Matériel : Partition
aus: Opella Nova 1618, Teil 1. Par SCHEIN JOHANN HERMANN. Aus: Opella Nova (1618), Teil 1 / Musique religieuse / Répertoire / Solistes SS et Basse Continue
SKU: BA.BVK02201
ISBN 9783761822012. 38 x 24 cm inches. Text Language: German, English.
The cantataAllein zu dir, Herr Jesu ChristBWV 33, composed for the Thirteenth Sunday after Trinity in 1724, is now the only vocal work by Bach for which the complete source material from the time of composition can be published in facsimile. It is one of the few works by Bach for which material from the first performance survives almost complete. But this is held in different locations on several continents: the composition score is preserved in the Scheide Library at Princeton , US , the performance parts in the Bach- Archiv Leipzig and the libretto of 1724 in the Russian National Library in St. Petersburg . All these components have now been published in a high-quality facsimile edition. This valuable edition, with a slip case, offers both specialists and lovers of Bach's music a unique insight into the composer's working methods and the changing performing circumstances he encountered. Additional information is contained in a detailed commentary (in German and English) by Christoph Wolff and Peter Wollny . BWV 33 belongs to the unique annual cycle of chorale cantatas composed by Bach in 1724/25, the second year of his Leipzig tenure. The cantata is one of the very few works where all the relevant source materials for the first performance have been preserved but are kept in various libraries throughout the world : The composing score is kept at the Scheide Library in Princeton, the vocal-instrumental performing parts at the Bach Archive Leipzig and the original libretto at the Russian National Library in St. Petersburg. The facsimile offers invaluable insights into the composer's workings and the changing conditions for performances under his direction. - Published to commorate the 325 th anniversary of Bach's birth on 21 March 2010 - Limited edition of 100 copies - Net proceeds go to the Bach Archive, Leipzig
SKU: CA.3103309
ISBN 9790007205522. Language: German/English.
Sco re available separately - see item CA.3103300.
SKU: CA.3117714
ISBN 9790007209841. Text language: German/English.
The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700.
SKU: CA.803300
ISBN 9790007015268. Language: German. Text: Hubert, Konrad. Text: Konrad Hubert.
SKU: CA.3117712
ISBN 9790007209827. Text language: German/English.
SKU: CA.3103314
ISBN 9790007205560. Language: German/English.
SKU: CA.3117711
ISBN 9790007209810. Text language: German/English.
SKU: CA.3117709
ISBN 9790007209803. Text language: German/English.
The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700.
SKU: CA.3103312
ISBN 9790007205546. Language: German/English.
SKU: CA.3117707
ISBN 9790007142865. Text language: German/English.
The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score available separately - see item CA.3117700.
