/ Basson Et Piano
SKU: HL.48182966
UPC: 888680865160. 9.0x12.0x0.049 inches.
“Composed by Joseph Edouard Barat, Andante and Allegro is a piece for Trombone and Piano, dedicated to H. Couillaud, a Conservatoire professor. Quite difficult, this piece would be perfect for recitals and contest, and can be played by advanced players. Starting slowly, the first half of the piece evolves into a Piu vivo part. The second half of the work is a rapid Allegro theme (tempo 144-152), followed by a slower part and the Allegro theme played again ?a tempo?, before introducing the close in harmonies. Joseph Edouard Barat (1882-1963) composed numerous pieces for Wind instruments and Piano accompaniment such as 'Andante and Allegro' or 'Introduction and Dance' among many others.”.
SKU: HL.14016189
UPC: 884088491918. 8.0x12.0x0.09 inches.
J. B. Senaillé's Introduction And Allegro Spiritoso For Bassoon And Piano arranged by Howard Parker for Bassoon and Piano accompaniment. < /em>Originally scored for 4 solo parts for low brass instruments. Duration - 3 Minutes.
SKU: HL.48182963
9.0x12.0x0.058 inches.
Composed by Joseph Edouard Barat, Introduction and Dance was written for Bb or C Saxhorn and Piano. Written for upper beginners, this piece is composed 1/3 by the introduction and 2/3 by the dance. Starting quite slow, the tempo doubles when the piece becomes a dance. Very melodic and cheerful, this piece is really enjoyable to play and hear. Joseph Edouard Barat (1882-1963) composed numerous pieces for winds and Piano accompaniment such as 'Andante and Allegro' or 'Oriental' among many others..
SKU: HL.49018337
ISBN 9790001171236. UPC: 884088586904. 9.0x12.0x0.22 inches.
On her 34th birthday, Clara Schumann was not only given a grand piano by her husband, but the latest music material as well. Among them was the one-movement Concert-Allegro with Introduction for Pianoforte and Orchestra Op. 134 in which the dominance of the solo instrument is even stronger than in the previous composition Introduction and Allegro appassionato Op. 92 which also consists of one movement only. With both works, Schumann continued the reformation of the solo concerto genre as intended.
SKU: AP.36-A103001
ISBN 9781581068764. UPC: 654690664686. English.
Sir Edward Elgar's Introduction and Allegro for Strings, Op. 47, was composed in 1905 for performance in an all-Elgar concert by the newly formed London Symphony Orchestra. Scored for string quartet and string orchestra, Elgar composed it to show off the players' virtuosity.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.50565503
The full score of Maurice Ravel's Introduction And Allegro For Harp, Flute, Clarinet And String Quartet, a lesser-known work by the French composer, completed in 1905.
SKU: CF.H77
ISBN 9781491153840. UPC: 680160911349. 9 x 12 inches.
This critical edition of Ravel's Introduction and Allegro has been carefully prepared by Carl Swanson. The preface includes historical and performance information on the piece, including a comparison of the separate parts of all seven instruments to the full score with a list of corrections for each instrument. It has been published the way that it is actually played, making it clear to read and consistent with Ravel's music and musical intent.
SKU: HL.49015482
ISBN 9783795754631. 9.0x12.0x0.42 inches. German.
Vol. 3 of 'Die frohliche Violine' pursues the same musical and technical goals as the first two volumes. It contains a detailed introduction to the flat keys, C major key as well as the 2nd and 3rd positions. The last chapter takes up the subject matter of the first chapters again in a more demanding form and with longer charming pieces, giving an insight into 'virtuoso' violin technique.
SKU: HL.49008321
ISBN 9790001126717. 6.0x9.0x0.166 inches.
There is no greater virtue befitting to Mankind than faith, which manifested, doth friendship firmly bind. This verse was written by Simon Dach, the leader of the Konisberg circle of poets, during the Thirty Years' War, and a little later was set to music by Heinrich Albert. The anxieties and tribulations of the period are reflected in the songs and make it particularly applicable to us as survivors of the strife and disorder of our own day. Thus, Harald Genzmer has adopted it as the cantus firmus of his Prologue for Orchestra, in which we are reminded of it throughout, in its original form, in inversion, fanfare introduction, funeral march, intermezzo and final allegro.
