SKU: HL.14012098
8.25x11.75x0.058 inches.
Work by 'Les Six' member, Germaine Tailleferre.
SKU: HL.50563314
UPC: 073999675542. 8.75x12.0x0.064 inches.
Contents: AURIC Prelude; DUREY Romance sans paroles; HONEGGER Sarabande; MILHAUD Mazurka; POULENC Valse; TAILLEFERRE Pastorale.
SKU: BT.ALHE28763
French.
from the Piano Concerto
SKU: AP.24667S
UPC: 038081268217. English.
Written for the Bellefonte Community Band, this piece captures the spirit and complexion of this delightful village in central Pennsylvania, including the lovely Victorian homes as well as the bubbling spring for which the town was named. This title is available in MakeMusic Cloud.
SKU: HL.14032578
UPC: 884088815967. 10.5x14.0x0.387 inches.
Work for Piano and Orchestra, here arranged for Two Pianos, composed in Paris in the early 1920's by the female member of 'Les Six'.
SKU: FA.MFGT055
8.27 x 11.69 inches.
Germaine Tailleferre first met Charlie Chaplin when she was living in New York City with her first husband Ralph Barton. Tailleferre and Chaplin spent a great deal of time improvising at the piano and Tailleferre convinced him to write his own themes for the music he used in his films. After her divorce from Ralph Barton, she did not see Chaplin until the early 1950s during a visit he made to Paris. At that time, she wrote this attractive waltz in Chaplin’s own style to give to him as a gift.
SKU: FA.MFGT056
In 1959, Germaine Tailleferre wrote incidental music for a radio drama based on Philippe Jullian’s « Mémoire d’une bergère » or « Autobiography of an armchair » which traced the owners of this armchair from the court of Louis XV to England after the French Revolution, back to Paris and through the hands of various foreign owners (Arabian, American, German etc.). In illustrating this story Tailleferre used her great knowledge of musical styles to evoke these different settings, from the classical styles of French music of the XVIIIth century to classical, romantic, popular French styles as well as two evocations of American Blues/Ragtime music. These short pieces are interesting in and of themselves, in addition to illustrating Jullian’s story. The first piece may be repeated at the end, as it was in the original radio drama.
SKU: CY.CC2953
ISBN 9790530057728.
Ralp h Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Trombone and Piano. Tailleferre was the only female member of the famous French Les Six.1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases. 2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.Togethe r they are total about 5 minutes in length and are appropriate for advanced performers.
SKU: CY.CC2892
Ralph Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Euphonium and Piano. Tailleferre was the only female composer of the famous French Les Six.1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases. 2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.Togethe r they are total about 5 minutes in length and are appropriate for advanced performers.
SKU: FA.MFGT057
During the middle of the 1950s, Tailleferre explored more popular musical styles in a series of works, including her Opéra-minute Un Rouille à l’arsenic », a number of songs written with Claude Marcy and her musical comedy « Parfums ». This slow is from that period and is very influenced by a Jazz piano style, perhaps by her friend Jean Wiener.
SKU: CY.CC2900
Ralph Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Tuba or Bass Trombone and Piano. Tailleferre was the only female composer of the famous French Les Six.1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases. 2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.Togethe r they are total about 5 minutes in length and are appropriate for advanced performers.
SKU: FA.MFGT059
This short piece, which was probably part of a film score from the late 1930s, evokes an elegant « petite femme de Paris » walking her dog on the Grandes Boulevards to the sound of the player pianos coming out of the cafés.
SKU: HL.14035073
ISBN 9788759878194.
Arne Nordheim VIOLIN CONCERTOThe Violin Concerto was composed in 1996 as a commission from the Oslo Philharmonic Orchestra for Arve Tellefsen. The solo part has the leading role in the work and is very difficult to play. The composer and Arve Tellefsen, therefore, were very much in contact with each other during the composition of the work.Arne Nordheim says that for this concerto like in other works he has composed, ideas have come to him so to speak out of nowhere. 'It is as if parts of me are extreme; that which is low down or high up, that which is very weak or very strong'.The composer has himself told how he has worked with gradual condensation and dissolution in the concerto. It is possible to hear continuous changes of mood in the work but the fundamental mood is, according to Nordheim, sadness.
SKU: FA.MFGT058
These four short pieces are from various sources. The incomplete Exercise d’harmonie is the only Conservatory exercise that Tailleferre kept and clearly shows the influence of Wagner at the time of her studies. The Marche funèbre (comique) was probably from a film score in the late 1930s, « Chats » was part of a documentary film score about animals vers 1950 and Course à l’échalotte was also probably from a film score, evoking children’s games.
SKU: BT.ALHE30108
A work for solo piano by Les Six composer Germaine Tailleferre dating from 1928.
SKU: BT.ALHE30109
SKU: HL.49033139
ISBN 9790001133302. German.
