Matériel : Vocal Score
Lutos awski: Strawchain and Other Songs was written in 1951 for Polish Radio, Strawchain and Other songs presents a series of contrasting songs about nature and people. Strawchain itself is a set of variations where the Piano weaves around the unchanging melody.Lutos awski's idiom is carefully crafted with short, memorable motifs and imaginative responses to the mixture of Polish traditional poems and contemporary writers. Arranged and translated into English by Marie Pooler.The full score of the original orchestration is available for sale, order number: SOS03307. / Choeur A 2 Parties Et Piano
SKU: HL.14042883
ISBN 9781783054336.
< strong>Witold Lutoslawski: Strawchain & Other Songs was written in 1951 for Polish Radio, Strawchain & Other Songs presents a series of contrasting songs about nature andpeople. Strawchain itself is a set of variations where the Piano weaves around the unchanging melody.
Lutoslawski's idiom is carefully crafted with short, memorable motifs and imaginativeresponses to the mixture of Polish traditional poems and contemporary writers. Arranged and translated into English by Marie Pooler.
The full score of the original orchestration is available for sale, order number:SOS03307.
SKU: HL.132846
UPC: 884088976804.
SKU: HL.49033377
ISBN 9790001139427.
This edition includes 20 easy songs for guitar. It even invites beginners with only a few months' practice to play.Apart from old and new German songs you will also find popular tunes from England, France, Spain and the USA.The selected songs are suitable for teaching, student performances and making music at home. All tunes are written in keys which are easy to sing and play and can be performed - in addition or in turns - with another melody instrument (recorder, violin, mandolin etc.)The accompanying play-along CD gives the players the opportunity to perform their Christmas songs with a rich and polyphonic sound - even without a second musician.
SKU: HL.14010204
ISBN 9780711995932.
The authorship of the six poems used in this song cycle is generally attributed to Petronius Arbiter (died ca AD66), Nero's Arbiter of Elegance and author of the Satyricon, a comic novel with poems interspersed in the prose narrative. William Arrowsmith, author of a translation of the Satyricon wrote that '(The Satyricon)was clearly written not to be read silently but to be read aloud by a trained artist with a voice and virtuosity capable of registering the enormous variety of the work.' It is these considerations which were foremost in Elias' mind whilst writing the work - that they represent a great variety of verse forms and demonstrate a wide range of flexibility and style, and that above all, the Latin itself was very much alive and vibrant. Therefore the tenor part is thoughout the most important aspect of the work even though the orchestra does more than merely accompany. Each of the songs is different from the others and there are no more direct musical links except between III and IV. The music develops throughtout the work, the sixth song containing distant memories of the first.
