Learn to Play Jazz Piano Standards - DVD

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Par AEBERSOLD JAMEY. Note-for-note piano transcription book from Vol. 41 'Body And Soul' - featuring Dan Haerle. A rich sampling of Dan’s marvelous comping over selected choruses of 10 timeless standards. INCLUDES: Misty, What’s New, Teach Me Tonight, Body And Soul, Alone Together, That’s All, Time After Time and more! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'whats he doing there?' Now youll know! Here, as never before, is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions, exactly asrecorded, of the exciting piano accompaniment from the World FamousAebersold Play-A-Long series. Not just for pianists, there are many ways for ALL MUSICIANS to use these wonderful musical tools: Pianists: First, listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next, readingfrom the book, play along with him, imitating his style. Finally, TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned, youll soon be improvising yourown accompaniment! Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings theyve heard on a particular Play-A-Long track. Written clearly for two hands, even the most novice pianistcan play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools, they will enhance your own understanding of voicings andvoice movement and provide you with better skills for accompanying your students. Note-for-note Piano transcription book from Vol. 41 'Body And Soul' - featuring Dan Haerle. A rich sampling of Dan’s marvelous comping over selected choruses of 10 timeless standards. Includes: Misty, What’s New, Teach Me Tonight, Body And Soul, Alone Together, That’s All, Time After Time and more! Why you should consider this and other Aebersold Piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what's he doing there?' Now you'll know! Here, as never before, is an opportunity to see real jazz Piano voicings and comping over real songs in real live musical settings. These historic books contain note-for-note transcriptions, exactly as recorded, of the exciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists, there are many ways for all musicians to use these wonderful musical tools: Pianists: First, listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next, reading from the book, play along with him, imitating his style. Finally, turn him off (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned, you'll soon be improvising your own accompaniment! Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular Play-A-Long track. Written clearly for two hands, even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools, they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students. / Niveau : Débutant / Méthode en anglais / Méthode / Piano ou Clavier

Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano

Par AEBERSOLD JAMEY. Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master, including: So What (slow), So What (fast), All Blues, Blue In Green, Nardis, Eighty One, Freddie Freeloader, and more!! Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master, including: So What (slow), So What (fast), All Blues, Blue In Green, Nardis, Eighty One, Freddie Freeloader, and more!! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here, as never before, is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions, exactly as recorded, of the exciting piano accompaniment from the World FamousAebersold Play-A-Long series. Not just for pianists, there are many ways for ALL MUSICIANS to use these wonderful musical tools. Pianists: First, listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next, reading from the book, play along with him, imitating his style. Finally, TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned, you’ll soon be improvising your own accompaniment! Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands, even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools, they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students. / Méthode en anglais / Méthode / Piano ou Clavier

It's never too late to play piano.. Christmas gives players the chance to explore their favourite Christmas songs in jazzy, easy-to-play arrangements. The pieces are suitable for those who have learnt for approximately one year, or have reached Level 14 of the It's never to late to play piano tutor. The pieces are gently progressive, gradually extending players' technique through playing pieces they love!The ground-breaking new tutor It's never to late to play piano gives adults the opportunity to learn the piano with a method devised exepcially for them. It breaks the learning into manageable chunks, features an accompanying CD and is packed with irresistible music and fascinating information: all the motivation you'll need to make learning fun!

The Perfect Way To Rediscover The Piano-Did you used to play the piano' Would you like to play again' Play it again: Piano uses real pieces from the piano repertoire to teach specific techniques and tips getting you playing fluently once again. This is the second book which is for the more confident 'former' piano player or for those continuing their journey from Book 1. The level of pieces in this second book progresses from around UK grades 5 to 8 (intermediate to late advanced). 'I used to play the piano''Aimed at 'returning' players who have spent some time away from the keyboard Play it again: Piano gives you the confidence to revisit this fulfilling pastime and go beyond what you previously thoughtyou could achieve.Each of the 21 pieces in Book 2 is accompanied by two full pages of easy-to-understand practice tips all designed to get your fingers speeding comfortably across the keys once again! There are more comprehensive Piano Technique and Theory sections at the front and back of each book so you can also delve deeper to regain a fuller understanding of music and technique. A refresher course for all abilities each book is arranged in 4 progressive sections with Book 1 moving from 'Elementary' to 'Intermediate' and Book 2 taking you from 'Late Intermediate' to 'Late Advanced'. Dip in and out wherever your level of playing suits: this two-book course starts with simple and elegant miniatures and concludes with the famously showy Prelude in C-sharp minor by Rachmaninoff! Confident pianists could start with Book 2 but there is a wealth of delightful repertoire and valuable practice tips in Book 1 it's always useful to go 'back to basics'. From Schumann to shuffles. Baroque Classical and Romantic works sit alongside Jazz Ragtime contemporary or traditional pieces at every level so each lesson brings something different and you'll learn to play in a range of styles some of which may be new to your fingers. If you often find yourself saying 'I used to play the piano'' but wish you still did then Play it again:

The basic principles of blues piano explained for the intermediate-level pianist-The forerunner to the awarded-winning Exploring Jazz Piano books Improvising Blues Piano examines the harmonic rhythmic and melodic aspects of the blues assuming a basic competence of around grade 3.All styles are covered from the 1920s to the present from the early boogie pioneers via swing gospel jump-jive New Orleans Chicago and Kansas City schools to the more sophisticated jazz and funky blues of the current scene. Over 60 pieces including many original compositions by the author together with new arrangements of well-known standarts such as 'Ain't No Sunshine' 'Blueberry Hill' 'Blue Monk' 'Got My Mojo workin' 'Honky Tonk Train Blues' 'How Long Blues' 'Just aCloser Walk with Thee' 'Pine Top's Boogie Woogie' 'St Louis Blues' etc.' Authentic left-hand patterns and bass lines' Professional chord voicings blues scales licks and riffs' Co-ordination exercises for both hands' Suggested listeningEach chapter is graded within itself providing some challenging pieces towards the end. Improvising is encouraged at all stages with assignments giving ideas and guidance.The accompanying CD contains all the pieces including some play-along tracks performed by Tim Richards.A very useful and comprehensive survey of different blues styles. Tim's clear demonstrations on the accompanying CD make this the essential book for all aspiring blues pianists (Jools Holland)This book leaves any possible competition standing at the post. (Brian Priestley Jazzwise Magazine)I highly recommend the book. It's the best I've seen yet... Helpful features include a grat Cd by the London-based Richards who is a top-notch performer recording artist and educator. It's almost like having your own personal instructor. (Blues Review USA)The presentation is immaculate the method is logical and friendly. This book feels good... (MOJO)A brilliant new publication from Schott. Each chapter extends the player's harmonic knowledge and gives clear instructions how to progress... You learn not just how to play the blues but also its history and major exponents.

Learn how to play Latin jazz Piano based on traditional Latin music from Cuba and Brazil. Latin Jazz Piano addresses the three roles that the jazz pianist typically plays: as a member of an accompanying rhythm section, as a lead instrument within an ensemble and as a solo instrument. The CD features many examples in the book and combo tracks with which to play along.The book is divided into three sections. The first covers Afro-Cuban (Afro-Caribbean) jazz, the second section deals with Brazilian influenced jazz - Bossa Nova and Samba, and the third contains lead sheets of the tunes and instructions for the play-along CD.The Afro-Cuban section contains a chapter on some basic concepts of traditional Afro-Cuban music, including the clave, tumbao, and montuno. Also, there is a chapter on typical piano voicing used in Afro-Cuban music Latin jazz in general.Next is a chapter on typical comping patterns used in various Afro-Cuban styles such as Mambo, Cha-cha, etc. The last chapter in this section features tunes written in these various styles and arranged for lead instrument, piano and bass, piano lead, and piano solo. The next section on Brazilian-related jazz begins with a chapter on the many varied rhythms typically used in comping for Bossa Novas and Sambas, and concludes with a chapter featuring tunes arranged in the same ways as the first section.The third section contains lead sheets of all the tunes so the reader can play and improvise on them along with the accompanying CD. The reader is encouraged to continually change the way he or she plays these tunes and apply the principles found in this book to other tunes in the Latin jazz repertoire. / Piano

Un stimulant et gratifiant expérience pour tous les pianistes de Jazz compétents qui souhaitent élargir leur vocabulaire et improviser plus créative, d'apprentissage basé autour de six normes stupéfiantes. Andy LaVerne illumine les changements de corde, voicings, des ornements et des idées improvisation qui rendent les normes prennent vie. Vous allez commencer en apprenant les changements fondamentaux, avant de déménager dans des restitutions plus complexes, a démontré à moitié-vitesse afin que vous ne raterez pas une note. Chaque chanson est disséqué harmoniquement, potentiels énormes en reharmonisation et la substitution, l'ouverture, ainsi que fournir un guide solid pour vos propres mélodies improvisées. / Piano (Ou Clavier)

Book 1 Book With Online Audio-There are things in life you cannot learn from books. Jazz rock and the blues are among them. To play these improvised styles of music it's important to look beyond the sheet music and theory manuals. The process involveslearning by ear directly from the music itself. Learning by ear acquaints you with melody harmony and rhythm in terms of how these elements sound rather than how they look on paper. This familiarity lies at the very heart ofimprovising.This book and its accompanying CD will serve as your guide as you develop your jazz rock and blues improvising talents. It introduces the experience to anyone with a year of basic Piano under their fingers.Improvisations featured on the CD will offer inspiration and illustrate improvising techniques introduced in the text. Ultimately you will be prepared for learning directly from the recordings of your favorite artists.