(aufgeteilt in verschiedene Ensembles): 2 (auch Picc.) * 2 * 2 Piccoloklar. * 2 (2. auch Esklar. u. Bassklar.) * Altsax. * Tenorsax. * 0 - 0 * Kornett * 2 * 1 * 2 Tenor-Tb. (o. 2 Ofikleiden) * 2 Bombardons (o. 2 Basstb.) - S. (3 Woodoo-drums [Vater/Mutter/Kind] * 3 Holztr. [mit Fell] * Waldteufel * Peitsche [aus Metall] * Chocollo * Tramboline * Pandeira * Pedal Mar. * Cabaca * Reibetr. * Bambusbundel * Metalleffekte [5 verschiedene Ambosse oder hg. Stahlplatten]) (4 Spieler) - Pianola * prap. Klav. (alt u. verstimmt) * Org. ad lib. - Str. (3 * 0 * 0 * 1 * 1)Buhnenmusiken (teilweise von Personen der Buhnenhandlungen zu spielen): Bambusfl. * Okarina * Mundharm. * 3 Maultr. * Mand. * Tenorbanjo (Viersaiter) * Git. * Marimbula (o. Xyl. im Holzkasten) * Glspl. * Trinidad steel-drum (o. Vibr.) * gr. Tr. mit Beck. * Akkord. * Harmon.Nebeninstrumente fur die 6 Bettelmusikanten: Pfeife * Deckel * Autohupe *Kamm * Papiertrichter (Tute) * Ratsche * Rassel(aufgeteilt in verschiedene Ensembles): 2 (auch Picc.) * 2 * 2 Piccoloklar. * 2 (2. auch Esklar. u. Bassklar.) * Altsax. * Tenorsax. * 0 - 0 * Kornett * 2 * 1 * 2 Tenor-Tb. (o. 2 Ofikleiden) * 2 Bombardons (o. 2 Basstb.) - S. (3 Woodoo-drums [Vater/Mutter/Kind] * 3 Holztr. [mit Fell] * Waldteufel * Peitsche [aus Metall] * Chocollo * Tramboline * Pandeira * Pedal Mar. * Cabaca * Reibetr. * Bambusbundel * Metalleffekte [5 verschiedene Ambosse oder hg. Stahlplatten]) (4 Spieler) - Pianola * prap. Klav. (alt u. verstimmt) * Org. ad lib. - Str. (3 * 0 * 0 * 1 * 1)Buhnenmusiken (teilweise von Personen der Buhnenhandlungen zu spielen): Bambusfl. * Okarina * Mundharm. * 3 Maultr. * Mand. * Tenorbanjo (Viersaiter) * Git. * Marimbula (o. Xyl. im Holzkasten) * Glspl. * Trinidad steel-drum (o. Vibr.) * gr. Tr. mit Beck. * Akkord. * Harmon.Nebeninstr umente fur die 6 Bettelmusikanten: Pfeife * Deckel * Autohupe *Kamm * Papiertrichter (Tute) * Ratsche * Rassel.
SKU: HL.44012730
9x12 inches. English-German-French-Dut ch.
Christmas as celebrated in England is a relatively newtradition dating from the time of Queen Victoria. Herhusband Prince Albert was from Germany and he broughtmany German Christmas traditions with him, including theChristmas tree and Christmascards, and even carols such asHark, the Herald Angels Sing. Philip Sparke has however useda varied selection of English melodies to arrange into his?Festival of Carols?.The choir parts are seperately available (order no. AMP 227-050). Christmas as celebrated in England is a relatively new tradition dating from the time of Queen Victoria. Her husband Prince Albert was from Germany and he brought many German Christmas traditions with him, including the Christmas tree and Christmas cards, and even carols such as Hark, the Herald Angels Sing. Philip Sparke has however used a varied selection of English melodies to arrange into his Festival of Carols. The choir parts are seperately available (order no. AMP 227-050).Hoewel de Engelsen een lange traditie kennen in het zingen van carols zijn veel van de melodieen die er worden gezongen afkomstig van het Europese vasteland - of uit Amerika. Desondanks heeft Philip Sparke een gevarieerde selectievan Engelse melodieen kunnen samenstellen voor dit prachtige 'Festival of Carols' - dat zowel met als zonder koor kan worden uitgevoerd.Weihna chten, wie es heute in England gefeiert wird, ist eine relativ junge Tradition aus dem 19, Jahrhundert, die der deutsche Ehemann von Konigin Victoria mit in seine neue Heimat brachte. Viele gebrauchliche Weihnachtslieder stammen ebenfalls nichtaus England. Philip Sparke gelang es jedoch, eine abwechslungsreiche Sammlung von Liedern aus seiner Heimat zu diesem schonen englischen Weihnachtslieder-Festival zu formen.Die optional einsetzbaren Chorstimmen sind unter der Artikelnummer AMP227-050 separat erhaltlich. << La plupart des traditions de Noel en Angleterre sont relativement recentes. Montee sur le trone en 1837, la reine Victoria (nee de Hanovre) regnera jusqu'a sa mort en 1901. En 1840, elle epousa son cousin, le prince Albert de Saxe-Cobourg-Gotha. Leprince