Music For Royal Occasions - Satb

SKU: CA.2709669

ISBN 9790007239800. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and parts available separately - see item CA.2709600.

SKU: CA.2709611

ISBN 9790007239831. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

SKU: CA.2709631

ISBN 9790007239848. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

SKU: CA.2709600

ISBN 9790007186272. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc.

SKU: CA.2709619

ISBN 9790007239794. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and parts available separately - see item CA.2709600.

SKU: CA.2709603

ISBN 9790007187644. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score available separately - see item CA.2709600.

SKU: CA.2709648

ISBN 9790007239862. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

SKU: CA.2709605

ISBN 9790007186289. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score available separately - see item CA.2709600.

SKU: CA.2709647

ISBN 9790007239855. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

SKU: CA.2709649

ISBN 9790007239879. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

SKU: AP.50210

UPC: 038081573809. English.

This, the first of Handel's four Coronation Anthems, has been a cherished part of crowning British royalty from George II in 1727 to the current sovereign, Charles III. Commemorate the grand occasion with this condensed version of the majestic Baroque masterwork. Available in three fresh editions designed with student choirs in mind. Perform with the accessible piano reduction, or combine with your school orchestra (strings, brass, and timpani) for a regal fanfare.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SKU: BR.OB-5593-11

Royal Funeral Music

ISBN 9790004344309. 10 x 12.5 inches.

For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog.Have a look into the piano vocal score.

Royal Funeral Music.

SKU: BR.OB-5593-30

Royal Funeral Music

ISBN 9790004344859. 10 x 12.5 inches.

For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog.Have a look into the piano vocal score.

Royal Funeral Music.

SKU: BR.EB-8913

Royal Funeral Music

ISBN 9790004185797. 7.5 x 10.5 inches.

For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog. Have a look into the piano vocal score.

Royal Funeral Music.

SKU: BR.OB-5593-19

Royal Funeral Music

ISBN 9790004344330. 10 x 12.5 inches.

For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog.Have a look into the piano vocal score.

Royal Funeral Music.

SKU: BR.OB-5593-15

Royal Funeral Music

ISBN 9790004344316. 10 x 12.5 inches.

For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog.Have a look into the piano vocal score.

Royal Funeral Music.

SKU: BR.OB-5593-27

Royal Funeral Music

ISBN 9790004344354. 10 x 12.5 inches.

For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog.Have a look into the piano vocal score.

Royal Funeral Music.

SKU: BR.OB-5593-23

Royal Funeral Music

ISBN 9790004344347. 10 x 12.5 inches.

For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog.Have a look into the piano vocal score.

Royal Funeral Music.

SKU: BR.OB-5593-16

Royal Funeral Music

ISBN 9790004344323. 10 x 12.5 inches.

For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog.Have a look into the piano vocal score.

Royal Funeral Music.