Matériel : Conducteur et Parties séparées
SKU: GI.G-6200HB2
ISBN 9781579997793.
To be published in three volumes, this edition of practical and accessible settings for two and three octaves handbells and/or handchimes offers parish handbell choirs an opportunity to lend instrumental support and enhance the assembly song. GIA is pleased to introduce the first of three volumes: Hymns and Songs of the Church Year (323-494). This volume provides handbell accompaniments for 138 hymns and songs for: Advent, Christmas, Holy Family, Epiphany, Baptism of the Lord, Ash Wednesday, Lent, Palm Sunday, Holy Thursday, Good Friday, Easter, Ascension, Pentecost, Trinity, and Christ the King. This resource can be used with other hymnals containing hymn tunes with the same harmonizations. Each volume is three-hole punched, and individual pages can be placed into each ringer’s three-ring binder. All pages are numbered to aid in organizing and storing each volume. Order 5 or more copies and get them for $15.00 each. For quantity discount pricing, please call our customer service department at 1.800.442.1358.
SKU: GI.G-6200HB3
ISBN 9781579997892.
Publ ished in three volumes, this edition of practical and accessible settings for two and three octaves handbells and/or handchimes offers parish handbell choirs an opportunity to lend instrumental support and enhance the assembly song. GIA is pleased to introduce the second of three volumes:Hymns and Songs for General Use and Special Occasions (495-877). Among the topics included are: Creation Word Praise Thanksgiving Kingdom Church Concern Second Coming Annunciation Mary Saints Eucharist Penance Funeral Nation New Year This resource can be used with other hymnals containing hymn tunes with the same harmonizations. Each volume is three-hole punched, and individual pages can be placed into each ringer’s three-ring binder. All pages are numbered to aid in organizing and storing each volume. Order 5 or more copies and get them for $25.00 each. For quantity discount pricing, please call our customer service department at 1.800.442.1358.
SKU: GI.G-CD-440
The songs contained in the volumes of the Catholic Classics series have stood test of time. These are definitive Catholic songs—the one's that are always popular, that everyone sings, knows by heart, and wants to hear over and over again. Perhaps, best of all Catholic Classics is not for Catholics only. Catholics are joined by Christians across the other denominations in singing these wonderful and beloved hymns. This volume contains instrumental renditions of favorite hymns and songs arranged for guitar and other instruments by Bobby Fisher. .
SKU: GI.G-918
Seasons of Grace, Volume 5 features fourteen more intermediate level arrangements for the liturgical pianist. As with previous volumes of the series, Tate delights us with his take on many traditional hymns (including the lilting slane as well as an exciting multi-metric arrangement of I Sing The Mighty Power of God), chant melodies (such as in paradisum, beautifully paired with funeral songs by Liam Lawton and David Haas), seasonal pieces (such as a medley of Polish Christmas carols), and even a suite of Gospel favorites (including In The Garden, There Is Power In The Blood, and Blessed Assurance). Also featured are original tunes by Tate, including Open Our Eyes, O Lord, We Pray and two flexible interludes for those moments when you need a short, last minute instrumental piece during the liturgy. If you like the music of Jim Brickman, George Winston, and Jeanne Cotter, you will want to include Seasons of Grace Volume 5 in your CD and piano book collection today.
SKU: ST.EC54
ISBN 9790220222023.
This is an important addition to the pair of consecutive EECM volumes of John Sheppard's Latin compositions for the Use of Salisbury published in the 1970s. Although he had evidently mastered the forms of Mass and votive antiphon, the composer is at his most characteristic in his settings of the plainsong melodies which form the bedrock of the Sarum liturgy. These account for most of the contents of this volume, together with free-composed settings of Biblical texts and a small corpus of devotional polyphony, most of it fragmentary. In general, textural richness is cultivated in preference to long arcs of melisma, and perfect time is favoured over imperfect, creating a directness of expression that seems to typify mid-Tudor polyphony. The format of this volume follows EECM's house style for post-Reformation composers.
