Lieder for High Voice

Schubert's Lieder provide a wealth of German songs which are regularly performed by many vocalists across the world. Volume one of Schubert's Lieder contains Die Schone Mullerin D.795 Die Winterreise D.911 and Schwanengesang D.957.This highly authoritative Urtext edition of Schubert's Lieder has been edited by Dietrich Fischer-Dieskau and revised by Elmar Budde. For High Voice with Piano accompaniment.

For High Voice-Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. ?A Taste of Schubert? presents one to three pieces from each volume to create a cross-section of Schubert?s complete lieder ?uvre. Lieder from his famous cycles are included as well as ?Sehnsucht? of which he wrote several settings.

Accompaniment: John Wustman piano Gorgeous high-voice German Lieder from Franz Schubert the master of the form. These are all classics of their genre and you can join renowned accompanist John Wustman to hone your own interpretations! Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece.

Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D

Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this period an assistant teacherat his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:Medium Voice & Piano BA 9126Low Voice & Piano BA 9146

Johannes Brahms' Complete Songs - Volume 1 (High Voice) includes 51 songs for High Voice and Piano accompaniment.
1. Alte Liebe, Op. 72 No. 1
2. Am Sonntag Morgen Op. 49 No. 1
3. An den Mond, Op. 71 No. 2 (Text: K. Simrock)
4. An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty)
5. An ein Veilchen, Op. 49 No. 2 (Text: L.C.H. Hölty)
6. An eine Äolsharfe, Op. 19 No. 5
7. Auf dem Kirchhofe, Op. 105 No. 4
8. Bei dir sind meine Gedanken (No. 2 from Sieben Lieder, Op. 95)
9. Botschaft, Op. 47 No. 1
10. Das Mädchen spricht, Op. 107 No. 3
11. Der Gang zum Liebchen, No. 1, Op. 48
12. Der Jäger (No. 4 from Sieben Lieder, Op. 95)
13. Der Kranz, Op. 84 No. 2
14. Der Schmied Op. 19
15. 4
16. Des Liebsten Schwur (No. 4 from Neun Gesänge, Op. 69)
17. Die Kränze, Op. 46 No. 1
18. Dort in den Weiden, Op. 97 No. 4
19. Es liebt sich so lieblich, Op. 71 No. 1
20. Feldeinsamkeit, Op. 86 No. 2
21. Geheimnis, Op. 71 No. 3
22. Heimkehr, Op. 7 No. 6
23. Heimweh, Op. 63 No. 8
24. Immer leiser wird mein Schlummer, Op. 105 No. 2
25. In Waldeseinsamkeit, Op. 85 No. 6
26. Komm bald, Op. 97 No. 5 (Groth)
27. Liebestreu, Op. 3 No. 1
28. Mädchenlied (No. 6 from Sieben Lieder, Op. 95)
29. Mädchenlied, Op. 107 No. 5
30. Mädchenlied, Op. 85 No. 3
31. Meerfahrt, Op. 96 No. 4
32. Meine Liebe ist grün, Op. 63 No. 5
33. Minnelied Op. 71 No. 5
34. Nachtigall, Op. 97 No. 1
35. Nachtwandler, Op. 86 No. 3
36. O liebliche Wangen, Op. 47 No. 4
37. Salamander, Op. 107 No. 2
38. Sapphische Ode, Op. 94 No. 4
39. Schon war, das ich dir weihte (No. 7 from Sieben Lieder, Op. 95)
40. Serenade, Op. 70 No. 3
41. Sommerabend, Op. 84 No. 1
42. Sonntag, Op. 47 No. 3
43. Ständchen, Op. 106 No. 1
44. Tambourliedchen (No. 5 from Neun Gesänge, Op. 69)
45. Therese, Op. 86 No. 1
46. Trennung, Op. 97, No. 6
47. Treue Liebe, Op. 7, No. 1
48. Vergebliches Ständchen, Op. 84 No. 4
49. Wie Melodien zieht es mir, Op. 105 No. 1
50. Wiegenlied, Op. 49 No. 4 (Lullaby)
51. Wir wandelten, wir zwei zusammen Op. 96 No.2
/ Partitions classique / Vocale - chorale / Voix solo - piano / EDITION PETERS

Par . Edited by Ilaria Narici, Ricordi's Ausgewählte italienische Lieder (Essential Italian Art Songs) present songs from the 19th and 20th centuries. Available for high and low voice, Ausgewählte italienische Lieder is perfect for students, teachers and art song overs as the collection comes with biographical information, text translation in Italian, German and English, and recorded diction lessons and accompaniments which are available to stream online. / Date parution : 2023-06-01/ Recueil / Voix Haute et Piano

A folio of ten lieder by one of the greatest composers of the modernist era selected for High Voice and Piano.

Hohe Stimme / High Voice-Walther Dürr one of the most distinguished Schubert-scientists publishes an addition to the new Urtext-edition of Schubert-songs in high middle and low range.