Cette collection célèbre un des artistes de plus populaires et les plus prolifiques du monde. Fonctionnalités 25 des chansons plus aimés de John avec son commentaire sur chacun : chanson de Annie - Fly Away - laissant dans un avion à réaction - Rocky Mountain High - Sunshine sur mes épaules - Take Me Home, routes - Dieu merci, je suis un garçon de pays - et plus, plus une biographie, discographie, réflexions sur les nombreuses réalisations de John et des photos couvrant l'ensemble de sa carrière. / Piano/Vocal/Guitare (PVG)
SKU: KJ.WB476F
UPC: 084027047606.
About Kjos Concert Band Legacy
The Neil A. Kjos Music Company's legacy of producing superb literature for concert band spans its entire 80 year history. We're proud to honor that legacy by continuing to publish compositions of the utmost quality at all grade levels in the Kjos Concert Band Legacy series. Each composition is carefully selected and edited to provide the best in wind band literature by both celebrated and rising composers of today. Skillful engraving with logical page turns, measure numbers, rehearsal marks, essential cueing, and other useful indications ensure that the rehearsal process runs smoothly, so bands can focus on making great music.
SKU: KJ.WB476
UPC: 84027047490.
SKU: CZ.9798396181786
ISBN 9798396181786.
Disc over the spirit of America with Thirty Famous Patriotic Songs for Piano Accompaniment (Winds), a remarkable collection of melodies that celebrates the land of the brave and the home of the free. This comprehensive book brings together some of the most beloved patriotic tunes that honor the USA, making it the perfect companion for occasions like July Fourth or any time of the year when you want to express your love for your country.With Thirty Famous Patriotic Songs for Piano Accompaniment (Winds), you can immerse yourself in the rich musical heritage that has resonated with Americans throughout history while providing accompaniment for a number of different woodwinds and brass. The book features timeless classics like Amazing Grace, My Country Tis of Thee, America the Beautiful, and The Star-Spangled Banner, which will evoke a deep sense of national pride with every note.To enhance your musical experience, mp3 accompaniment tracks are available online, allowing you to perform these iconic songs with full instrumental support. This accompaniment book ensures that pianists have the sheet music they need to master these patriotic melodies and provide musical background for instrumental solos.From the stirring Battle Cry of Freedom to the soul-stirring Eternal Father, Strong to Save, Thirty Famous Patriotic Songs for Piano Accompaniment (Winds)encompasses a diverse array of compositions that capture the essence of the American spirit. Whether you're commemorating the sacrifices of the armed forces with The Marine's Hymn or embracing the lively spirit of American folk with Oh! Susanna and Yankee Doodle, this collection has it all.Experience the pride and joy of being an American with Thirty Famous Patriotic Songs for Piano Accompaniment (Winds). Immerse yourself in the rich tapestry of American history, as reflected in the music that has accompanied the nation through triumph and adversity. Let the melodies of liberty, unity, and patriotism resonate within your heart as you sing or play these beloved songs. Celebrate the legacy of a nation with Thirty Famous Patriotic Songs for Piano Accompaniment (Winds) and let the music of America inspire you.
SKU: CZ.9798396293144
ISBN 9798396293144.
Disc over the spirit of America with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings), a remarkable collection of melodies that celebrates the land of the brave and the home of the free. This comprehensive book brings together some of the most beloved patriotic tunes that honor the USA, making it the perfect companion for occasions like July Fourth or any time of the year when you want to express your love for your country.With Thirty Famous Patriotic Songs for Piano Accompaniment (Strings), you can immerse yourself in the rich musical heritage that has resonated with Americans throughout history while providing accompaniment for a number of different woodwinds and brass. The book features timeless classics like Amazing Grace, My Country Tis of Thee, America the Beautiful, and The Star-Spangled Banner, which will evoke a deep sense of national pride with every note.To enhance your musical experience, mp3 accompaniment tracks are available online, allowing you to perform these iconic songs with full instrumental support. This accompaniment book ensures that pianists have the sheet music they need to master these patriotic melodies and provide musical background for instrumental solos.From the stirring Battle Cry of Freedom to the soul-stirring Eternal Father, Strong to Save, Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) encompasses a diverse array of compositions that capture the essence of the American spirit. Whether you're commemorating the sacrifices of the armed forces with The Marine's Hymn or embracing the lively spirit of American folk with Oh! Susanna and Yankee Doodle, this collection has it all.Experience the pride and joy of being an American with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings). Immerse yourself in the rich tapestry of American history, as reflected in the music that has accompanied the nation through triumph and adversity. Let the melodies of liberty, unity, and patriotism resonate within your heart as you sing or play these beloved songs. Celebrate the legacy of a nation with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) and let the music of America inspire you.
