/ Hautbois Et Orgue
SKU: BT.SCHBB102352
Contents: Bethesda · Gang nach Emmaus (Journey to Emmaus) · Martha und Maria (Martha and Mary).
SKU: HL.48018343
UPC: 073999583892. 9.0x12.0x0.125 inches.
Oboe Solo.
SKU: CA.1224005
ISBN 9790007098896. Language: German.
The basis for the children's musical Israel in Agypten is the Biblical report of the liberation of the Israelites from Egyptian slavery by Moses. The work contains 12 songs with catchy melodies and texts suitable for children. In the arrangements, elements of pop, jazz, and classical music are joined. The scenes are supplied with many staging directions. The musical is fun for children and makes Biblical stories come alive. The music is funny, lively, and very catchy, so that the children bring home a new hit stuck in their ear or on the lips after every rehearsal. (Wurtt. Bl. f. Kirchenmusik 6/00) The children's musical Israel in Agypten is a successful piece of musical theatre ... Thomas Riegler shows that he has a sense for theatrical effect, not only with his music, but also with his text. The dialogs are funny, but never hard to learn. (Musik und Gottesdienst 3/00). Score available separately - see item CA.1224000.
SKU: CA.1224031
Language: German.
The basis for the children's musical Israel in Agypten is the Biblical report of the liberation of the Israelites from Egyptian slavery by Moses. The work contains 12 songs with catchy melodies and texts suitable for children. In the arrangements, elements of pop, jazz, and classical music are joined. The scenes are supplied with many staging directions. The musical is fun for children and makes Biblical stories come alive. The music is funny, lively, and very catchy, so that the children bring home a new hit stuck in their ear or on the lips after every rehearsal. (Wurtt. Bl. f. Kirchenmusik 6/00) The children's musical Israel in Agypten is a successful piece of musical theatre ... Thomas Riegler shows that he has a sense for theatrical effect, not only with his music, but also with his text. The dialogs are funny, but never hard to learn. (Musik und Gottesdienst 3/00). Score and part available separately - see item CA.1224000.
SKU: WD.679143059499
UPC: 679143059499.
Hit songs, fun to perform, easy-learn-easy-sing format, powerful message full of Biblical truths...
SKU: SU.80101359
Commissioned by King’s Chapel, Boston, Massachusetts, in celebration of its 325th anniversary, this longer a cappella work uses a text assembled and adapted from various Biblical passages. From the composer's introduction: The anthem begins grandly with words from Psalm 89 celebrating God’s all-encompassing faithfulness and love. An alleluia refrain follows and returns several times throughout the work. However, it is not a majestic, Handelian alleluia, but rather one of inward passion and fervent introspection. The next section begins joyously with the familiar prophesy from Zechariah; it is followed by several brief Gospel scenes from the life of Jesus. After another alleluia, words of blessing from Psalm 103 are set vigorously before the work closes with a final alleluia. Recorded on the CD The Welcome News: Choral Music of Carson Cooman (Gothic)SATB Chorus, a cappella Composed: 2011 Published by: Zimbel Press Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusi c.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: WD.080689558399
UPC: 080689558399.
SKU: WD.679143059482
UPC: 679143059482.
SKU: WD.080689919121
UPC: 080689919121.
SKU: WD.080689456770
UPC: 080689456770.
SKU: BA.BA04025-01
ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.
Handel??s ??Semele?, which premiered in February 1744, is based on an adapted version of William Congreve??s opera libretto titled ??The Story of Semele?, originally published in 1706. However, neither Handel nor his librettist referred to ??Semele? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The ??Halle Handel Edition? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semele??s abduction by Jupiter. While Jupiter??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Ino??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semele??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.Hande l??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.
