Kantate zum 4. Advent-A.G. Homilius' Auf Auf Ihr Herzen seid bereit for SATB.The cantata 'Auf auf ihr Herzen seid bereit' was composed for the fourth Sunday in Advent most certainly during Homilius's tenure as Kreuzkantor in Dresden between 1755 and 1785 although a more precise dating is not possible. The author of the cantata text is unknown.

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century [Graun's 'Tod Jesu']. The text describes the events of the Passion from a very personal pointof view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be 'rediscovered. '/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century [Graun's 'Tod Jesu']. The text describes the events of the Passion from a very personal pointof view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be 'rediscovered. '/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century [Graun's 'Tod Jesu']. The text describes the events of the Passion from a very personal pointof view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be 'rediscovered. '/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century [Graun's 'Tod Jesu']. The text describes the events of the Passion from a very personal pointof view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be 'rediscovered. '/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par HOMILIUS GOTTFRIED AUGUST. Homburg, Ernst Christoph (Trad. ) / Mottet / Répertoire / Choeur Mixte

Par HOMILIUS GOTTFRIED AUGUST. Motetten - Verwendung / Anlässe: Psalmvertonungen - Verwendung / Kirchenjahr: Wei cor achten - / Mottet / Répertoire / Choeur Mixte

Par HOMILIUS GOTTFRIED AUGUST. Instrumentalmusik zu Kirchenliedern - Verwendung / Kirchenjahr: Pianoingsten -/ Répertoire / Choeur Mixte

Par HOMILIUS GOTTFRIED AUGUST. Instrumentalmusik zu Kirchenliedern -/ Répertoire / Choeur Mixte

Par HOMILIUS GOTTFRIED AUGUST. Instrumentalmusik zu Kirchenliedern -/ Répertoire / Choeur Mixte

Par HOMILIUS GOTTFRIED AUGUST. Instrumentalmusik zu Kirchenliedern -/ Répertoire / Choeur Mixte

Par HOMILIUS GOTTFRIED AUGUST. Gattungen: Motetten - Verwendung / Kirchenjahr: Wei cor achten - / Mottet / Répertoire / SATB