Matériel : Conducteur
SKU: CL.032-3502-01
Have a outstanding alto player you'd like to feature? Then this Les Hooper chart could be perfect. Written in G, this terrific tune has an Earth, Wind & Fire type of feel and plenty of room for your altoist to stretch out. Featured by the Les Hooper Big Band on their new CD Out Of The Woods, It requires good horn sections and a rhythm section capable of maintaining the super cool groove. Outstanding in every respect!
SKU: M7.MF-2057-01
ISBN 9783795790271.
Dies e Ausgabe bietet gleich zwei Hefte in einem: Klavierarrangement sowie Melodieausgabe für Klavier, Keyboard, Gitarre, Gesang, Flöte oder Violine zum Herausnehmen. Keyboarder, Pianisten, Gitarristen und Sänger werden ihre Freude daran haben. Alle MIDI-Files der CD gibt es auf der Webiste von Schott Music auch als kostenpflichtige Downloads. Die MIDI-Files sind in Tonart / Geschwindigkeit passend zu den Top100-Arrangements optimiert! Aufgepasst Hot Summer Special!Die MIDI-Files zu California Gurls (Katy Perry feat. Snoop Dogg) befindet sich nicht auf der beilegenden CD, sondern ab sofort für kurze Zeit exklusiv and kostenlos unter schott-music.com/top100.< /p>
SKU: HL.142050
ISBN 9781495011252. UPC: 888680047191. 9.0x12.0x0.4 inches.
With just 4 chords, you can play 50 hot songs on your ukulele! Songs include: Brown Eyed Girl • Do Wah Diddy Diddy • Forever & Always • Hey Ya! • Ho Hey • I Love a Rainy Night • If I Had $1,000,000 • Jessie's Girl • Let It Be • One Love • Please Mr. Postman • Stand by Me • Toes • With or Without You • and many more.
SKU: HL.282481
ISBN 9781540034380. UPC: 888680789251. 9.0x12.0x0.965 inches.
The 1990s saw the rise of R&B, boy bands and alternative rock as the 20th century came to a close. This collection features 80 songs from the decade arranged for easy piano with lyrics: Always Be My Baby * As Long As You Love Me * ...Baby One More Time * Black Velvet * Can You Feel the Love Tonight * Dreams * Fields of Gold * Friends in Low Places * Good Riddance (Time of Your Life) * How Am I Supposed to Live Without You * I Need to Know * I'm the Only One * Ironic * Livin' La Vida Loca * Losing My Religion * More Than Words * Only Wanna Be with You * Smells like Teen Spirit * Smooth * Tears in Heaven * Under the Bridge * You Must Love Me * You're Still the One * and more.
SKU: PR.362034230
ISBN 9781598069556. UPC: 680160624225. Letter inches. English.
When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental.When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?” THE CREATION already contains a prologue; it’s called “Representation of Chaos”, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos” was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overture”, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres” universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent” until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!”, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.” I love that phrase, and it’s in that spirit that I offer my humble “opener” to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear.
SKU: HL.232108
ISBN 9781783052738. UPC: 888680677329. 4.5x7.5x0.899 inches.
Complete lyrics and chords to 195 Beatles songs, including: Across the Universe • All My Loving • All You Need Is Love • And I Love Her • Back in the U.S.S.R. • The Ballad of John and Yoko • Birthday • Blackbird • A Day in the Life • Day Tripper • Dear Prudence • Drive My Car • Eight Days a Week • Eleanor Rigby • Good Day Sunshine • Got to Get You into My Life • A Hard Day's Night • Help! • Helter Skelter • Here Comes the Sun • Hey Jude • I Saw Her Standing There • I Want to Hold Your Hand • In My Life • Let It Be • The Long and Winding Road • Lucy in the Sky with Diamonds • Penny Lane • Revolution • Something • Ticket to Ride • Twist and Shout • When I'm Sixty-Four • While My Guitar Gently Weeps • Yellow Submarine • Yesterday • and more. 4-1/2 inches x 7-1/2 inches.
SKU: BT.MUSAM1000868
ISBN 9781849385893.
This great songbook features a selection of the best music from Season 1 of the hit show Glee. Re-live all the great moments as a group of ragtag performers is transformed into a Show Choir Nationalscompetingteam.Features time-proven classics as well as modern hits, including the Bill Withers soul classic, Lean On Me, My Life Would Suck Without You by Kelly Clarkson, Cyndi Lauper's hit, TrueColoursand the hit single, Don't Stop Believin', originally by Journey.
SKU: BA.BA11043
ISBN 9790006543229. 33.5 x 25.5 cm inches.
Manfred Trojahn on the origin and title of his impressive virtuoso solo work:Admittedly I do not know if he had seagulls, but since Mendelssohn was born in Hamburg, he will not have gone through life without at least the impression of the cry of seagulls. Nor do I know if seagulls played any part in his life in Rome. I myself was astonished when, one or two years ago in the Villa Massimo, I was, not exactly annoyed but disturbed by the strong rhythmical cry of seagulls. I was just about to write a bassoon solo when the seagulls started. Then the idea came to me that precisely this sequence of notes could serve as the basis of the work. And the sequence for the bassoon solo is, in turn, the basis of the piece for violoncello - this is how titles are born... Of course the violoncello meanders with virtuosic ease from the seagull motif to the 'elf-like' skittering brought to music by Mendelssohn and used time and again in his compositions, finally becoming a cabaletta. Now, cabalettas are not very representative of Mendelssohn, but as I was composing I definitely wanted to put a cabaletta in this passage. I am sure Mendelssohn and I will easily agree on this, especially since later justice is done to him in the rapid passages and, of course in the tonal cadenza at the very end, which is more indicative of his time than of mine ... isn't it?
