Matériel : Partition + Accès audio
In this exciting new video/audio/book combo, Mark Michell, bassist for the progressive-rock band Scale the Summit, breaks down the techniques that make him one of the most skilled bassists on the prog-rock scene.Topics include:Utilizing the full fretboardAnalyzing chordsVoicing chords on BassMixing fretted notes and harmonicsMixing chords and tappingExploring Bass line optionsAnd more!By demonstrating his unique approach to the bass, Michell will help you to unlock your own creative potential! In addition to comprehensive video demonstrations and accompanying notation and tab for each musical example, Advanced Rock Bass includes ten backing tracks, each featuring a unique key center and chord progression, so you can immediately begin to incorporate Michell's techniques into your own playing! / Guitare Basse
SKU: FJ.ST6432S
English.
A rocking celebration of the season! Set in first position with simple rhythms and no slurs, this contemporary arrangement includes the familiar carols Deck the Hall, Hark, the Herald Angels Sing, and Ding, Dong, Merrily On High. Every section of the orchestra is featured and the energetic cello/bass groove is driven by optional drum set and sleigh bells. An exuberant finale for your holiday concert!
About FJH Developing Strings
Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5
SKU: MB.96534M
ISBN 9780786686551. 8.75 x 11.75 inches.
Gleaned from years of teaching, performance, and listening experience -bass players at all levels will benefit from studying the numerous exercises, grooves, and musical examples offered in this book. Whether you are into funk, RandB, fusion, jazz, rock, punk, reggae, alternative music, or any other style; the slap technique will find a niche in your bass playing vocabulary. Chapter headings include: Technique, Hammer-Ons and Pull-Offs, Ghost Notes, Left Hand Slap, Open Strings, Double Slap, Double Stops, Double Pops, Other Licks and Tricks, and Advanced Grooves and Solos Using All Techniques. The author strongly advises the student to play each lesson slowly until the exercise or principle being illustrated is thoroughly mastered. Written in notation and tablature. Includes access to online audio and video.
SKU: CF.CAS111F
ISBN 9781491151679. UPC: 680160909179. 9 x 12 inches.
Composed by Matt Turner, Moonlight Odyssey for string orchestra is a hard-driving piece which takes the listener on an adventure full of rhythmic twists and turns as well as Middle Eastern-flavored melodies.The piece begins rubato with a quiet drone. The soloist should take time at the beginningdont hurry through the introduction. The tremolos in mm. 3 and 7 should shimmerplay very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and precisebe careful not to rush! Cellists and bassists should rock out and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.The piece begins rubato with a quiet drone. The soloist should take time at the beginningadonat hurry through the introduction. The tremolos in mm. 3 and 7 should shimmeraplay very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and preciseabe careful not to rush! Cellists and bassists should arock outa and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.The piece begins rubato with a quiet drone. The soloist should take time at the beginning--don't hurry through the introduction. The tremolos in mm. 3 and 7 should shimmer--play very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and precise--be careful not to rush! Cellists and bassists should rock out and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.The piece begins rubato with a quiet drone. The soloist should take time at the beginning—don†™t hurry through the introduction. The tremolos in mm. 3 and 7 should shimmer—play very quietly but intensely. Exaggerate and move quickly through the crescendo in mm. 12 and 16. The ostinato section beginning in m. 10 should be staccato (as marked) and precise—be careful not to rush! Cellists and bassists should “rock out†and emphasize the accented notes in mm. 50 and 51 to set up the next section. Exaggerate dynamics throughout.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: MB.21382M
ISBN 9780786691883. 8.75 x 11.75 inches.
A comprehensive exploration of revolutionary Chapman Stick and its accompanying tap techniques. A primer on theory will explain all the musical logistics enabling the student to fully gasp the concepts in this book. Mr. Chapmans unique approach to his 12 string invention will be explained by Steve Adelson in respect to chords, melody, improvisations, rhythmic capabilities, counterpoint and bass lines. Novel and standard techniques enabling the player maximum creativity will be outlined in detail with many examples in the text. All levels of playing will be considered and will be helpful for beginner, intermediate as well as advanced playing. This book will bring all these elements together, presenting a thorough study of this very new and exciting instrument. Includes access to online video.