consort, originaire d'Allemagne, importa bon nombre de traditions de Noel allemandes au Royaume-Uni. Ainsi, il fit decouvrir aux Anglais la coutume du sapin et les cartes de Noel, entre autres, contribuant largement au Noel typiquement anglaistel que nous le connaissons aujourd'hui.Bien que les chants de Noel font l'objet d'une longue tradition en Angleterre, de nombreuses melodies que nous chantons proviennent ducontinent europeen ou des Etats-Unis. Je savais bien que le celebrissimeSilent Night (Douce nuit) etait d'origine autrichienne et que Hark, the Herald Angels Sing (Ecoutez le chant des Anges) etait d'origine allemande. Pourtant, quelle ne fut pas ma surprise d'apprendre qu'Away in a Manger (Sur la paillefraiche) ou encore We Three Kings nous venaient des Etats-Unis et que Ding, Dong Merrily on High etait un noel d'origine francaise. Quoiqu'il en soit, j'ai reussi a constituer un canevas de melodies anglaises pour realiser cefestival de chants de Noel. >>Philip SparkeRemarques sur l'interpretation : Cet arrangement est adapte pour une interpretation avec ou sans Chœur. S'il est joue par un Brass Band, les parties vocales seront doublees par des partiesinstrumentales.Les tempi indiques correspondent a une interpretation par un Brass Band seul. Si l'œuvre est donnee avec un Chœur, il est sans doute necessaire de baisser le tempo en fonction du nombre de choristes et de l'acoustique du lieude concert.Les parties de Chœur (en anglais) sont disponibles separement (Ref. : AMP 227-050). The choir parts are seperately available (order no. AMP 227-050).
SKU: BT.DHP-1104947-010
9x12 inches.
An der schönen blauen Donau (The Blue Danube Waltz) has had more success as a concert waltz than in the original choral version: since its victorious performance at the World Exhibition in Paris (1867) it has achieved fame world-wide. InAustria An der schönen blauen Donau has even become an unofficial anthem. At the traditional New Year’s concert given by the Vienna Philharmonic, this waltz—along with Radetzky March by Johann Strauss the Elder—is always played as anencore.Als concertwals heeft An der schönen blauen Donau meer succes dan in de oorspronkelijke koorversie: na de glorieuze uitvoering bij de Wereldtentoonstelling in Parijs (1867) werd de wals wereldberoemd. In Oostenrijk werd An der schönenblauen Donau zelfs tot officieus volkslied uitverkoren. Bij het traditionele nieuwjaarsconcert van de Wiener Philharmoniker wordt deze wals (naast de Radetzkymars van Johann Strauss sr.) altijd als toegift gespeeld.Als Konzertwalzer hatte An der schönen blauen Donau mehr Erfolg als in der ursprünglichen Chorversion: Nach der siegreichen Aufführung bei der Weltausstellung in Paris (1867) erlangte der Walzer Weltruhm. In Österreich wurde An der schönenblauen Donau gar zur inoffiziellen Hymne erkoren. Beim traditionellen Neujahrskonzert der Wiener Philharmoniker ist dieser Walzer (neben dem Radetzky-Marsch von Johann Strauss, Vater) stets als eine der Zugaben zu hören.Composà © en 1866, An der schönen blauen Donau (Le beau Danube bleu) connut un échec cinglant lors de la première. En effet, les paroles de cette valse chantée étaient ce point ridicules, que le public se désintéressa de l’oeuvre, mais ellefut interprétée dans une version pour orchestre seul lors de l’Exposition universelle de Paris, en 1867, où elle remporta un vif succès. Le beau Danube bleu est devenu l’hymne officieux de l’Autriche. Avec la célèbre Marche de Radetzky,de Johann Strauss I, il constitue l’un des bis du traditionnel Concert de Nouvel An de l’Orchestre Symphonique de Vienne. Et pourquoi pas le bis de votre concert ?Il valzer da concerto Sul bel Danubio blu ebbe un successo maggiore della versione corale originale: questo valzer, dopo la vittoriosa rappresentazione nell’ambito dell’Esposizione Universale di Parigi (1867), raggiunse fama mondiale. InAustria Sul bel Danubio blu divenne persino l’inno non uffi ciale. Durante il Concerto di Capodanno della Filarmonica di Vienna questo valzer fa sempre parte dei bis (oltre alla Marcia di Radetzky di Johann Strauss padre).
