Matériel : Partition + CD
Il s'agit de la dernière collection dans cette série de attrayant, facile, amusant à-play-pièces pour piano. La musique rock a été au coeur de la culture populaire depuis plus d'un demi-siècle, mais ses racines dans la musique Gospel et Rhythm and Blues des décennies précédentes. Les modèles de cette collection représentent principalement l', point culminant milieu de sa popularité, de ces artistes, solistes, compositeurs et groupes qui ont été révélées durables et dont la musique est devenue la nouvelle 'normes'.- Styles et les tempos varient pour donner un mélange de styles de rock et ballade- Un peu dans le 4-temps, mais en utilisant à la fois 8 - et 16 chiffres-beat et de styles- Croches emploient tous 'droite' et de présenter des rythmes difficiles- Beaucoup sont basés sur les lignes et ostinatos basse à gauche. / Piano
SKU: AD.ADG209
ISBN 9781970178456. UPC: 663389120921. 9 x 12 inches.
As so many keyboards and virtual instruments emulate clavinet keyboard sounds I thought it would be of interest to many keyboard players to write a book containing riffs associated with playing the clavinet, usually featured in Funk, Soul and Rock, Jazz-Funk-Fusion and Reggae styles.The ClavinetThe clavinet is a 5 octave keyboard manufactured by Hohner from the 1960’s to the 1980’s and its bright staccato sound has been used extensively in the above mentioned styles. The clavinet is often used with wah-wah and phaser effects giving unique sounds reminiscent of how a rhythm guitarist would play. Playing the clavinet is generally different than playing the piano or organ. Usually you are playing very staccato parts similar to how a guitarist would pick a string on the guitar. The left and right hand often play separate syncopated parts that require extensive practice. My suggestion would be to clap or tap the rhythm of both left and right hand. Once the rhythm is mastered go on to play the left and right hand parts separately at a slow tempo and gradually speeding it up to the recommended tempo.I have created a youtube video showing you the steps that I recommend for learning these riffs.https://youtu.b e/8tLdPhnA0ngEach of the 100 riffs has been recorded 3 times:Clavinet with rhythm backing tracks, Rhythm backing tracks, Rhythm backing tracks at a slow tempo.
SKU: BT.1267-05-010-MS
9x12 inches. English-German-French-Dut ch.
Ray Charles (1930-2004) was a multitalented and pioneering American pianist and soul singer who became very popular in the late fifties, and remained respected for his music in the decades that followed. By incorporating gospel, jazz, blues, and big band elements, he helped shape the sound of rhythm and blues, and brought a soulful sound to everything from country music to pop standards. Ray Charles embodied the American dream, starting out a poor, blind boy from the southern United States and becoming an international music phenomenon; his nickname was “the Genius†for a good reasonIn this arrangement for concert band, Peter Kleine Schaars presents five of the songs thatcontributed to Ray Charles’ fame: I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So, and Unchain My Heart. Ray Charles (1930-2004) was een vernieuwend Amerikaans pianist en soulzanger die populair werd in de jaren vijftig en geliefd bleef in de decennia die volgden. Hij gaf mede vorm aan de sound van de rhythm & blues en hij gaf een soulachtigeklank aan alle muziek van country tot aan popstandards - waarin hij gospel, jazz, blues en bigband-elementen verwerkte. Dit arrangement bevat vijf van de songs die bijdroegen aan de roem van Ray Charles: I Can’t StopLoving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So en Unchain My Heart.In den fünfziger Jahren erlangte der Pianist und Soulsänger Ray Charles große, bis heute ungebrochene Popularität. In dieser Bearbeitung für Blasorchester präsentiert Peter Kleine Schaars fünf der Lieder, die wesentlich zu Ray Charles’ Ruhm beitrugen und auch heute noch ein hoch ansteckendes Soul-Fieber unter Musikern und Zuhörern auslösen können. Ray Charles (1930-2004) était un pianiste et un chanteur de soul américain l’esprit novateur et aux multiples talents. Il connut le succès dès la fin des années 1950 et son immense notoriété ne le quittera plus. En intégrant dans son jeu des éléments venus du gospel, du jazz, du blues et du big band, il a contribué la naissance et au développement du rhythm and blues et apporté une sonorité pleine de sensibilité tous les styles musicaux, de la musique country aux grands classiques de la musique pop. Ray Charles incarnait le rêve américain : musicien noir, aveugle, issu du milieu défavorisé du Sud des États-Unis, il accède au statut de phénomène musical dans le mondeentier. On ne l’a pas surnommé “the Genius†par hasard. Dans cet arrangement pour Orchestre d’Harmonie, Peter Kleine Schaars a rassemblé cinq titres emblématiques de Ray Charles : I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So et Unchain My Heart. Ray Charles è un vero mito: cinque decenni di successi, una carriera eccezionale ricca di decine di successi che hanno fatto il giro del mondo diventando fonte di ispirazione per intere generazioni di giovani artisti. Soprannominato “The Geniusâ€, questo pioniere del R&B e della soul music, cieco dall’et di sette anni, ha composto alcune delle canzoni memorabili della musica nera americana tra cui I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her so e Unchain My Heart.
SKU: HL.49033322
ISBN 9783795757304. 9.25x12.0x0.606 inches. German.
This saxophone method is suitable for lessons and self-study and is aimed at young people and adults who want to learn to play the saxophone with fun and success. This is why this established method focuses on well-known songs - long-winded explanations and dry exercises are avoided. All subject matters have been wrapped up in attractive songs and pieces which sound like real music right from the beginning thanks to the live recorded playback tracks. Thus, exercising is fun. Another successful instrumental method in the well-known 'Hobby' series. Dirko Juchem has made a name for himself as a saxophonist, saxophone teacher and specialist author on both a national and international level for many years.His saxophone sound and wide range of styles are well in demand: He has played with well-known German and international artists such as Rolf Zuckowski, Barbara Dennerlein, Thomas Anders, Anne Haigis, Harald Juhnke, Pe Werner, Sara K. as well as with musicians of Jethro Tull, Jazz-Kantine or the Mike Oldfield Band. Apart from numerous concerts and productions with other artists and bands, he performs again and again with his own programmes - solo, as a duo or with an entire band. Up to now, he has performed in more than 100 CD and LP productions, and his tours have taken him as far as Los Angeles and Taiwan.Having taught at various music schools as a saxophone teacher and held lectures at the Bundesakademie Remscheid as a guest lecturer, he knows the problems of saxophonists from first-hand experience.In addition, Dirko Juchem is the author of numerous textbooks and tune books for the saxophone as well as a specialist author of articles for musicians' journals ('Sonic', 'Sound Check', 'Fachblatt Musikmagazin').
SKU: AD.ADG188
ISBN 9781934163832. UPC: 663389118829. 9 x 12 inches.
Andrew D. Gordon has created 30; 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.Facebook Twitter Pinterest Google+.