SKU: HL.148619
ISBN 9781495029684. UPC: 888680078515. 9.0x12.0x0.492 inches. With a Foreword by Thomas Riis.
Late in his life, composer J. Rosamond Johnson (Lift Ev'ry Voice and Sing) submitted to his longtime publisher, E.B. Marks, a list of songs that would comprise a volume of his best early popular songs written with his pre-1910 partner Bob Cole and his brother, James Weldon Johnson (Autobiography of an Ex-Colored Man). That list was never put into print...until now. Featuring an introductionby Dr. Thomas Riis (Just Before Jazz) and several rare photos, this new compilation is the latest legacy offering from the Marks archive, which contains a rich heritage of turn-of-the-century African-American, and thus distinctly American, pre-jazz-era popular song. Includes: Ain't Dat Scan'lous * Big Indian Chief * The Big Red Shawl * The Bleeding Moon * Congo Love Song * The Countess of Alagazam * Fishing * I Don't Want to Be No Actor Man No Mo' * I'll Always Love Old Dixie * I'll Keep a Warm Spot in My Heart for You * I've Got Troubles of My Own * The Katy-Did, the Cricket and the Frog * Lazy Moon * Lit'l Gal * Louisiana Lize * Lovely Daughter of Allah * Ma Mississippi Belle * The Maiden with the Dreamy Eyes * Mudder Knows * My Heart's Desiah is Miss Mariah * My Castle on the Nile * Nobody's Lookin' but de Owl an' de Moon * Oh, Didn't He Ramble * The Old Flag Never Touched the Ground * On the Road to Monterey * The Pathway of Love * Roll Them Cotton Bales * Save It for Me! * The Spirit of the Banjo! * Sugar Babe * Two Eyes * Under the Bamboo Tree * When de Jack O'Lantern Starts to Walk About * When It's All Goin' Out, and Nothin' Comin' In * Who Do You Love?
SKU: KJ.JB104F
UPC: 8402704771.
Written to be included as the 4th movement to the multi-composer suite honoring the retirement of composer Jack Stamp. The folk song O Waly Waly is better known by its contemporary lyric The Water Is Wide, and happens to be one of Jack Stamp's favorite songs. Composer Timothy Broege puts his own imprint on the compositional style of the dedicatee, Jack Stamp.
SKU: KJ.JB104
UPC: 8402704770.
SKU: BR.EB-9398
ISBN 9790004188729. 9 x 12 inches. Chinese.
Poetry from a thousand years - First time in Urtext The legacy of Chinese poetry includes thousands of songs and poems spanning over more than three millennia. Gustav Mahler himself was inspired by seven of these poems for his Lied von der Erde. The 16 Selected Chinese Art Songs presented here are shaped in structure and musical grammar by the famous European Lied compositions and yet the Chinese idiom is unmistakable. The songs represent poetry from a thousand years, set into music by composers of the 20th century.first Urtext edition of 16 of the most famous Chinese art songsedited by Liao Changyong and Hartmut Hollphonetic translation in the musical text includedcomprehensive text part in three languages (Chin/Ger/Eng) with complete English translation of the used poemsfacsimile pages.
SKU: CF.SPS85F
ISBN 9781491156438. UPC: 680160914975. 9 x 12 inches.
Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines. The original request for this work was a daunting task: I was asked to create an Air Force companion piece to Robert Jager's Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine's Hymn into his work - that is, to weave a musical tapestry of the Air Force's musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few Jager-isms into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived as a dedication to the Air Force's musical legacy, it is also a personal homage to my teacher and friend, Robert Jager. Performance Notes * If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute. * Oboe 1 and 2 parts should be covered before adding the English Horn part. * The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts. * The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out. * From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines. * There is a strong tendency to rush m. 121. * During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo. * In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice line from mm. 251-260.) * In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279. * If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy.Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines.The original request for this work was a daunting task: I was asked to create an Air Force “companion piece” to Robert Jager’s Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine’s Hymn into his work – that is, to weave amusical tapestry of the Air Force’s musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few “Jager-isms” into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived asa dedication to the Air Force’s musical legacy, it is also a personal homage to my teacher and friend, Robert Jager.Performance Notes• If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute.• Oboe 1 and 2 parts should be covered before adding the English Horn part.• The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts.• The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out.• From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines.• There is a strong tendency to rush m. 121.• During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo.• In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice linefrom mm. 251-260.)• In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279.• If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy.
