Matériel : Conducteur
Description Classics To Moderns: Early Advanced A large selection of Piano literature, from the baroque to the modern, is presented in a variety of forms, colours, and expressions. Songlist Air And Variations (Suite No.1) [Handel, George Frideric] Album Leaf Op.2 No.4 [Smetana, Bed ich] Allegro Assai (Sonata In D Minor) [Bach, Carl Philipp Emanuel] Andante Con Variazioni From Sonata Op 26 [Beethoven Ludwig Van] Appassionato [Liszt, Franz] Armenian Dance (Khatchaturian) Bagatelle In C Minor Op.119 No.5 [Beethoven, Ludwig Van] Bagatelle Op.6 No.2 (Bartok) Clair De Lune (Suite Bergamasque) [Debussy, Claude] Conversation Piece Op.85 No.11 [Dvo ák, Antonín] Echo (French Overture) [Bach, Johann Sebastian] Fantasia [Telemann, George Philipp] Fantasia In D Minor K.397 [Mozart, Wolfgang Amadeus] Fantastic Dance No.3 [Shostakovitch, Dmitri] Fantasy Piece Op.3 No.3 [Schumann, Robert] First Arabesque [Debussy, Claude] Friendly Landscape (Waldscenen Op.82 No.5) [Schumann, Robert] Fugue No.21 (The Well-Tempered Clavier Book 1) [Bach, Johann Sebastian] Gavotte Op.32 No.3 [Prokofiev, Sergei] Gigue (Suite No.4) [Handel, George Frideric] Humoreske Op.61 No.2 [Grieg, Edvard] Impromptu Op.142 No.2 [Schubert, Franz] Intermezzo Op.118 No.2 [Brahms, Johannes] L Egyptienne [Rameau, Jean Philippe] La Bandoline [Couperin, Francois] La Linotte Effarouchée (The Startled Bird) [Couperin, François] Menuet (Sonatine) [Ravel, Maurice] Minueto (Danzas Espanoles) [Granados, Enrique] Nocturne Op.32 No.1 [Chopin, Frédric] Once Upon A Time Op.44 No.3 [Reger, Max] Ouverture (Suite In G Minor) [Handel, George Frideric] Postludium (Winterreigen Op.13) [Dohnányi, Erno Von] Prelude (Suite No.5) [Purcell, Henry] Prelude No.2 In A Minor (24 Preludes Op.38) [Kabalevsky, Dmitri] Prelude No.21 (The Well-Tempered Clavier Book 1) [Bach, Johann Sebastian] Prelude Op.2 No.16 [Scriabin, Alexander] Presto (Sonata No.40) [Haydn, Joseph] Romanze (Faschingsschwank Aus Wien Op.26 No.2) [Schumann, Robert] Rondeau (Partita No.2) [Bach, Johann Sebastian] Scherzino (Pictures From An Exhibition) [Mussorgsky, Modest] Scotch Poem (Op. 31, No. 2) [Macdowell, Edward] See-Saw (Seven Sketches Op.9) [Bartók, Béla] Sinfonia No.7 In E Minor BWV 793 [Bach, Johann Sebastian] Sonata In C [Scarlatti, Domenico] Sonata In G [Scarlatti, Domenico] Sonata K.312 [Mozart, Wolfgang Amadeus] Song Without Words Op.102 No.3 [Mendelssohn, Felix] Song Without Words Op.102 No.4 [Mendelssohn, Felix] Tempo Di Menuetto (Sonata No.22) [Haydn, Joseph] The Elf (Op.127 No.17) [Schumann, Robert] Two German dances [Beethoven, Ludwig Van] Two Landler [Schubert, Franz] Two Waltzes Op.39 No's.1-2 [Brahms, Johannes] Valse-Scherzo Op.59 No.2 [Tchaikovsky, Pyotr Ilyich] Waltz In F Minor Op.70 No.2 [Chopin, Frederic]
SKU: CY.CC3135
ISBN 9790530111048. 8.5 x 11 in inches.
Henry Wolking's The Best Dam Trombone Quintet Ever may just be! It is a fun, feel-good piece to perform and to listen to. The undulating rhythms and close harmonies produce a pleasing mood with a hint of a jazz feel. The music gives you a big hug. Here is a description of the work by the composer: In the summer of 2017 my wife and I moved to the Nevada Dam town of Boulder City. The town began as a construction camp in early 1930s for the workers of the Boulder Dam (later renamed the Hoover Dam). The dam is one of the worlds great construction projects of the 20th century and has over a million yearly visitors. My house is less than ten minutes away from the dam, and because the dam in one way or another affects everyone living in this unique Nevada town, my newest trombone quintet (composed in January 2018) is the best, well you get the picture. It is a high energy single movement work inspired by the Hoover Dam and Lake Mead. Ranges are fairly moderate with a high C# in the first trombone at the end. This is a fun romp for five dam fine trombonists. The 4 1/2 minute work is appropriate for advanced performers.
SKU: BA.BA08991
ISBN 9790006565665. 30 x 23 cm inches.
The nine pieces in this second volume of the “Viola Recital Album†augment those appearing in volume 2 of the viola tutor. There the pieces are integrated in ascending order of difficulty, whereas the additional pieces in the “Recital Album†can be handled more freely and inserted at any point for the sake of variety.The volume contains such pieces as Carrie Williams Krogmann's “Rotkehlchens Nachtgesang†(“Robin's nocturneâ€) or Wilhelm Fitzenhagen's “Russisches Lied ohne Worte†(“Russian song without wordsâ€).Eac h piece is accompanied by duo version in which the teacher or an advanced learner can play the second part. There is also a piano part that can be played by the teacher or parents.All the pieces in the four “Viola Recital Albums†represent welcome additions to the already varied repertoire of Egon Sassmannhaus's viola tutor “Early Start on the Violaâ€.Kurt Sassmannshaus is the editor of many string editions in the Bärenreiter catalogue. He continues in the tradition of “Early Start on String Instruments†founded by his father, Egon Sassmannshaus. The new editions mentioned here were developed by Kurt Sassmannshaus in conjunction with his wife Melissa Lusk and his son Christoph Sassmannshaus.
About Baerenreiter's Sassmannshaus
Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.Thi s tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.What makes this method so special? The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.Ensemble playing is encouraged from the very beginning.The method is suitable for single instruction as well as for group and class lessons.The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.The substantial volumes contain comprehensive material and carefully calibrated learning curves. They keep children curious and interested for many months and years.
