen gegenüber den zu seiner Zeit aufkommenden neuen musikalischen Strömungen, die in seinen Kompositionen eine besondere Rolle spielen. / Orgue

Par KREBS JOHANN LUDWIG. In 1746, Johann Ludwig Krebs, who studied with Bach, was the “Schloss” organist at Zeitz [the Dukedom of Saxony]. During that year his Six Suites were published by Haffner, the Nuremberg publisher, as the fourth part of his Clavier-Übung. The suites, which are already almost preclassical in style, consist of between 6–10 movements and include character pieces such as a “polonoise” and a “harlequinade. ”/ Répertoire / Clavecin ou Piano ou Orgue

Par KREBS JOHANN LUDWIG. / Edition ARDESA / Date parution : 2020-10-15/ Répertoire / 4 Saxophones (Satb)

Par KREBS JOHANN LUDWIG. Our Krebs is known to have been one of the best pupils of Johann Sebastian Bach, consequently we made a play on words: In this great Bach [brook] only one single Krebs [crayfish] has been caught. In his organ compositions Krebs was essentially a follower of Bach, while in his clavier and chamber music the change of musical styles which occurred about 1750 is clearly evident. Characteristic of the pre-classical period is the juxtaposition and blending of old and new stylistic elements. Thus the music of Krebs represents the new courtly and sensitive spirit of that era. The Clavier-Übung I [chorale arrangements] is the first part of the four-part Clavier-Übung by Krebs and consistsof arrangements of 13 chorales./ Répertoire / Orgue

Par KREBS JOHANN LUDWIG. Instrumentalmusik zu Kirchenliedern -/ Répertoire / Ensemble Instrumental

Par KREBS JOHANN LUDWIG. Instrumentalmusik zu Kirchenliedern -/ Répertoire / Ensemble Instrumental

Arrangeur: Paul Horn. Par KREBS JOHANN LUDWIG. Langue : o Spr/ Répertoire / Violon Solo et Clavecin

Tonalité : H-Moll -. Par KREBS JOHANN LUDWIG. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder Bernius - Gattungen: Motetten, Psalmen, deutsch - Verwendung / Anlässe: Psalmvertonungen - Verwendung / Kirchenjahr: Karwoche - Langue : Allemand / Mottet / Répertoire / Choeur SSATB, (Basse Continue)