SKU: WD.080689943126
UPC: 080689943126.
THE VERY SIMPLY SERIES from WORD MUSIC once again brings you a dynamic and moving seasonal musical for Unison and optional 2-Part Choir. Hallelujah! He Is Risen! declares the majesty and power of our Savoir's resurrection and celebrates the victorious life we have in Christ.Easy-to-Learn and Easy-to-Sing are the hallmarks of this popular series from Word Music, built on a foundation of great arrangements from some of today's leading arrangers and repurposed into a Unison Choir format. Featuring accompaniment tracks that will make your choir sound bigger than life (along with an accompanying DVD designed to give your presentation the same flair and impact you would normally expect to find in much bigger productions), Hallelujah! He Is Risen! is sure to distinguish your choir from the rest and allow your music ministry to far exceed everyone's expectations of what is possible to achieve! Let the easy-learn-easy-sing unison format of Hallelujah! He Is Risen! and the VerySimply Word Series enhance your choir's ability and give you the leadership resource you need to help them present their most powerful Easter presentation ever.Song Titles: Risen Today * Jesus Died My Soul to Save with Nothing but the Blood * The Cross of Christ * The Love of Christ (Underscore) * Crown Him with Many Crowns * I Know that My Redeemer Lives * Risen Today (Reprise).
SKU: GI.G-003071
The Psalms without Words series was developed for instrumentalists in finding their own distinctive musical voice by conveying the spirit of the psalm texts. The first piece, “Reverie–Psalm 23:6 I will dwell in the house of the Lord all the days of my life” is reminiscent of Satie’s Gymnopedies. “Rondo–Psalm 122:1 Let us go rejoicing to the house of the Lord” is a spirited dance with a references to Mozart’s “Rondo alla Turca”. .
SKU: CY.CC3075
ISBN 9790530110522. 8.5 x 11 in inches.
Ralph Sauer has transcribed six of Mendelssohn's many Songs Without Words for Tuba or Bass Trombone. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and technical accessibility. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously unmined resource and added immeasurably to the Tuba & Bass Trombone repertoire.
SKU: CY.CC2613
Ralph Sauer has transcribed six of Mendelssohn's many Songs Without Words for Euphonium. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility technically . The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously unmined resource and added immeasurably to the Euphonium repertoire.
For advanced performers in Bass Clef.
SKU: HL.249573
ISBN 9781540005571. UPC: 888680711528. 6.0x9.0x0.396 inches. Ukulele Chord Songbook.
This series features convenient 6″ x 9″ books with complete lyrics and chord symbols above the lyrics for dozens of great songs. Each song also includes chord grids at the top of every page, and the first notes of the melody for easy reference. These books are perfect for people who don't read music but want to strum chords and sing, and are equally ideal for more advanced, music-reading ukulele players who don't feel like wading through note-for-note notation. This easy collection features 60 songs you can play with just four chords: Brave • Careless Whisper • Cecilia • Drift Away • Every Rose Has Its Thorn • Fields of Gold • Good Riddance (Time of Your Life) • Hey, Soul Sister • Ho Hey • Last Kiss • Let It Be • Mean • Peaceful Easy Feeling • Renegades • Stand by Me • Teach Your Children • Toes • Viva La Vida • What's Up • Zombie • and many more.
SKU: HL.346730
ISBN 9781540094797. UPC: 840126925111. 9.0x12.0x0.329 inches.
Do-It-Yours elf Guitar is a fun way to get started playing on your own. Using over 90 well-known pop and rock tunes, you will be given step-by-step instructions on what you need to know to get started and sounding like a pro in no time. Includes over 150 audio tracks for demonstration and play-along, plus video instruction that covers all concepts within! Covers: Guitar fundamentals; reading guitar tablature; fret-hand and pick-hand techniques; chords & chord progressions; scales; techniques for acoustic and electric guitar; lead guitar; fingerstyle guitar; playing styles of famous guitarists; demonstraton and play-along audio tracks; video instruction and demonstration; and more! The price of this book includes access to audio and video online, for download or streaming, using the unique code found inside. Includes PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right–available exclusively from Hal Leonard.
SKU: HL.1157490
ISBN 9781705187203. UPC: 196288120902. 6.75x10.5x0.045 inches.
These are the musical ravings of a slightly deranged person reminding themselves to trust the process--after all, what good is a life without surprises? There is an unrelenting rhythm, to be sure, but the accents are off kilter, the piano in clusters, and sometimes the tenors and sopranos sing two clashing melody lines simultaneously, all at a tempo that could easily become a runaway train.
SKU: HL.400061
ISBN 9781596153585. UPC: 077712334112. 9x12 inches.
Performed by Elaine Douvas, oboe Accompaniment: Erik Nielsen, piano This wonderful album for the beginning to early intermediate oboe player includes thirteen pieces ranging from Boccherini to Grieg to Richard Strauss to William Walton. Says James Roe of The Double Reed: “With the poise of a great virtuoso, [Ms. Douvas] approaches these 'easy' pieces as she would a solo line in a great symphony...the richness of her tone, the variety in her articulation, and the beauty and clarity of her line all represent the very best example for students as they develop their concept of playing. And it's all pretty inspiring for us professional oboists as well.” Ms. Douvas's extensive performance notes “are a delight, and will be inspiring to students and an important aid to teachers.” Includes a complete printed solo part annotated with performance suggestions and access to online recordings with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist.