The Chrysanthemum

33 classic Joplin rags and dances for Piano. Among the titles included are such favourites as The Entertainer Maple Leaf Rag Fig Leaf Solace The Chrysanthemum Strenuous Life and Harmony Club Waltz.

Here are easy arrangements of 23 ragtime favorites! Players will enjoy the characteristic syncopation and accented stride piano style that makes these ragtime tunes simply authentic. Includes: Bees-Wax Rag - The Chrysanthemum - Cotton Time - Crab Apples - Dill Pickles - The Entertainer - Tiger Rag - Too Much Mustard - Wild Cherries Rag - and more. / Piano

Scott Joplin was considered the father of Ragtime. His many compositions were the hits of their time and remain classic favorites of the syncopated style. The 20 titles in this collection are: The Cascades * The Chrysanthemum * Combination March * The Easy Winners * The Entertainer * The Favorite * Gladiolus Rag * Harmony Club Waltz * Maple Leaf Rag * Peacherine Rag * Pineapple Rag * The Rose-Bud March * Scott Joplin's New Rag * Solace * Stop-Time Rag * The Strenuous Life * Sugar Cane * Sunflower * The Sycamore * Wall Street Rag.

Suitable for Grades 5-6-African-American composer and pianist Scott Joplin achieved fame for his ragtime compositions and was dubbed the 'King of Ragtime Writers'. During his brief career he wrote 44 original ragtime pieces one ragtimeballet and two operas. One of his first pieces the 'Maple Leaf Rag' became ragtime's first and most influential hit and has been recognized as the archetypal rag.Scott Joplin Orange includes 5 greatpieces for Grade 5-6 solo Piano from the 'King of Ragtime Writers'. Contents: Chrysanthemum Elite syncopations Palm leaf rag Reflection rag and Rosebud march.

Par PUCCINI GIACOMO. Full Score and complete set of Parts for Giacomo Puccini's Crisantemi and three Minuets. Scored for String Orchestra with foreword in English, German and Italian. Full Score and complete set of Parts for Giacomo Puccini's Crisantemi and three Minuets. Scored for String Orchestra with foreword in English, German and Italian./ Répertoire / Quatuor à Cordes

Description
Écrits des castrats sur le chant, volume 2
L?art des castrats repose sur peu de documents imprimés à caractère technique (méthodes, traités). La fameuse « feuille » de Porpora (bref recueil d?exercices censés mener à une haute maîtrise) reste inconnue, même si une édition anglaise tardive clame le contraire. Seuls subsistent de nombreux solfeggi manucrits, composés par les maîtres napolitains (Durante, Scarlatti, Leo, Aprile, etc.). Dans ce contexte, les écrits de Pierfrancesco Tosi (1654-1732) et Giovanni Battista Mancini (1714-1800) prennent une valeur inestimable. Ils ont fait l?objet d?une premier volume. Ce deuxième volume, complément indispensable au premier, rassemble les écrits et exercices de Tenducci (célèbre par ses aventures à Londres), Rauzzini (pour qui Mozart écrivit plusieurs ?uvres), Pacchierotti (admiré dans toute l?Europe) et Crescentini (que Napoléon fit venir en France). Chacun de ces remarquables chanteurs apporte un élément complémentaire : exercices et transpositions de Tenducci, solfeggi de Rauzzini, technique d?ornementation pour Pacchierotti et interprétation (articulation et nuances) pour Crescentini.
Writings of the Castrati on singing, volume two
The castrati?s art is documented by few printed books with exercices, or treatises. The famous « Porpora?s sheet » (few exercices reputed to lead to high virtuosity) remains lost, even if a late English edition announces the contrary. Only extant are numerous manuscript solfeggi, coposed by Neapolitan masters (Durante, Scarlatti, Leo, Aprile, etc.). In this context, the treatises by Pierfrancesco Tosi (1654-1732) and Giovanni Battista Mancini (1714-1800) are of great importance. We edited them in a first volume. This one is a complement and shows the writings, exercices and solfeggi by Tenducci (famous by his adventures in London), Rauzzini (for whom Mozart composed some works), Pacchierotti (admired in all countries of Europa) and Crescentini (invited in France by Napoléon). Each of these renowned artists proposes complementary elements : exercices and transposition by Tenducci, solfeggi by Rauzzini, ornamentation by Pacchierotti and interpretation (articulations and dynamics) by Crescentini. / Partitions classique / Vocale - chorale / Voix solo - piano / LES PRESSES DU COLLEGE MUSICAL

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le chant.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - sept volumes.Méthode du Conservatoire - Girolamo CRESCENTINI.Table des matières :Mengozzi Bernardo

Description L'Art des castrats repose sur peu de documents imprimés à caractère technique (méthodes, traités). La fameuse feuille de Porpora reste inconnue, même si une édition anglaise tardive clame le contraire, et seuls subsistent de nombreux solfeggi composés par les maîtres napolitains (Durante, Scarlatti, Leo, Aprile, etc.). Dans ce contexte, les écrits de Pierfrancesco Tosi (1654-1732) et Giovanni Battista Mancini (1714-1800) prennent une valeur inestimable. Héritiers des plus grands interprètes, ces deux castrats nous laissent une somme sur le chant, abordant toutes les facettes de l'art vocal au dix-huitième siècle. Un deuxième volume, complément indispensable à celui-ci, rassemble les écrits et exercices de Venanzio Rauzzini (1746-1810), Giusto Fernando Tenducci (1736-1790), Girolamo Crescentini (1762-1846) et Gaspare Pacchierotti (1740-1821), ainsi que de pièces musicales diverses.