Sarc

Cette partition SARC de Ohana Maurice a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB2084. Cette oeuvre d'une durée de 00:05:00 est idéale pour les musiciens pratiquant Hautbois. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Hautbois / Partition

Cheryl Frances-Hoad's Sarcanthus for Tenor Saxophone.Commissioned by saxophonist Matt London and generously funded by an RVW Trust commission award. Premiered by Matt London (saxophone) and David Howard (piano) at the World Saxophone Congress XVI St Leonards Auditorium St Andrews July 2012.

Serge Gainsbourg (Auteur) / Auteur, compositeur, chanteur, photographe et metteur en scène, Serge Gainsbourg a écrit le roman d'un peintre, Evguénie Sokolov. Un peintre génial et solitaire. Mais quel est le secret de son génie, de ce vibrato du dessin, de cette manière " sismographique " qui fait sa gloire ? C'est ce mystère que révèle le roman. Un style froid et précis ajoute à la provocation d'un récit qui expose le destin le plus insolite que l'on puisse imaginer. Sarcastique et drôle, pour raconter une tragique histoire, Serge Gainsbourg nous propose en fait une " allégorie ".

After being given a year to live, 17-year old Zach Sobiech wrote a powerful goodbye song that quickly gained international attention in the form of celebrity tribute videos and other high-profile covers. Zach passed away in 2013, but his legacy lives on in this positive message of hope. A portion of the royalties from this arrangement will be donated to the Zach Sobiech Osteosarcoma Fund. / Choeur Mixte (SATB)

After being given a year to live, 17-year old Zach Sobiech wrote a powerful goodbye song that quickly gained international attention in the form of celebrity tribute videos and other high-profile covers. Zach passed away in 2013, but his legacy lives on in this positive message of hope. A portion of the royalties from this arrangement will be donated to the Zach Sobiech Osteosarcoma Fund. / 2 Parties Mixtes

Fanfarer-Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard in 1948. Instrumentation: 3.2.2.2/4.3.3.1/timp/2 perc/org/str. Parts are available on hire: hire@ewh.dk This extremely short orchestral piece was composed 7 May1948 in Ribe. Exactly between 5:45 and 6:45 in the morning(“normal time”). Rued Langgaard indicates the time of dayin both the sketch for the composition and the fair copy of thescore. Fair-copying of the score took place on 10 May 4:30 to6:00 in the morning (“summertime”) after it should be noted Langgaard had taken his obligatory morning constitutional inRibe (he suffered from insomnia and arose in the early morninghours). After the work’s final measure Langgaard wrote:“Short razor-sharp line of thought in music excluding allextraneous ‘developmental’ fussiness and with lightning fastmovement in all the parts”. The same day 10 May he sent thescore as program suggestion to the State Broadcasting Servicein Copenhagen under the title Denmark’s Radio Fandfare forGrand Orchestra – “fandfare” as a sarcastically meant spellingmistake with an allusion to “the Devil” (fanden = the Devil inDanish). Langgaard had as is known an ambivalent relationshipwith the State Broadcasting Service. The work was not acceptedand the score was therefore returned to Langgaard whonevertheless submitted it again. The State Broadcasting Serviceclearly regarded the piece as a joke from the composer’s side.When Langgaard died in 1952 the unperformed score was tobe found in broadcasting corporation’s music

The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)

Par KRZANOWSKI ANDRZEJ. Composed in Czechowice-Dziedzice, in 1984, Relief I for accordion opens a cycle of nine works for solo or chamber forces. This work is of a sarcastic character, and its multi-segmented form consists of the alternating of dissonant ?quick? segments, dominated by sevenths, with two-part dolce segments led in contrary motion, as well as series of chords repeated with a surprising nebbioso (nebulous). Relief I is a work full of nervous tension, meticulously built up, and broken variant phrases, with a striking conclusion on a falling cluster, ending with an F sharp major chord ? like the many faces of a clown: thumbing its nose, sneering, reflective, mocking, pulling silly faces and? triumphing. This composition was dedicated to friends from France ? the Menards and their children. It was first performed by the composer during the Summer Courses for New Music in Darmstadt, in August 1988. / Date parution : 2022-11-08/ Recueil / Accordéon